Williams chet (6 resultados)
- Tapa dura
Librería: Better World Books Ltd, Dunfermline, Reino UnidoBetter World Books Ltd
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado - Bueno
EUR 5,61
Envío por EUR 5,80Se envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: 1 disponibles
Condición: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Más imágenes- Tapa blanda
- Primera edición
Librería: Scene of the Crime, ABAC, IOBA, St. Catharines, ON, CanadaScene of the Crime, ABAC, IOBA
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado - Muy bueno
EUR 18,09
Gastos de envío gratisSe envía de Canada a Estados Unidos de AmericaCantidad disponible: 1 disponibles
Soft cover. Condición: Near Fine. 1st Edition. First Pocket Books paperback edition, first printing of this collection of 17 short stories from The Horror Writers of America about vampires. Featured are The Miracle Mile by Robert R. McCammon, Dancing Nitely by Nancy A. Collins, Stoker's Mistress by Clint Collins, Does the Blood…Line Run on Time? by Sidney Williams and Robert Petitt, Red Eve by Al Sarrantonio, We Are Dead Together by Charles de Lint, Calm Sea and Prosperous Voyage by Chet Williamson, Advocates by Suzy McKee Charnas, Chelsea Quinn Yarbro, Special by Richard Laymond, Herrenrasse by J.N. Williamson, Duty by Ed Gorman, Midnight Sun by Brian Hodge, A Bloodsucker by David N Meyer III, Prodigal Sun by Thomas F. Monteleone, There Are No Nightclubs in East Palo Alto by Clifford V Brooks, Juice by Lisa W. Cantrell and Behind Enemy Lines by Dan Perez. Light edgewear. Age toning to the pages. In Near Fine Condition.
Editorial: Business Book Concern, New York, NY, 1919
- Tapa blanda
Librería: Bittersweet Books, North Stonington, CT, Estados Unidos de AmericaBittersweet Books
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado - Bueno
EUR 13,57
Envío por EUR 4,28Se envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
Soft cover. Condición: Very Good. Buff staple-bound 48-page booklet. A great little early customer service guide. 6 inches by 4 inches.
Editorial: Historical Program Staff
- Tapa blanda
Librería: Pacific Rim Used Books LLC, Anacortes, WA, Estados Unidos de AmericaPacific Rim Used Books LLC
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado - Bueno
EUR 22,62
Envío por EUR 5,05Se envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
Paperback. Condición: Very good. 1964. 8.5 x 11 inches, Churchill County, Nevada, Centennial Historical Souvenir Program. There are many b&w photos. 40.
Carpenters Anthology - Songbook With Piano Sheet Music, Lyrics and Chords
The Carpenters; Williams, Paul; Nichols, Roger; Carpenter, Richard; Powers, Chet; Bettis, John
Editorial: Almo Publications, USA, 1976
- Tapa blanda
- Primera edición
Librería: RareNonFiction, IOBA, Ladysmith, BC, CanadaRareNonFiction, IOBA
Contactar con el vendedorVendedor de 5 estrellasMiembro de asociación: IOBA
Condición: Usado - Regular
EUR 266,86
Envío por EUR 17,56Se envía de Canada a Estados Unidos de AmericaCantidad disponible: 1 disponibles
Paperback. Condición: Fair. First Edition. Fabulous collection of Carpenters piano sheet music with lyrics and chords. 120 pages including photos of Karen and Richard, some in color. Songs include: All I Can Do; All of My Life; Another Song; Benediction; (They Long To Be) Close To You; Crescent Noon; Crystal Lullaby; Drusilla Pe…nny; Eve; Flat Baroque; Fun, Fun, Fun; Goodby to Love; I Kept on Loving You; I Wont' Last a Day Without You; Invocation; Let Me Be The One; Let's Get Together; Maybe It's You; Mr. Guder; One Love; Only Yesterday; Rainy days and Mondays; Road Ode; Saturday; Someday; Top of the World; Turn Away; We've Only Just begun; What's The Use; Yesterday Once More; Your Wonderful Parade. Above-average wear and soiling. Binding intact. A worthy working copy of this precious Carpenters memento.; 4to.
Más imágenesLibrería: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, Estados Unidos de AmericaBetween the Covers-Rare Books, Inc. ABAA
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado - Bueno
EUR 22.615,46
Envío por EUR 4,83Se envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
Unbound. Condición: Very Good. Large mural on plywood. Approximately 72" x 36". Luminous or florescent paint, probably acrylic-based (similar to DayGlo paint) in many colors on large 1/2" Weyerhaeuser plywood. Signed in the lower right quadrant: "Chet Williams, 12-11-78." Corners a little rounded, some rubbing to a few sections,… grain of the plywood shows through a bit, overall very good. A spectacularly colorful and accomplished representation of the band, staged in front of the giant Mothership, and with a cerise ray gun blast bisecting the painting horizontally. Parliament and The Funkadelics were two separate bands that played concurrently, both under the direction of George Clinton, and both with roughly the same complement of musicians. By the late 1970s, the term Parliament-Funkadelic became the catchall phrase for the creative and increasingly uncatagorizable music project. The wildly creative members of Parliament-Funkadelic, who played a mixture of funk, soul, psychedelic rock, and jazz improvisations, were an important influence on post-disco and post-punk music, as well as a seminal influence on hip hop music, and in some sense have become a genre unto themselves. In the years following their commercial decline, brought about by a number of reasons, hip hop DJs began to extensively sample P-Funk beats, which helped to reinvigorate the band, with the subsequent re-issue of their catalog and the reconstitution of the band. They were inducted into the Rock and Roll Hall of Fame in 1997. This spectacular vernacular mural pretty perfectly captures the P-Funk lineup at their most creative, as well as during their most commercially successful iteration, when they evolved the entire P-Funk mythos, complete with references to science-fiction, and featuring their prop "Mothership" that was central to their touring show. A unique artifactual evocation of the P-Funk phenomenon. We can find out nothing conclusive about the artist, but apparently this was found in southern Connecticut.
