William davis etc (18 resultados)

Condición: Good. 2 Sub. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Wraps. 60 pages of ads at rear of magazine. Contents include: A Kinsman of Red Cloud, by Owen Wister with illustrations by Frederic Remington, ; Part V of Trilby by George du Maurier; The Chastisement of the Qualla Battooans, by Edgar Stanton Maclay; Part I of A Kentucky Cardinal by Allen; The Exiles, a story by Richard Harding Davis; and more. Many fine engraved illustrations. Tan illustrated wraps. Clean, unmarked copy. Very good. No dust jacket as issued. Frederic Remington, Albert E. Sterner, T. De Thustrup, George du Maurier, W.T. Smedley, Harry Fenn, Jules Turcas, William Thomps (ilustrador).…

Soft cover. Condición: Good. First Edition. Single Issue In Original Wrappers. 1 1/2" Tear And 1/2" Chip At Bottom Of Spine, Darkening To Lower Fore Edge Of Front Cover. With The Harpers Subscription Blank Laid In Loosely. B/W Illustrations (ilustrador).

very good.

almost near fine.

Hardback. Condición: vgc. with vg DW, dw good but tanned as it's white. various, (ilustrador).

Hard cover. Contents Include: Sub Umbra Liliorum: an Impression of Parma, by Wharton; The Treaty Making Powers of the Senate, by Cabot Lodge; The Propose Isthmian (Panama) Ship-Canal, by William H. Burr; A Tryst, by Churchill; The Fortunes of Oliver Horn, by Smith; Captain Mackie by Davis; Artemis to Actaeon, by Wharton; The Gulf Stream Myth and the Anti-Cyclone, by Harvey Maitland Watts, etc. Many illustrations, both photographic and engraved. Clean, unmarked copy. Bound in green cloth binder with out ads or covers (or a table of contents). First page torn. Many of the other pages have dampstains around the edges. Very good. No dust jacket as issued.…

Hardback. Condición: good. with DW foxed edges, owner name DW good, foxing pn edges inside.

Soft cover. Condición: Very Good. First Edition. Single Issue In Original Wrappers. Light Wear, Tears At Edges At Top And Bottom Of Spine, Bright, Foxing On Edges Of Page Block. 3/4" Triangular Surface Abrasion On Front Cover..

very good - fine.

Soft cover. Condición: Good. 2nd Edition. 248 p. : ill. (some col.) ; 22 cm. ; ISBN 9780500204016 0500204012 LCCN 2009901942 LC TR642 .C68 2009 Dewey 770 OCLC 390649526 ; color photographic stiff paper wrappers ; Contents: If this is art -- Once upon a time -- Deadpan -- Something and nothing -- Intimate life -- Moments in history -- Revived and remade -- Physical and material ; Previous ed.: 2004. ; Charlotte Cotton looks at the many different ways contemporary artists have embraced photography. The text explains the differences between artists such as Andreas Gursky, Nan Goldin and Gillian Wearing, and introduces the main techniques and personalities of the medium ; artists include Sarah Jones, Alec Soth, William Egleston, Stephen Shore, Bernd and Hila Becher, Seydou Ketta, alph Eugene Manyrd, Philip-Loca DiCorta, Alfred Stieglitz, Zhang Han, Rong Rong, Sophie Calle, Joseph Beuys, Oleg Kulik, Melanie Manchor, Joanne Dunning, Tasami Orimoto, Erwin Wurm, Gillian Waring,Shinka Yokomizo, Helen van Meene, Nin Kachadourian, Wim Delvoye, Annika von Hausswolf, Georges Rouse, Sarah Luca, David Spero, Tim Davis, Olga Chernysheva, Rachel Harrison, Ross Horn, Jeff Wall, Teresa Hubbard, Alexander Bechler, Sam Taylor-Wood, Tom Hunter, Yinka Shonbare, Sarah Dobai, Liza May Post, etc ; G. Book. …

Hardback. Condición: good. with DW foxed edges, date written in pen on fep DW good, foxing pn edges inside.

very good.

Soft cover. Condición: Very Good. First Edition. 156 Pp. Light Wear. Photographs And Drawings (ilustrador).

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: No Dust Jacket As Issued. Limited Edition. #147 of 250 copies. Faux leather over boards, and cloth covered slipcase. Book with slipcase has solid binding, tight hinges, firm corners and end-caps, and no wear, annotations or obvious signs of previous reading. Each piece is introduced with a signed title page by the contributor, as well as editor Kristine Kathryn Rusch on the title page. ; 8vo 8" - 9" tall; 243 pages; Signed by Author.…

Couverture souple. Condición: bon. RO60151800: 1979. In-4. Broché. Etat passable, Coins frottés, Dos frotté, Papier jauni. Pages 790 à 830. Texte en anglais. Nombreuses illustrations en noir et blanc, in et hors texte. Quelques rousseurs. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon. …

Hardcover. Condición: Fine. No Jacket. 272 pp. ; profusely illustrated with artwork, drawings, and photographs ; red decorative cloth, no dustjacket ; ONE OF THE MOST AMAZING PSYCHIC OCCURENCES is preserved in this yearbook. A member of the graduating January class of 1933, GENEVA ABBOTT PATTERSON, (1916-2011) was asked at age 16 to imagine the city of St. Louis in the future, and she amazingly created a watercolor depicting the St. Louis cityscape and INCLUDED THE ST. LOUIS GATEWAY ARCH 15 YEARS BEFORE IT BECAME A CONCEPT IN THE MIND OF ITS DESIGNER, EERO SAARINEN IN 1947! The Gateway Arch was not completed until 1963. ; She added the following prophetic text spoken by Ulysses's wife Penelope from line 24 of Tennyson's Ulysses (1842): "Yet all experience is an Arch wherethro' gleams that untravell'd world, whose margin fades for ever, and for ever when I move" ; Geneva Abbott furthered her art studies at the Hadley Vocational School and became a member of the St. Louis Artists Guild. She worked as a commercial artist for International Shoe Company, and then turned to work as a watercolorist in St. Louis, Hilton Head, South Carolina and Vero Beach, Florida; the previous owner of the yearbook has added commentary and newspaper clippings of happenings to many of the senior class, some documenting the deaths of several in World War II, or by violence in St. Louis. Marriages of many of the women are recorded. Updated addresses and phone numbers of many former students are also added ; The yearbook has numerous articles written by students and show photographs and drawings in illustration. Subjects feature historical information about St. Louis, lists of artists, musicians with details of their lives and work are included ; all the artwork by the students reflects the then current Art Deco trends ; a very rare and historically important volume; and an exceedingly difficult-to-locate Saarinen collectible ; FINE. Book. …

The artist William Hatherell's collection of letters and documents relating to his work as an illustrator in the 1890s-1920s. Among c70 items is Hatherell's retained copy of a famous letter to him by Thomas Hardy praising his 1895 illustrations for Jude the Obscure, which the novelist wrote 'to express my sincere admiration for the illustrations of "Jude at the Milestone". The picture is a tragedy in itself & I do not remember ever before having an artist who grasped the situation so thoroughly Thomas Hardy' (see Hardy, Collected Letters Vol II). Much of Hatherell's considerable success in Britain and north America flowed from Hardy's high praise for his work and it is notable how much of this correspondence from editors in London and New York deals with Hatherell's refusal to lower his standards. PHYSICAL DESCRIPTION: Folio Album (38x29cm) bound in original green roan and pebbled cloth; structurally sound but lightly worn with cracking to the leather outer hinges at head and tail of spine. Bookseller's ticket of 'W Straker' London to front pastedown. 54 leaves in total; 46 used, mostly rectos for a collection of letters and ephemera, c70 items in all. NARRATIVE: The album begins with a letter from Dean Cornwell - 'The Dean of Illustrators' - President of the Society of Illustrators in the USA, announcing Hatherell's election as a member and stating that 'There is no living man whom we men in American feel a greater debt to, than yourself, for all you have done to raise Illustration to a high plane.' Later America correspondents include Richard Harding Davis discussing a commission, Charles Dana Gibson (also on Society of Illustrators business) and Edward Russell (McClure's Magazine) who expresses disappointment 'because my suggestion for the picture was not taken into account at all'. In a later later letter Edward Russell writes on Players Club of NYC headed paper to apologise for a short deadline 'but the call of the Editorial Department must be obeyed and sometimes they have me on the hip' as well as making suggestions for Hatherell in a forthcoming story he is to illustrate. Other correspondents include Queen Mary (printed letter and ticket to the Palace of Arts British Empire Exhibition which included Hatherell's work), Florence A Kirkpatrick; E F Sharie from the Strand Magazine on his choice of media: 'I do not want to hamper you in any way, but pencil drawings are extremely difficult to reproduce.' Hugo Tyerman (The Children's Newspaper); William Babington Maxwell (Hatherell illustrated his stories in The Strand), Robert Percy Hodder Williams (publisher) Agnes Ethel Conway (Women's Work, Imperial War Museum, about Hatherell's Edith Cavell painting) A E Johnson (artist's agent on commissions) and three letters from Sydney Boot about illustrations for Sheila Kaye Smith. George Robey (3 letters) the music hall performer writes about an illustrated programme for a memorial concert - with the programme laid in and Rutherford Crockett re illustration of his story. Other publications represented by letters include The Graphic; The Associated Illustrators (Henry S Fleming, Broadway) and there is real emotion from some correspondents: 'I wept over your picture in last years Academy' from Florence T Nicholson. Alfred Scott-Gatty (composer) writes about the purchase of a picture. Hugh Stowell Scott - actually novelist Hugh Merriman - praises 'a sense of the dramatic' in Hatherell's work. Also letters from George Clausen, founder member of the New England Art Club; Stanhope Forbes (Newlyn Artist); novelist Mary Cholmondely with costume changes recommended by a friend who has viewed pictures in the company of 'The King and the Prince of Wales'. A letter from Clement Phillipson in Australia recalls meeting Hatherell in 1890 in the goldmines of Tetulpa when he was touring the country on a commission from Cassell to illustrate a book about the country. William Hatherell (1855-1928) studied at the Royal Academy and despite working in.…