Willard van dyke (21 resultados)

Soft cover. Condición: Fair. An exhibition catalogue published in conjunction with the traveling film exhibition, A History of the American Avant-Garde Cinema developed by the American Federation of Arts. Used softcover in fair condition. Cover shows shelf wear and staining. Interior clean and free of markings.…

Soft cover. Condición: Good. 1st Edition. First Edition (unstated). A G+ 4to soft cover (A Dell Special 8812, $2.95) dominated by a Warner Bros. feature film filmography, 1917-1972. The predominantly black wrapper has some rubbing/shelf wear, and a rear corner crease that also includes a one-and-one-quarter inch tear. There is a related nick in the fore edge of the last page. The remaining contents, 192 pages, are slightly age tanned but otherwise clean and securely bound. NOT an ex-library copy.…

Softcover. Condición: Fine. No jacket.

Softcover. Condición: Good+. Oversize softcover, has a skew to the binding, which has possibly been repaired with a tab at p. 23, as well as rubbing with smudges and scuffs to the covers, wear with some cross creases along the hinges. sunning to the spine and edges, and light toing to the page edges. Overall, this is a solid, Good+ copy.…

Soft cover. Condición: Good. Image, Vol. 21; No. 2. Rochester: International Museum of Photography at George Eastman House. Date of Publication: 1977; soft cover. Condition: Good. Staple-bound. No marks or writing in book. , Age-toned about edges and inside covers. Light rubbing to covers; wear to corners. Contents include a portfolio of photographs by Willard Van Dyke; Degas' Solarized and Negative Photographs; Conservation Treatments for Photographs by Alice Swan; editorial on The Preservation of America's Film Heritage. Vol. 21, No.2 Paperback Jan 01, 1977 Doherty, Robert J. Director.…

First edition From an artist's personal library with small bookplates to last page which bothers none of the text. Otherwise as new and bright glossy gatefold wraps with crisp bright text throughout showcasing the photographers' works and letters. Extra shipping included - thank you.

ed. paperback about very good condition in wraps with a bit of wear and dirtiness.

Soft cover. Condición: Near Fine. First Edition. Near fine in original white wrappers with light rubbing on the rear panel. Illustrated.

First edition. 4to., 67 pp.,over 75 reproductions of letters, with additional b&w illustrations from photographs and other sources in text and covers. Pictorial stiff wrappers. Fine. Published in 1990, as unnumbered issue 31, in the series, The Archive, from the Center for Creative Photography.

Soft cover. Condición: As New. No Jacket. 1st Edition. Over-sized softbound (quarto). No wear to the covers. No spine creasing from opening. No distortion from reading or improper shelving. Pages tight and clean with no marks. Small rubber stamp of cinema book store on the title page. No odor. No water damage. No soiling. No sun fading.…

Condición: Very Good. Hardcover. In this volume appears the best of Ralph Steiner's work of over fifty years. In addition to the photographs and some technical comments on the personal darkroom techniques of Stieglitz and Steichen, the book includes an extensive autobiographical essay in which many of Steiner's well-known contemporaries figure prominently. 144 pages; 101 b&w plates; 10.25 x 10.25 inches. Record # 362449.…

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 1st Edition. 4to, cloth, dust jacket, 144pp., ills. 2nd printing. VG+/VG: a clean, bright and sound book in a lightly worn (rubbed, mildly creased at spots) wrapper which hangs just a little loose on the book. Extra postage may be asked.…

Paperback. First Edition. 8.5 x 11in. 67pp. Publisher's stiff printed wraps. FINE/AS NEW. Flawless. As pictured.

Softcover. Condición: Very Good. Estado de la sobrecubierta: N/A. 192pp. Pictorial light card covers. Light chipping to edges and wear to covers. Internally, neat, clean, bright and tight. 4to. Bogart, Cagney, Davis and a cast of thousands. The first complete feature filmography. Includes a critical essay by Arthur Knight.…

Hardcover. First Edition. Grey DJ with b&w-photo illustration and white lettering; grey cloth over boards with silver and black lettering; xii, 144 pp.; richly illustrated in b&w. In this volume apperas the best of Ralph Steiner's work of over fifty years. The more than one hundred photographs are grouped in roughly chronological sections -- from "The Early Twenties" through, among others, "Earning a Living" to "Late Work." In addition to the photographs and some technical comments, the book includes an extensive authobiographical essay in which many of Steiner's well-known contemporaries figure prominently . [Steiner] relates his own adventures as a film-producer and photographer, makes observations on the highly personal darkroom techniques of Steichen and Stieglitz, tells how Paul Strand stunned him into "doing the finger exercises" of photography, and shares countless other bits of fact and reminiscences. -- DJ. Good DJ, VG book (Ex art library with sticker on DJ and to rear pastedown and markings on ffep; DJ is toned/chipped/edgeworn/scuffed/smudged; boards are lightly edgeworn; textblock are lightly toned; interior is lightly toned; binding is solid.).…

Oversize Paper. 1st Edition. Year by year feature filmogs. with casts & credits + 100's of stills for the everlasting Hollywood studio. An early Studio book. Some light tonning to the cheap paper used, and a tiny crease to the bottom of the front cover but this is a fine unread copy. Book.

Hardcover. Condición: Very Good. 1979 2nd printing, VG/VG DJ in Mylar, price-clipped dustjacket has tiny nicks at head of spine, rubbing at edges & corners, in new Mylar, binding is a bit shook- nothing loose, no markings found- pages very nice, firm corners.

Hardcover. Condición: New. In shrink wrap. Looks like an interesting title.

Hardcover. Condición: Very Good. Steiner signed and dated over a color sketch of a stick figure photographer on the flyleaf. Stated first edition. Very light shelf wear to price intact jacket. Please email for photos. Larger books or sets may require additional shipping charges. Books sent via US Postal. Signed by Photographer.…

Hardcover. Condición: Fine. Estado de la sobrecubierta: None, As Issued. 1st Edition. 1st Printing. Signed. 144 pages. Published in 1978. Retrospective collection of photographs. One of the most valuable art photography books of the 20th century. Deluxe Slipcased Edition of 20 numbered and signed copies. Precedes and should not be confused with all other subsequent editions, particularly the Limited Edition of 100 copies and the regular trade edition. There is no ISBN. The Deluxe Edition is now rare. An austerely elegant production by Ralph Steiner: Oversize-volume format. Gray cloth boards with metallic-silver titles embossed on the spine, as issued. Photographs by Ralph Steiner. Essay by Willard Van Dyke. 10 X 8 inch silver-gelatin print. Matching gray hard board slipcase. Printed on pristine-white, thick coated stock paper in the United States to the highest standards. The reproduction quality is exemplary in every respect. Without DJ, as issued. Presents, in its ultimate collectible format, Ralph Steiner's "A Point of View". His "summing-up". Steiner is a rarity among photographers: His prose is as eloquent as his images. A seminal - but unpretentious and therefore underrated - multi-media artist, Steiner recounts his career in photography, film, and the arts. Born in 1899, Steiner is a key figure of the "threshold" moment in photographic history, namely its move away from its Pictorialist past, when it consciously mimicked painting, toward its alignment with Modernism, when it found its own voice. As such, he is rightly seen as the critical link between Alfred Stieglitz and Walker Evans, who credited him as a major influence. When commentators refer to his images as having "unusual angles", "weird subject matter", and "feverish abstractions" (which all anticipate Aaron Siskind), they mean Modernist aesthetics in practice. The single greatest photographic genre, "street photography", which Steiner helped jumpstart, is inherently and indeed purely "photographic" (as opposed to "painterly"). A major Photo League figure, Steiner is also closely identified with film: He began by making gravure plates for Robert Flaherty's "Nanook of The North". Together with Paul Strand, he was the cinematographer of the definitive documentary on The Great Depression, "The Plow That Broke The Plains". Steiner co-directed "The City" with Willard Van Dyke, famously scored by Aaron Copland. An absolute "must-have" title for Ralph Steiner collectors. This is a copy of the Deluxe Slipcased Edition, indicated/numbered as such in black ink-pen on the front free endpaper by the artist/photographer: "5/20 Milwaukee Center For Photography Limited Edition". It is very prominently and beautifully signed and dated (in the year of publication) in black ink-pen by the photographer: "Ralph Steiner February 8th, 1978 (my 79th birthday) ". It is signed directly on the page itself, not on a tipped-in page. He also drew a lovely self-portrait, "Man With Camera", beside his birthday signature. Comes with a 10 X 8 inch silver-gelatin print (reproduced on Page 52) that is very prominently, neatly, and beautifully signed and annotated in pencil on verso by the photographer. This title is a great art photography book. As far as we know, this is the only copy of the Deluxe Edition available online and is in especially fine condition: Clean, crisp, and bright. Please note: Should NOT be confused with the Limited Edition and the regular trade edition. A rare signed copy thus. 100 plates, 1 original silver-gelatin print. One of the greatest artist/photographers of the 20th century. A fine collectible copy. Signed by Author.…

Condición: Very Good. First Edition. Cambridge, MA: MIT Press, 1977. First Edition, Hardcover Format. Large octavo; publisher's black decorative paper-covered boards, color pictorial endpapers; [14],289pp.; illus. throughout. Boards rather rubbed, ownership signature to front free endpaper, creasing to top edge of final two leaves, else Very Good. Published in conjunction with ?Open Circuits: An International Conference on the Future of Television,? the first major museum conference devoted exclusively to video art, held at the Museum of Modern Art in January 1974. A 1977 press release describes attendees as ?Museum educators and curators, cable and educational television producers, artists and critics from many parts of the world.? ?MoMA Expands Video Program,? MoMA, 1977.…