Wiley robert e (30 resultados)

Soft cover. Condición: Fair. 156 numbered pages; medium age darkening to text; name and stamp inside front cover; minor wear to corners, edges, and spine of white softcover; minor age darkening to cover; several minor creases to cover; several minor dings to cover; weighs 5 ounces; measures 7.8 by 5.3 by .4 inches; 120419; Because each situation is different, each association can contribute uniquely to the kingdom of God.…

Paperback. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

paperback. Condición: Acceptable. Connecting readers with great books since 1972. Used textbooks may not include companion materials such as access codes, etc. May have condition issues including wear and notes/highlighting. We ship orders daily and Customer Service is our top priority.

paperback. Condición: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

Condición: very_good. Gently read. May have name of previous ownership, or ex-library edition. Binding tight; spine straight and smooth, with no creasing; covers clean and crisp. Minimal signs of handling or shelving. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships USPS Media Mail.…

Hardcover. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Soft Cover. Condición: Very Good. Wraps have only light wear, spine is unbent. Pages are clean, text is unmarked. Size: 8vo - over 7¾" - 9¾" tall.

Condición: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condición: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Paperback. Condición: Very Good.

Condición: As New. Unread book in perfect condition.

Hardcover. Condición: As New. Estado de la sobrecubierta: As New. 1st Edition. As new condition red boards/black cloth spine/gold spine lettering contained in an as new condition non price-clipped color photographic dust jacket. Includes Editor's Note; Introduction by Hunter S. Thompson; and Picture Credits. Profusely illustrated with black-and-white photographs, color photographs, color illustrations, cartoons, etc. "[The book] looks at the power sports wields as the ultimate American secular religion.and its effect on the people who play - and watch - our games. The book features six essays on the athletes, coaches and commissioners who make up the sacred - and sometimes profane - hierarchy: Avery Brundage; Muhammad Ali; Billie Jean King; Ty Cobb; Pete Rose; Bobby knight; Billy Martin; Rubin "Hurricane" Carter; O.J. Simpson; Hollywood Henderson; Nile Kinnick; Mark Fidrych; Ruffian; Babe Ruth; Jackie RObinson; Larry Bird; Magic Johnson; Pete Rozelle; Tiger Woods; Jack Dempsey; Vince Lombardi; Bill Russell; Jackie Stewart; Jim Brown; Ted Williams; Secretariat; and Walter Johhson. - from the rear jacket cover. ".the core of the book - five essays by world-class stylists like George Plimpton and longtime New York Times columnist Robert Lipsyte. Complementing each essay are striking, revealing, and rarely seen photographs, illustrations, cartoon strips and editorial cartoons, plus lists of the best and worst of everything, worst sports execs. best boxing movies, biggest hotheads - testaments and fascinating tales of brilliant accomplishments, love, blood feuds and marketing brilliance that will delight even the casual fan, while illuminating the nature of sports worship in America in the 20th and 21st centuries." - from the front and rear inside jacket flaps.…

Hardcover. Condición: New. 152 pp. New Book. Illustrated in color & B/W. California history/ Biography. non - fiction. Signed by both authors, no inscription . 8vo. Signed by Author(s).

Condición: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books.

Condición: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books.

Condición: New.

Condición: New.

Condición: As New. Unread book in perfect condition.

63 pp.; 19 x 27.9 cm.; glue bound; tipped in image[s]; black-and-white & color; edition size 1500; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held at the Massachusetts College of Art Bakalar and Huntington Galleries, Boston, January 20 - March 4, 2000. Essays by Robert E. Alvis and Louise Myers Kawada. Artists include Barbara Bosworth, Gillian Brown, Inga McCaslin Frick, Peter Eudenbach, Bill Jacobson, Fred H.C. Liang, Cameron Shaw, Arlene Shechet, Duane Slick, Kiki Smith, Pat Steir, Hiroshi Sugimoto, Bill Thompson, Roger Tibbetts, Stephen Tourlentes, Mark Winetrout, Petah Coyne, Jeanne Dunning, Peter Garfield, Michal Hardoof-Raz, Arnaldo Hernandez, Christopher Wiley, David Ireland, Larimer Richards, Gary Simmons, and Tomas Vu Daniel. Includes an exhibition checklist. Also includes a tipped in multiple by Peter Eudenbach titled "Memento Mori," a flattened penny with the image of the distorted skull found in Hans Holbeins "The Ambassadors." Good / Very Good. Rubbing of covers, spine, and cover edges and bumping to bottom right corner of publication. Contents clean and unmarked. …

hardcover. Condición: New. In shrink wrap. Looks like an interesting title.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. Color and black and white photographs. First edition. SIGNED by both authors. Fine in a fine dust jacket. ; 131 pages.

Hardcover. Condición: New. In shrink wrap. Looks like an interesting title.

Condición: New.

Condición: New.

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: As New. Unread book in perfect condition.

Condición: As New. Unread book in perfect condition.

Hardcover. Condición: New.

12 pp.; 28 x 21.6 cm; loose leaves; black-and-white; edition size unknwon; unsigned and unnumbered; photocopy / xeroxed Exhibition brochure / checklist published in conjunction with show held May 1 - July 23, 1993. Curated by Jean-Noël Herlin, with research by Karen Bubb and Sarah Wagner. Selected artists include Jean-Noël Herlin, Karen Bubb, Sarah Wagner, Wolfgang Paalen, Tom E. Lewis, Joseph Cornell, Laurence Vail, A. Raymond Katz, Irving Kriesberg, Yves Tanguy, Piet Mondrian, Fernand Léger, Claude Bentley, David Smith, Matta, Jean Follett, Pablo Picasso, Marcel Duchamp, Robert Brownjohn, Ivan Chermayeff, Thomas Geismar, George Brecht, Jim Dine, Claes Oldenburg, Jim Davis, Elaine de Kooning, William T. Wiley, Frank Stella, Man Ray, Red Grooms, Michael Todd, Ay-o, George Ortman, Nam June Paik, Harry Soviak, Arni Hendin, Thomas Downing, Gerald Oster, Reginald Neal, Dakota Daley, Nicholas Quennell, Bela Julesz, Michael Noll, Dan Flavin, Louise Nevelson, Peter Saul, Lila Katzen, Elaine Sturtevant, Kim MacConnel, Liliana Porter, Mel Bochner, Lawrence Weiner, Eleanor Antin, Jean Dubuffet, Yoko Ono, Larry Bell, Marilyn Levine, Larry Rivers, Susan Weil, Arman, Dorothea Rockburne, Robert Rauschenberg, Robert Kushner, Lynda Benglis, Marcia Hafif, Joan Miró, Karole Armitage, Beverly Naidus, Meret Oppenheim, Ronnie Cutrone, Keith Haring, Michael Graves, Judith Shea, Gordon Matta Clark, James Lee Byars, Louise Lawler, and Izhar Patkin, and many others. Materials presented drawn largely from the Jean-Noël Herli Archive. "Exhibition invitations? I've seen a few. Any working art critic inevitably acquires an extensive knowledge of this genre of printed ephemera. Heralding gallery and museum shows, invitations flood the mailbox, crowd the desk and all too often accumulate so intractably on the kitchen counter as to seem part of the decor. You can't live with them, and until the show is over, you can't throw them out. Still, life without such art-world byproducts would be a lot more difficult. Not only do they convey the important facts -- the who, when and where -- of shows that need to be seen. They're also advertisements bent on seducing us into attendance by being clever, eye-catching or provocative -- although sometimes they nip interest in the bud. (There's probably no art lover with mailing-list credentials who hasn't held up some gallery announcement and said, "Forget it!") Invitations are style statements in a minor key, ancillary artworks of a collective sort. Designed by artists, by graphic designers, by art dealers and museum curators -- usually a combination of the above -- they are the advance guard for the real thing. Their merit is judged in the very act of reading one's mail." -- Roberta Smith, "Art Invitations As Small Scraps Of History," New York Times, May 16, 1993. Very Good. Light edge wear. Contents clean and unmarked.…