white within text (8 resultados)

Condición: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Hard with Dust Jacket. Condición: Fine in near fine dust jacket. Black and white diagrams within the text Ilustrador. First GB edition. Fine in near fine dust jacket. Unclipped dust jacket is fine apart from mild bumping to the top edge. 163pp.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. Black and white photographs in one group within text. Ilustrador. 1st Edition. 8 vo, xvi + 381 pp. Maroon boards with black cloth spine. Book Description: Oxford University Press, New York, 1992. Hardcover. Book Condition: Near Fine. Light wear to clipped DUST JACKET. Text appears unread, very clean: no names, or notes. "In To End All Wars, Thomas J. Knock provides a fascinating narrative of Wilson's epic quest for a new world order.".

Soft cover. Condición: Very Good. No Jacket. Black & White photographs and diagrams within the text Ilustrador. 1st Edition. 266pp in original printed wrappers.

Soft cover. Condición: Very Good. No Jacket. Black & White photographs and diagrams within the text Ilustrador. 1st Edition. 226pp to include the Index within printed gray covers. Title to upper cover and spine. Volume 50. Publication 1008. From the library of and initialled by John F. Peake Biologist and Associate Director of the Natural History Museum, London. Just a couple of marks to the covers but internally clean and fresh THIS IS AN ORIGINAL FROM 1966 NOT A MODERN REPRINT.

Red Cloth. Condición: VERY GOOD ( AVERAGE). No Jacket. Illustrations in Black & White Within Text Ilustrador. This is a First Edition. FEEL FREE TO E-MAIL FOR PHOTOGRAPHS AND FURTHER DETAILS. FROM A DEALER WHO TELLS YOU WHO THEY ARE AND WHAT THEIR TELEPHONE AND ADDRESS CONTACT DETAILS ARE! POSTED FULLY INSURED AT OUR STANDARD RATES (UK ONLY) Size: 4to - over 9¾" - 12". Not Signed or Inscribed.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Fine. David Brian Erickson(Cover Artist) David Brian Erickson (Black and white line drawing frontis, black and white drawings within text pages, and three tipped in color plates.)(Interior Artist) David Brian Erickson(Illustrator) Ilustrador. First Edition. Half a Sky R. A. Lafferty (First Edition) Double Signed A firm square copy. Very minor wear to one corner. Small crease to lower rear panel. Beautiful plates. A bright pictorial jacket with author's photo on rear panel. First Edition July 1984, stated. Limited Signed Edition, stated. Limited to 205 copies. Also inscribed by the author on the limitation page. Blue boards with gilt lettering and designs; blue endpapers. Frontispiece; illustrations (full-color plates tipped in). 235 pages. Book 2--Sequel to Flame is Green. BOOK.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Fair. Colour print (of Nagashi-zuki, 1770) frontispiece and black & white photo illustrations within text) Ilustrador. 1st Edition. Scarce, First Edition (1954) published in Tokyo and in FINE condition whilst dw only Fair condition. Hardback (7 in.) beautifully bound in handmade grey paper (overlay?) with dispersed circular turquoise/aqua markings. Very slight paler strip to top edge. Title to original, slender, Washi- covered spine. Attractive and original end-papers, clean with no inscription. Coloured Japanese print frontispiece (1770). iv, 60pp + [1]. Copyright statement and six 'by same author' list (iv). Forward with Nagita's printed signature and dated August 1954 (v). Two specimen papers tipped-in (Gampi and Kozo paper), both undamaged (vi). Contents and List of Illustrations (pp.1-2), A Brief History of Japanese Hand-made Paper (pp.3-21). [p.61]: the type of paper used for this book is acknowledged as is the manufacturing company. The reverse side of the rear free end-paper has the original Hokuseido Press sales(?) slip tipped in. This has resulted in a pale sepia off-set strip to the opposite blank page. The wrapper is worn and discoloured in places with some edge loss; the spine area has been strengthened inside with non-Japanese type tape. The paper-making print to the wrapper front is not marked (see pic.). "The natural beauty of Japanese paper, however, can hardly be brought about by means of machinery." (p.40).