wexler allan (21 resultados)

Exhibition invite, 4 x 6 inches; very good condition; a mailed copy with address and postal marks on reverse.

Exhibition invite, 5 x 7 inches; very good condition; a mailed copy with address and postal marks on reverse.

Exhibition invite, 4 x 6 inches; very good condition; a mailed copy with address and postal marks on rear.

Exhibition invite, 4 x 6 inches; very good condition; an unmailed copy.

Exhibition invite, 4 x 6 inches; very good condition; a mailed copy with address and postal marks on rear.

Limited edition multiple announcement postcard, 5 x 8 inches; very good condition; an unmailed copy.

Exhibition invite, 4 x 6 inches; very good condition; a mailed copy with address on rear.

Softcover. Ex-library with Stamp and Library-Signature in Good Condition, Some Traces of Use 3926242140 Sprache: Englisch Gewicht in Gramm: 350.

tapa blanda. Condición: Bien. Arte en general. Bellas artes. Deportes (7 Wexler, Allan) Gustavo Gili. Barcelona. 1998. 27 cm. 63 p. il. col. y n. Encuadernación en tapa blanda de editorial ilustrada. Wexler, Allan 1949-. Traducción, Glòria Bohigas. GG portfolio. Texto en español e inglés . ISBN: 8425217539 (=3651038=) PP212.

Paperback. Condición: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Softcover. Condición: VG. White wraps with color illustrations. 24 pp. Color and bw illustrations throughout. "The buildings, furniture, and models Allan Wexler creates are the tangible products of an artist who uses an architectural vocabulary to explore the relationship between human activity and functional structures. While the arhchitect, bound by institutionally imposed conditions, creates a set of plans for others to realize as structure, Wexler acts with a greater degree of spontaneity, bypassing the planning stage and building directly from his ideas.".

First Edition. Paperbound. A catalogue issued to accompany an exhibition of artist Allan WexlerÕs buildings, furniture, and models. Illustrated in color and black & white. Very good with slight creasing and a tiny tear to the top edge of the front cover in printed wrappers.

hardcover. Condición: New. In shrink wrap. Looks like an interesting title!

Soft cover. Condición: Very Good. Wellesley: Davis Museum and Cultural Center, 1996. Spiral bound catalogue printed on faux foolscap paper with many pages blank. First and only edition of this exhibition catalogue featuring work by Tunji Dada, Dan Peterman, Allan Wexler and others, with video documentation by the Barbie Liberation Organization. A VG+ copy. Scarce.

Softcover, 158 pages, very good condition; no internal marks. Poster laid in. Foreign shipping may be extra.

Hardcover. Condición: New.

Softcover, 144 pages, in English and German; very good condition except covers yellowed at edges and small crease near spine; no internal marks. Foreign shipping may be extra.

kart. 144 S. : zahlr. Ill., graph. Darst. ; 21 cm Sprache: Deutsch Gewicht in Gramm: 400.

5 vol.: vol. 1: 57 pp. ; vol. 2: 58 pp. ; vol. 3: 42 pp.; vol. 4: 66 pp. ; vol. 5: 50 pp.; 5 vol.: 23.2 x 14.6 cm. (each); glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Volumes I-V of "Summary of a Workshop," a biannual series of symposiums on contemporary art sponsored by the Frederick R. Weisman Foundation and held at various North American locations. Each symposium was accompanied by a catalogue which summarized the conversations that took place. Volume I: "The Relationship Between Art and Architecture," held in Santa Monica, CA, January 21-22, 1989. Participants included: Frank O. Gehry, Daniel Buren, Jean-Louis Cohen, Cesar Pelli, Donald Judd, Irving Lavin, Germano Celant, Henry N. Cobb, Christopher Knight, Mildred Friedman, John Chamberlain, Peter Eisenman, Robert Irwin, Michael Graves, Nancy Wexler, Henry T. Hopkins, and Michael Rotondi. Volume II: "Art + Architecture + Society," held in Toronto, Canada, July 22-23, 1989. Participants included: Henry T. Hopkins, Michael Rotondi, Diana Agrest, Lynda Benglis, Scott Burton, Adele Freedman, April Greiman, Alanna Heiss, Craig Hodgetts, Walter Hopps, Catherine Ingraham, Eric Owen Moss, Matt Mullican, Larry Richards, David Ross, Alexis Smith, and Leon Whiteson. Volume III, "Art Fairs : Plans and Process," held in Los Angeles, CA, December 5-6, 1989. Participants included: O. Kelley Anderson Jr., Brian Angel, Dr. Alberto Anfossi, Rosina Gómez Baeza, Dr. Emil Bammatter, Thomas P. Blackman, Van Deren Coke, Michelle De Angelus, Milton Esterow, Anita Kaegi, Claudio Bruni Sakraischik, Allan Schwartzman, Leif Ståhle, Tamara Thomas, Robert Thomson. Volume IV, "Conservation and Contemporary Art," held in Richmond, VA, June 4-5, 1990. Participants included: Henry T. Hopkins, Billie Milam, Albert Albano, James Bernstein, Sharon Blank, Victoria Blyth Hill, Tom Branchick, William Leischer, Carol Mancusi-Ungaro, Ross Merill, Roy De Forest, Tim Ebner, George Herms, Duane Hanson, Rotraut Klein-Moquay, Ida Kohlmeyer, Miriam Shapiro, Paul Brach, Zora Sweet Pinney, and Nora Halpern Brougher. Volume V, "Support for the Arts in Unsupportive Times," held in Los Angeles, CA, December 4-5, 1990. Participants included: Nora Halpern Brougher, Henry T. Hopkins, Cee Scott Brown, Marie Cieri, Pamela Clapp, Gary Garrels, Stanley Grinstein, David Ireland, Steven D. Lavine, Bella Lewitzky, Lisa Lyons, Anne MacDonald, Peter Norton, Max Palevsky, Claire Peeps, Dr. Thomas Reese, Joy Silverman, Tina Summerlin, Ella King Torrey, Joel Wachs, and Frederick R. Weisman. "Twice each year the Frederick R. Weisman Art Foundation conducts workshops dealing with issues of importance to those involved in the creation, exposition, collection, conservation and education of international contemporary art in all of its manifestations. These workshops bring together approximately eighteen experts in closed session for two days. The topic is determined by the Foundation but the direction that conversation takes is determined by the participants. There is no agenda. The workshops are taped, transcribed, edited, published in the present form and distributed to participants, interested parties, museums and libraries." -- Henry T. Hopkins, director. Very Good / Fine. Set of 5 volumes. Light rubbing and yellowing of cover edges and light yellowing of pages, otherwise Fine. Contents clean and unmarked.

143 S. mit vielen, teils farbigen Abbildungen, Orig.-Karton. Erste Ausgabe.- Gutes Exemplar.

[14] pp. (booklet); 10.8 x 7 cm. (booklet) ; 5.5 x 7.2 x 2.6 cm. (tooth picks) ; 9.4 x 8 x 8 cm. (cup) ; 10.5 x 4.2 x 2.4 cm. (glue); black-and-white & color; edition size 300; signed and numbered; offset-printed Multiple by Allan Wexler produced by Ronald Feldman Fine Arts as their 1989 holiday project sent to friends and artworld colleagues. The multiple features an instruction book for creating "Paper Cup Holders" or sculptures, with a paper cup, glue, and tooth picks. Includes those materials and is signed, dated, and numbered on the included paper cup. Very Good / Fine. Slight curl to instruction book and bend to cup, otherwise Fine. Signed, dated, and numbered 279/300 in black ink on cup. Due to fragility of this item additional shipping charges will be required for international orders.