West margie (61 resultados)

paperback. Condición: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

Soft cover. Condición: Good. 1st Edition. Light corner curling. Some light fading to spine. Otherwise, clean and sound. 112 pgs.

Soft cover. Condición: Very Good. 1st Edition. 1st edition. Paperback.

Soft cover. Condición: Fine. 1st. The catalogue of an exhibition at the Queensland Art Gallery, Queensland, Australia in 1988. Illustrated with 95 color plates. 112pp 1.29lb 12.0x8.5x0.3in.

Trade paperback. First edition. Audience: General/trade. Fine. whisper of shelfwear to the cover, else like new.

Paperback. Condición: Fine. 1st. 47 pages, colour illustrations; 28 cm. Catalogue of an exhibition held at the Museum & Art Gallery of the Northern Territory, 28 April to 28 May 1995. Firm binding, clean inside copy. *** CONTENTS: Chapter One: Growing up in the Stone Country, the lives of Bardayal and Kubarkku, by Margie West; Chapter Two: The place of Bardayal and Kubarkku in the Western Arnhem Land bark painting tradition, by Luke Taylor; Chapter Three: Kun-Warrde Bim, Rock art from Western and Central Arnhem Land, by Paul S Tacon and Murray Garde. Size: 4to. Age toning. Collectible.…

Soft cover. Condición: Very Good. Paperback.

Soft cover. Condición: Very Good. 1st Edition. 1st edition. Paperback.

Softcover, 112 pages; very good condition; pages lightly yellowed at edges; no internal marks. Foreign shipping may be extra.

112 pages. Large paperback: H 30.5cm x L 21.25cm. Stiff paper covers rubbed, strong bumping/creasing at top fore-edge corners with top corners of interior leaves mildly affected likewise. Pages are bright and clean and binding is firm. A very good copy. Prepared as the accompanying catalogue for an exhibition held at the Queensland Art Gallery. Color map and 95 color plates. Text comprised of the following: Preface by John Mundine; Foreword by Doug Hall; Introduction by Margie West; "Rock art of the Northern Territory" by George Chaloupka; "Contemporary Aboriginal interpretations of western Arnhem Land rock paintings" by Paul Tacon; "New life for the Dreaming: Continuity and change in western Arnhem Land bark paintings" by Luke Taylor; "Art and religion in eastern Arnhem Land" by Howard Morphy; "Women's acrylic paintings from Yuendumu" by Francoise Dussart; "'Make 'im flash, poor bugger:' Talking about men's painting in Papunya" by Ian Green; "The economic basis for cultural reproduction" by Jon Altman; "The Economic Domain;" "The Religious Domain;" "Namatjira and the Hermannsburg School;" Bibliography, and Profile of Contributors. ISBN 0730700216.…

Hardcover. Condición: Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. West, Margie (ilustrador).

Condición: Used - Very Good. VG paperback. 1988 large format paperback with numerous colour illustrations; spine and cover uncreased; owner's name on first page; otherwise, a clean, tidy copy. Used - Very Good. VG paperback.

Paperback. Condición: new. Paperback. Yulyurlu Lorna Fencer Napurrurla (c. 1920s-2006) was an important pioneer of the Central Desert art movement. She began painting with acrylics at the Lajamanu School art program in 1986, and within a decade had emerged as one of the most original and highly sought-after artists in the region.This comprehensive profile of Yulyurlu illustrates her bold and expressive artwork, with its brilliant use of colour and ongoing graphic explorations of her Yam Dreaming complex from the Tanami Desert. Collectively these represent a major transitional moment in the history of the contemporary Indigenous art movement.Essays by Barbara Ambjerg Pedersen, Chips Mackinolty and Christine Nicholls. This comprehensive profile of Yulyurlu illustrates her bold and expressive artwork, with its brilliant use of colour and ongoing graphic explorations of her Yam Dreaming complex from the Tanami Desert. Collectively these represent a major transitional moment in the history of the contemporary Indigenous art movement. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Soft cover. Condición: Very Good. Paperback. Minor wear to corners, otherwise very good.

Soft Cover. Condición: Very Good. Estado de la sobrecubierta: None Issued. First Edition. 112 pages. Ex-Library. Book is in Very good condition throughout.

Softcover. Condición: Near Fine. 1st Edition. Quarto Size [approx 24cm x 30.5cm]. Near Fine copy. Illustrated with colour reproductions. Essays by Barbara Ambjerg Pedersen, Chips Mackinolty and Christine Nicholls. 126 pages. Yulyurlu Lorna Fencer Napurrurla (c. 1920s-2006) was an important pioneer of the Central Desert art movement. She began painting with acrylics at the Lajamanu School art program in 1986, and within a decade had emerged as one of the most original and highly sought-after artists in the region. This comprehensive profile of Yulyurlu illustrates her bold and expressive artwork, with its brilliant use of colour and ongoing graphic explorations of her Yam Dreaming complex from the Tanami Desert. Collectively these represent a major transitional moment in the history of the contemporary Indigenous art movement.…

Softcover. Condición: Very Good. 1st Edition. Quarto Size [approx 22x30cm]. Very Good condition - Card Covers. Illustrated with colour photographs and reproductions. Robust, professional packaging and tracking provided for all parcels. 112 pages.

Softcover. Illus. wraps with sand-colored lettering; 112 pp. with 95 colored plates. With several essays and each work well-described; includes a map of Aboriginal territory. VG-; a few slight marks to bottoms of pates.

Soft cover. Condición: Very Good. Collection of essays on the history and nature of Aboriginal art. With numerous colour images. Some minor shelf-wear. Contents crisp and clean. Very good.

Soft cover. Condición: Fine. 1st Edition. Pictorial illust covers, col. plts., illust., text ills., bibliog. Light shelf wear o/w F. 'Raindbow, Sugarbag and Moon' is dedicated to Bardayal Nadjamerrek and Mick Kubarkku, as well as to the kunwinjku of western Amhem Land, who were amongst the first to raise Australia's consciousness about the beauty and significance of Aboriginal art. Size: Quarto. Book.…

Soft cover. Condición: Near Fine. No Jacket.

Hardcover. Condición: Fine. 1st Edition. 112pp., Pictorial colour illustrated covers with hint of shelf-wear, col. frontis., preface by John Mundine, foreword by Doug Hall, intro. by ed., col. full page map, col. plts. & illust. & text, full page col. photos, col. paintings, bibliog. The Inspired Dream clearly shows the continuity of cultural patterns from early times to present day. Size: Large Quarto. Book.…

Soft cover. Condición: Fine. Estado de la sobrecubierta: No Jacket, As Issued. 1st. First edition. Trade softcover. Published Queensland: The Gallery, 1988. Folio wrappers, 8 1/2" x 12", 112pp., lavishly illustrated with color plates. Fine.

Softcover. Condición: New. Reprint. Quarto Size [approx 24cm x 30.5cm]. MINT - a NEW copy. Illustrated with colour reproductions. Essays by Barbara Ambjerg Pedersen, Chips Mackinolty and Christine Nicholls. 126 pages. Yulyurlu Lorna Fencer Napurrurla (c. 1920s-2006) was an important pioneer of the Central Desert art movement. She began painting with acrylics at the Lajamanu School art program in 1986, and within a decade had emerged as one of the most original and highly sought-after artists in the region. This comprehensive profile of Yulyurlu illustrates her bold and expressive artwork, with its brilliant use of colour and ongoing graphic explorations of her Yam Dreaming complex from the Tanami Desert. Collectively these represent a major transitional moment in the history of the contemporary Indigenous art movement.…

Paperback. Condición: Very Good. Paperback exhibition catalogue (World Expo 88), 1988, in overall very good used condition with only slight signs of age, handling and storage - spine a touch faded. Internally clean. Binding tight and appears almost unread; no annotation or inscriptions; text and illustrations bright and clear throughout. Not an old library book.…

Soft cover. Condición: Very Good. Estado de la sobrecubierta: No Jacket as Issued. Exhibition Publication. Minimal wear to covers. Spine not creased. Internally clean. 112pp Size: 215mm x 305mm. Book.

112pp. 4to. Original wrappers. Colour illustrations. A near fine copy. . First edition.

Soft cover. Condición: Very Good. Yulyurlu Lorna Fencer Napurrurla (c. 1920s-2006) was an important pioneer of the Central Desert art movement. She began painting with acrylics at the Lajamanu School art programme in 1986 and within a decade had emerged as one of the most original and highly sought after artists of the region. 126pp illustrated in colour. Book size 260x220mm.…

Soft cover. Condición: Very Good. Estado de la sobrecubierta: No Jacket as Issued. First Edition. Minimal wear to covers. Spine not creased. INternally clean. 128pp Yulyurlu Lorna Fencer Napurrurla (c. 1920s-2006) was an important pioneer of the Central Desert art movement. She began painting with acrylics at the Lajamanu School art program in 1986, and within a decade had emerged as one of the most original and highly sought-after artists in the region. This comprehensive profile of Yulyurlu illustrates her bold and expressive artwork, with its brilliant use of colour and ongoing graphic explorations of her Yam Dreaming complex from the Tanami Desert. Collectively these represent a major transitional moment in the history of the contemporary Indigenous art movement. Essays by Barbara Ambjerg Pedersen, Chips Mackinolty and Christine Nicholls. Size: 220mm x 255mm. Book.…

Pictorial Card Cover. Condición: Near Fine. 1st Edition. Colour photos and plates throughout. 30.5 x 21.5 cm. 112 pp.