Werner hamacher (395 resultados)

Condición: very_good. Gently read. May have name of previous ownership, or ex-library edition. Binding tight; spine straight and smooth, with no creasing; covers clean and crisp. Minimal signs of handling or shelving. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships USPS Media Mail.…

Paperback. Condición: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condición: Very Good. 4to in black cloth. Lacking the dustjacket.

Condición: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Condición: Very Good. Stanford University Press, c.2001, trade paperbk., (xxi,290)pp., NF $.

Oversized Paperback. Condición: Good.

paperback. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Paperback. Condición: Very Good. Softcover. Good binding and cover. Shelf wear. Small stain to rear wrap. Small tear to edge. Clean, unmarked pages. This is an oversized or heavy book, which requires additional postage for international delivery outside the US.

Soft cover. Condición: Very Good. 1st Edition. 1999 1st paperback edition and printing. Spine lightly creased, pages tanned, else text clean, binding tight.

Paperback. Condición: Very good. First Edition Thus. First Edition Thus. Paperback. 9" X 6". xii, 309pp. First edition thus, with full number line indicating first printing thus. Mild creasing and shelf wear to covers, corners, and edges of paper wraps. Creasing to corners of wraps. Small amount of sticker residue above bar code on rear wrap. Dust-spotting to text block. Pages are clean and unmarked. Binding is firm and sound. ABOUT THIS BOOK: Published in France in 1943, Faux Pas is the first collection of Maurice Blanchot's essays on literature and language, consisting of fifty-four short pieces that were originally issued as reviews in literary journals, and one long introductory meditation that defines the trajectory of the whole volume. These essays like those collected in the other five books of criticism published over several decades have established Blanchot as the most lucid and powerful French critic of the second half of the twentieth century. Sober reconstructions of the main tenets of both classical and modern, both literary and theoretical texts, they have attained the status of model readings for authors as diverse as da Vinci and Kierkegaard, Melville and Proust, Molière, Goethe, and Mallarmé. However, the book is not a miscellaneous collection of exquisite essays. The first section of the volume, "From Anguish to Language," indicates the relative unity of its trajectory and its special moment in the development of Blanchot's thought. "Anguish" was a prominent notion for the existentialist philosophies of the period of his first work, and in this book Blanchot reflects on the necessary transition from the paradoxes of anguish to a focus on the paradoxes of language. He does so without ever betraying the affective tensions that attach themselves to linguistic utterances, but he also insists that the pathos of anxiety is, in the last resort, comical. Whoever writes "I am lonely" can judge himself to be quite comical, as he evokes his solitude by addressing a reader and using means that make it impossible to be alone. This comedy of language is retraced in Blanchot's intensely luminous essays on poetry and narration, on silence and symbolism, the novel and morals, the stranger, the enigma, time, and the very possibility of literature in the works of Blake, Balzac, Rimbaud, and Gide, Bergson and Brice Parain, Rilke and Bataille, Sartre, Camus, Queneau, and so many others.(Publisher).…

Paperback. Condición: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: NF. Hardback in Near Fine condition, Near Fine dust jacket. 4to 11" to 13" tall. 477 pages. * Quick Shipping * All Books Mailed in Boxes * Free Tracking Provided *.

Trade Paperback. Condición: Fine. Book is in excellent condition. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. 252 pages. Critical collection examining Derrida's philosophical legacy and future relevance, exploring his concepts of mourning, memory, and temporality while assessing deconstruction's ongoing impact on contemporary thought and cultural criticism. Keywords: Deconstruction, French Theory, Textual Analysis, Différance, Trace Structure, Literary Criticism, Philosophical Legacy, Mourning Memory, Spectrality, Temporal Paradox, Critical Reception, Poststructuralism. …

Trade Paperback. Condición: Fine. Book is in excellent condition, as new. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. Keywords: Celan, Lingistics, Hermeneutic, Schleiermaher, Heidegger, Fichte, Schlegel, Kleist, Pleroma. …

Softcover/Paperback. Condición: Sehr gut. 210 p. Very good. Sprache: Englisch Gewicht in Gramm: 460.

Trade Paperback. Condición: Fine. Book is in excellent condition, as new. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. Keywords: Biblical Scripture, Phenomenology of Spirit, Encyclopedia, Philosophy of History, Aporias, Religious Fetishism, Aroma of Religion, Hysterical Body.…

Condición: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: New.

Paperback or Softback. Condición: New. Pleroma: --Reading in Hegel. Book.

Condición: New.

Paperback or Softback. Condición: New. Premises: Essays on Philosophy and Literature from Kant to Celan. Book.

paperback. Condición: Very Good. DETAILS: PAPERBACK, very good, small but deep fold mark on rear outer corner, light wear to foredges and corners. HAMACHER, WERNER. Premises: essays on philosophy and literature from Kant to Celan. Translated by Peter Fenves. Stanford, Calif.: Stanford University Press, 1999, reprinted, 400pp., . Series: Meridian (Stanford, Calif.) "Poetry does not impose, it exposes itself";, wrote Paul Celan. Werner Hamacher's investigations into crucial texts of philosophical and literary modernity show that Celan's apothegm is also valid for the structure of understanding and for language in general. - CONTENTS: Premises - Hermeneutic ellipses : writing the circle in Schleiermacher - The promise of interpretation : remarks on the hermeneutic imperative in Kant and Nietzsche - Disgregation of the will : Nietzsche on the individual and individuality - Lectio : de Man's imperative - Position exposed : Friedrich Schlegel's poetological transposition of Fichte's absolute proposition - The quaking of presentation : Kleist's Earthquake in Chile - The gesture in the name : on Benjamin and Kafka - The second of inversion : movements of a figure through Celan's poetry. ISBN 9780804736206 18.00.…

Condición: New.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Good. 1st Edition. Some wear and tattering to edges of jacket. Light rubbing to boards. Name of previous owner (noted Joyce scholar Michael Groden) and purchase date/location in ink on half-title page. Interior otherwise clean and unmarked.…

Condición: New.

Hardcover. Edited by Werner Hamacher, Neil Hertz and Thomas Keenan. 4to. Black cloth, dust jacket. ix, 399pp. Illustrations. Near fine/very good. First edition. Compendium of articles by this Belgian journalist, reproduced in facsimile, in French.

Condición: As New. Unread book in perfect condition.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: New. "Poetry does not impose, it exposes itself," wrote Paul Celan. Werner Hamacher's investigations into crucial texts of philosophical and literary modernity show that Celan's apothegm is also valid for the structure of understanding and for language in general. In Premises Hamacher demonstrates that the promise of a subject position is not only unavoidable-and thus operates as a structural imperative-but is also unattainable and therefore by necessity open to possibilities other than that defined as "position," to redefinitions and unexpected transformations of the merely thetical act. Proceeding along the lines of both philosophical argument and critical reading, Hamacher presents the fullest account of the vast disruption in the theories and ethics of positional and propositional acts-a disruption first exposed by Kant's analysis of the minimal requirements for linguistic and practical action. Focusing on the double trait of every premise-that it is promised but never attained-Hamacher analyzes nine decisive themes, topics, and texts of modernity: the hermeneutic circle in Schleiermacher and Heidegger, the structure of ethical commands in Kant, Nietzsche's genealogy of moral terms and his exploration of the aporias of singularity, the irony of reading in de Man, the parabasis of positing acts in Fichte and Schlegel, Kleist's disruption of narrative representation, the gesture of naming in Benjamin and Kafka, and the incisive caesura that Paul Celan inserts into temporal and linguistic reversals. There is no book that so fully brings the issues of both critical philosophy and critical literature into reach. Reviews "Werner Hamacher's Premises is the heir and successor to the most important theoretical and critical work done in American departments of comparative literature from the 1960s through the 1980s. Yet, Premises is no more a work of literary scholarship than one of philosophical submission to philosophy. With the gesture that is genuinely called post-structural, which is the suspicion and suspension of every code, the book's act of freedom is freedom to read and write language tout court." -Timothy Bahti, University of Michigan "Hamacher's project can be described as the retracing of the epistemological ground upon which the modern conception of the literary was erected. It is quite clear to me that there is nothing presently available to rival this book." -Wlad Godzich, University of Geneva.…