werner compiled (27 resultados)

Hardcover. Condición: Very Good. No Jacket. one copy is B PRINTING one copy is E PRINTING STATED hardback book foil spine NEAR FINE/ cover VERY GOOD/ pages FINE.

Condición: Fair. Acceptable condition. (children, fiction, hymns) A readable, intact copy that may have noticeable tears and wear to the spine. All pages of text are present, but they may include extensive notes and highlighting or be heavily stained. Includes reading copy only books. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.

Hardcover. Condición: Like New. W B Saunders Co. Hardcover. Like New.

Hardcover. Condición: Good. First edition. Volume 54 only (single volume). Octavo. xiii, 479pp. Illustrated from black and white photographs. Printing error on pages 36-37 and 64-65 making them unreadable, light dampstain on bottom page corners, good only lacking the dust jacket.

Softcover. Condición: As New. Very nice copy, no dustjacket as issued ; 8.9 X 5.9 X 0.5 inches.

Blue Cloth. Condición: VERY GOOD ( AVERAGE). No Jacket. Black & White Photographs + Colour Frontispiece Ilustrador. First Edition. Stains to boards. Please Email for further details Size: 8vo - over 7¾" - 9¾". Not Signed or Inscribed.

Hard bound. Condición: Book good. LXIV, 1022 S.Mit 1662 Schiffsskizzen und 985 Photos. With 1662 drawings of ships and 985 photos. Text: deutsch und english. Text: German and English.

Paperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

paperback. Condición: Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

paperback. Condición: Good. This is a used book in good condition and may show some signs of use or wear . This is a used book in good condition and may show some signs of use or wear .

Hardcover / Hardback. Condición: Fine. Estado de la sobrecubierta: Fine. First edition. Hardback. Intro' by Peter Ackroyd. 'The words 'Jack the Ripper and the East End' conjure up a vision of the darker side of Victorian London - dimly lit alleys, foggy nights, prostitutes, poverty and horrific murder. How does this image square up with the facts? First published to coincide with a major exhibition at the Museum in Docklands, this book examines the Whitechapel Murders from many sides and delves into both the myth and the reality. It is not so much the crimes themselves that are under the microscope here but the intricate landscape of the East End. We discover how Whitechapel became, in the minds of Victorians, the site of disgust, danger and moral desolation. Previously unseen photographs from the Museum of London's collection capture the grim reality of everyday life in the East End. Leading historians throw fascinating new light on the inhabitants of Whitechapel and Spitalfields at the time of the murders. There are insights into prostitution, sexual violnce and policing. The Flower and Dean Street rookery, with its cheap lodging houses, associated with all the Whitechapel murder victims, is set alongside slum clearance. The new model dwellings that catered for respectable artisans and their families are shown actually to have made the situation worse for the poorest, including many who were deserving but unfortunate. The 'Ladies' who volunteered in the many charitable organisations and missions are examined as they fearlessly walked the streets at the time of the murders. An analysis of the area where Mary Jane Kelly was murdered makes use of Booth's famous colour-coded 'Map of Poverty' to uncover the true nature of London's dark ghetto. The shock and revulsion of the Whitechapel murders caused the public to look for a scapegoat. Attention fell on the immigrants in the area. This book discusses the impact on the Victorian East End of the Irish and, in particular, the large number of Jews who were recent arrrivals. Jack the Ripper inhabits the same world as Dr Jekyll and Mr Hyde and Sherlock Holmes: as man becomes beast, the forces of good and evil battle it out. Jack the Ripper's identity and the murders have been re-interpreted by each new generation in film, art and literature. This lavishly illustrated book reveals how they have shaped our reading and vision of the East End.' Profusely illus., Contributors, Notes, Further Reading, and Index. 288pp. 4to. h/back. F. in Nr. F. dw. A heavy book which will require additional postage if shipped overseas.

Hardcover / Hardback. Condición: Fine. Estado de la sobrecubierta: Fine. First edition. Hardback. Intro' by Peter Ackroyd. 'The words 'Jack the Ripper and the East End' conjure up a vision of the darker side of Victorian London - dimly lit alleys, foggy nights, prostitutes, poverty and horrific murder. How does this image square up with the facts? First published to coincide with a major exhibition at the Museum in Docklands, this book examines the Whitechapel Murders from many sides and delves into both the myth and the reality. It is not so much the crimes themselves that are under the microscope here but the intricate landscape of the East End. We discover how Whitechapel became, in the minds of Victorians, the site of disgust, danger and moral desolation. Previously unseen photographs from the Museum of London's collection capture the grim reality of everyday life in the East End. Leading historians throw fascinating new light on the inhabitants of Whitechapel and Spitalfields at the time of the murders. There are insights into prostitution, sexual violnce and policing. The Flower and Dean Street rookery, with its cheap lodging houses, associated with all the Whitechapel murder victims, is set alongside slum clearance. The new model dwellings that catered for respectable artisans and their families are shown actually to have made the situation worse for the poorest, including many who were deserving but unfortunate. The 'Ladies' who volunteered in the many charitable organisations and missions are examined as they fearlessly walked the streets at the time of the murders. An analysis of the area where Mary Jane Kelly was murdered makes use of Booth's famous colour-coded 'Map of Poverty' to uncover the true nature of London's dark ghetto. The shock and revulsion of the Whitechapel murders caused the public to look for a scapegoat. Attention fell on the immigrants in the area. This book discusses the impact on the Victorian East End of the Irish and, in particular, the large number of Jews who were recent arrrivals. Jack the Ripper inhabits the same world as Dr Jekyll and Mr Hyde and Sherlock Holmes: as man becomes beast, the forces of good and evil battle it out. Jack the Ripper's identity and the murders have been re-interpreted by each new generation in film, art and literature. This lavishly illustrated book reveals how they have shaped our reading and vision of the East End.' Profusely illus., Contributors, Notes, Further Reading, and Index. 288pp. 4to. h/back. Includes 4 1.5"x 2" coloured 'portrait' 'photo's of Peter Ackroyd. (see image). V.v. sl. sunned edges o/w Nr. F. in F. protected dw. A heavy book which will require additional postage if shipped overseas.

Hardcover / Hardback. Condición: Fine. Estado de la sobrecubierta: Fine. First edition. Hardback. Intro' by Peter Ackroyd. 'The words 'Jack the Ripper and the East End' conjure up a vision of the darker side of Victorian London - dimly lit alleys, foggy nights, prostitutes, poverty and horrific murder. How does this image square up with the facts? First published to coincide with a major exhibition at the Museum in Docklands, this book examines the Whitechapel Murders from many sides and delves into both the myth and the reality. It is not so much the crimes themselves that are under the microscope here but the intricate landscape of the East End. We discover how Whitechapel became, in the minds of Victorians, the site of disgust, danger and moral desolation. Previously unseen photographs from the Museum of London's collection capture the grim reality of everyday life in the East End. Leading historians throw fascinating new light on the inhabitants of Whitechapel and Spitalfields at the time of the murders. There are insights into prostitution, sexual violnce and policing. The Flower and Dean Street rookery, with its cheap lodging houses, associated with all the Whitechapel murder victims, is set alongside slum clearance. The new model dwellings that catered for respectable artisans and their families are shown actually to have made the situation worse for the poorest, including many who were deserving but unfortunate. The 'Ladies' who volunteered in the many charitable organisations and missions are examined as they fearlessly walked the streets at the time of the murders. An analysis of the area where Mary Jane Kelly was murdered makes use of Booth's famous colour-coded 'Map of Poverty' to uncover the true nature of London's dark ghetto. The shock and revulsion of the Whitechapel murders caused the public to look for a scapegoat. Attention fell on the immigrants in the area. This book discusses the impact on the Victorian East End of the Irish and, in particular, the large number of Jews who were recent arrrivals. Jack the Ripper inhabits the same world as Dr Jekyll and Mr Hyde and Sherlock Holmes: as man becomes beast, the forces of good and evil battle it out. Jack the Ripper's identity and the murders have been re-interpreted by each new generation in film, art and literature. This lavishly illustrated book reveals how they have shaped our reading and vision of the East End.' Profusely Illus. + Map eps, Contributors, Notes, Further Reading, and Index. 288pp. 4to. h/back. F. in F. protected dw. A heavy book which will require additional postage if shipped overseas.

Condición: Good.

Softbound. Condición: Very Good. Small octavo, paper covers, 1335 pp. Text is in German. Lerntage des Zentrums für Antisemitismusforschung V.

Hardcover / Hardback. Condición: As New. Estado de la sobrecubierta: As New. First edition. Hardback. Intro' by Peter Ackroyd. 'The words 'Jack the Ripper and the East End' conjure up a vision of the darker side of Victorian London - dimly-lit alleys, foggy nights, prostitutes, poverty and horrific murder. How does this image square up with the facts? First published to coincide with a major exhibition at the Museum in Docklands, this book examines the Whitechapel Murders from many sides and delves into both the myth and the reality. It is not so much the crimes themselves that are under the microscope here but the intricate landscape of the East End. We discover how Whitechapel became, in the minds of Victorians, the site of disgust, danger and moral desolation. Previously unseen photographs from the Museum of London's collection capture the grim reality of everyday life in the East End. Leading historians throw fascinating new light on the inhabitants of Whitechapel and Spitalfields at the time of the murders. There are insights into prostitution, sexual violence and policing. The Flower and Dean Street rookery, with its cheap lodging houses, associated with all the Whitechapel murder victims, is set alongside slum clearance. The new model dwellings that catered for respectable artisans and their families are shown actually to have made the situation worse for the poorest, including many who were deserving but unfortunate. The 'Ladies' who volunteered in the many charitable oganisations and missions are examined as they fearlessly walked the streets at the time of the murders. An analysis of the area where Mary Jane Kelly was murdered makes use of Booth's famous colour-coded 'Map of Poverty' to uncover the true nature of London's dark ghetto. The shock and revulsion of the Whitechapel murders caused the public to look for a scapegoat. Attention fell on the immigrants in the area. This book discusses the impact on the Victorian East End of the Irish and, in particular, the large number of Jews who were recent arrivals. Jack the Ripper inhabits the same world as Dr Jekyll and Mr Hyde and Sherlock Holmes: as man becomes beast, the forces of good and evil battle it out. Jack the Ripper's identity and the murders have been re-interpreted by each new generation in film, art and literature. This lavishly illustrated book reveals how they have shaped our reading and vision of the East End.' Profusely Illus., Contributors, Notes, Further Reading, and Index. 288pp. 4to. h/back. Includes loosely inserted : 2 tickets for 'Jack the Ripper and the East End' Exhibition at Museum in Docklands, June 2008; A newspaper cutting review of the exhibition; an illustrated promotional folding leaflet for the exhibition; a Museum of London & Museum in Docklands 'What's On' May-August 2008; and a Museum in Docklands 8pp. Illustrated 'London News' pamphlet. As New in dw. A heavy book which will require additional postage.

Soft bound. Condición: Book good. XXXI, 922 S.Mit 1479 Schiffsskizzen und 829 Photos. With 1479 drawings of ships and 829 photos. Text: deutsch und english. Text: German and English.

Encuadernación de tapa dura. Condición: Bien. Farhsngsara Yassavoli, Islamic Republic of Iran, 2001. Texto en inglés y persa (farsi). Historia. Arte. Viajes. Geografía. Rastro y estela del hombre. Arquitectura. Profusamente ilustrado. 102 pp. 32 x 24. Piel editorial tapa dura con dorados en lomo y sobrecubierta de editorial ilustrada. Sin subrayados ni anotaciones. Buen estado de conservación. ISBN: 9789643060015.

Softcover. Condición: Very Good. Volume 3 only. Heavy book may require extra postage unless posted within South Africa. Publication of 396 pages. The wraps are a little shelf rubbed and a touch edge worn. On the last page of the book there are minor marks and on the block of the book. The remainder of the pages are clean and complete. The text is legible. The binding is excellent. GK. Our orders are shipped using tracked courier delivery services.

(9107) HEAVY HARDBACK. Overseas buyers will require extra postage. Before ordering please contact us direct for a postage quote. 287 pages.B.w. illustrations. Coloured street maps. Fine in black boards with gilt lettering to spine, in a fine unclipped d.w. No markings or inscriptions. Unread book.

Hardcover. Condición: Very good. Octavos. Two volumes. Volume I: (1728-1807) xxx, [2], 594 pages. Illustrations. Previous owner inscription on the right front flyleaf. Volume II: (1808-1830) [2], pages 595-1245. Previous owner inscription on the right front flyleaf. White cloth hardcovers with titles in red on the covers and spines. Very light wear and soil to the cloth bindings. Interior contents very clean.

Cloth. Condición: Very Good. large 8vo, publisher's original yellow cloth indices; xxx-663 pages. in excellent condition.

Couverture rigide. Condición: bon. R260135851: 1953. In-8. Relié toilé. Etat d'usage, Couv. partiel. décollorée, Dos satisfaisant, Intérieur frais. Environ 60 pages. Toilé bleu, titre doré. Portrait photo couleurs en frontispice. Nombreuses photos héliogravées en noir et blanc hors texte. . . . Classification Dewey : 929.2-Histoire des familles célèbres.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. Frontispiece Photograph Ilustrador. 1st Edition. Ix, 143 Pp. Blue Cloth Stamped In Silver. Fine In Fine Dj, No Wear Or Marks. Salam Shared The 1979 Nobel Prize In Physics With Feynman And Glashow.

Paperback. Condición: Very Good-. Estado de la sobrecubierta: No Dust Jacket. Illustrated by Map Ilustrador. Tone, light edgewear, otherwise light wear. Solid paperback. ; Crisp campaign map in rear holder. German propaganda details the invasion of Poland, contrasting daily German and Polish battlefield claims. ; 61 pages.

Hardback in Slipcase. Richard Lindner Ilustrador. 709 pages with 26 fullcolour and 3092 blackandwhite illustrations 11 photographs and 1 facsimile page Richard Lindner 19011978 a Germanborn refugee from Nazi oppression who settled in New York created a bold and deeply disturbing body of work completely at odds with that citys vanguard of the 1950s This is a comprehensive and exhaustive insight into Lindners extensive oeuvrenbsp Original pictorial jacket in very good condition with just a little scuffing to the very edge of the spines head and the top right corner of the front board Underneath lie grey clothbound boards with a pleasant visible weave Pictorial spine label Internally pristine with excellent visual reproductions Includes original blue cloth slipcase with small signs of wear and previous price label attached overall in good condition Truly an essential reference book for fans of Lindners work that allows for a comprehensive study of the artist Please be aware that this is a heavy book and may require a small additional fee for postage. book.

24X30.5 cm. XXXII + 1522 + IV + 64 PAGES. Hardcover. Cover slightly rubbed Spine slightly faded. Pages slightly yellowing. Else in good condition. The book is in : Amharic & Ge`ez Latin.