Weissman terri (60 resultados)

Condición: Very Good. 1st Edition. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. …

Condición: Very Good. 1st Edition. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. …

hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. Condición: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st Edition. In Fine condition with Fine DJ. First edition, first printing. American Modern, the beautifully illustrated companion volume to the exhibit of the same name, explores the reinvention of documentary photography in the 1930s, focusing on the work of three iconic figures: Berenice Abbott, Walker Evans, and Margaret Bourke-White. More broadly, the book maps the formation of what we now identify as "documentary style," showing how a marginalized genre associated with Progressive reform politics was transformed into a major component of modern art and public culture in America. The essays by Sharon Corwin, Jessica May, and Terri Weissman describe how each of these three photographers developed a different model of photography--as well as a particular understanding of modernism and modernity--which each believed would set the standard for future generations of artists. American Modern identifies the points where Abbott, Evans, and Bourke-White connected, diverged, and competed, and demonstrates how commercial and governmental commissions, the influence of mass media, the establishment of public institutions of modern art, and international theories of photography all intersected to establish the now-dominant documentary style. …

hardcover. Condición: Good.

hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. First Edition. Unread. No markings in book. Binding is fine. DJ is fine. 198pp.

Condición: Good. 1st Edition. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condición: Fine.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st Edition. complete number line - 1st printing therefore 1st edition, Signed by all three Authors on the half title page, dj now enclosed in mylar wrap with original price sticker from the Amon Carter Museum to lower left of rear panel, black & white photographs. Signed by Author(s). …

Condición: good. May show signs of wear, highlighting, writing, and previous use. This item may be a former library book with typical markings. No guarantee on products that contain supplements Your satisfaction is 100% guaranteed. Twenty-five year bookseller with shipments to over fifty million happy customers.…

Hardcover with dustjacket, 198 pages; as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover. Condición: Very good. Estado de la sobrecubierta: Very good. Very good condition. Binding is tight. Pages are clean and unmarked.

Condición: Very Good. 1st Edition. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. …

Condición: Very Good. Signed Copy . Like New dust jacket. Signed by author on title page. Volume 2.

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: New. pp. 352.

Paperback. Condición: Fine.

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: New. pp. 352.

Softcover. A matte softcover illustrated with a black-and-white photograph wrapped around the front and back covers. The title is printed on the front cover and down the spine in white text. The book has French folds. Pages: (6), 7-223, (1). Almost entierly black-and-white photographs, with some text scattered throughout. Text is in French. "Exposition présentée sous le titre: 'Berenice Abbott, 1898-1991, photographies.'" VG+: In excellent condition. It looks like it has never been taken off the shelf.…

Condición: As New. Unread book in perfect condition.

Hardcover with dustjacket, 250 pages, very good condition, light scuffs and edgewear to dj; no internal marks. Foreign shipping may be extra.

Condición: new.

Condición: New. Though best known for her 1930s documentary images of New York City, this book examines a broad range of Berenice Abbott's work - including portraits from the 1920s, little known and uncompleted projects from the 1930s, and experimental science photography from the 1950s. Series: The Phillips Book Prize Series. Num Pages: 264 pages, 80 b/w photographs. BIC Classification: 1KBB; AJB; AJCR. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 255 x 186 x 22. Weight in Grams: 824. . 2011. 1st Edition. Hardcover. . . . .…

Hardback. Condición: New. Illustrated. "The Realisms of Berenice Abbott" provides the first in-depth consideration of the work of photographer Berenice Abbott. Though best known for her 1930s documentary images of New York City, this book examines a broad range of Abbott's work - including portraits from the 1920s, little known and uncompleted projects from the 1930s, and experimental science photography from the 1950s. It argues that Abbott consistently relied on realism as the theoretical armature for her work, even as her understanding of that term changed over time and in relation to specific historical circumstances. But as Weissman demonstrates, Abbott's unflinching commitment to 'realist' aesthetics led her to develop a critical theory of documentary that recognizes the complexity of representation without excluding or obscuring a connection between art and engagement in the political public sphere. In telling Abbott's story, "The Realisms of Berenice Abbott" reveals insights into the politics and social context of documentary production and presents a thoughtful analysis of why documentary remains a compelling artistic strategy today.…