weidlich (Más de 1.500 resultados)

Hardcover. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condición: Very Good. First Edition. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.

Condición: Good. First Edition. Used book that is in clean, average condition without any missing pages.

Condición: Very Good. First Edition. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.

Hardcover. Condición: Very Good. crisp clean w/light shelfwear/edgewear - may have remainder mark Standard-sized.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. First Printing. DJ has some very light wear, but is in a plastic cover. ; 233 pages.

Hardcover. Condición: Fine. 1573927880 Two slights indentations near spine on dust jacket.

Hardcover. Condición: Good. Torn/worn dj. Good hardcover with some shelfwear; may have previous owner's name inside. Standard-sized.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. First Edition. First printing. Mylar protected dust jacket. Like new condition. No price on the jacket. The DJ has no tears or chips. Not a remainder. Not an ex-library copy.

Paperback. Condición: new. Paperback. (Guitar). This book will help readers recognize and remember commonly used note patterns and sequences in fiddle tunes and string band music, to make creating interesting variations easier. Author Joe Weidlich analyzes four traditional favorites including "The Wreck of the Old '97" showing how guitarists can substitute notes and patterns, painlessly This book will help readers recognize and remember commonly used note patterns and sequences in fiddle tunes and string band music, to make creating interesting variations easier. Author Joe Weidlich analyzes four traditional favorites - including "The Wreck of the Old '97" - showing how guitarists can substitute notes and patterns, painlessly! Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condición: New. Brand New.

Paperback. Condición: Very Good. B & W Illustrations; 8vo; 72 pages.

Hardcover. Condición: Used - Good. No dust jacket. Tear on top left corner of back cover. Slight wear. May have minor sticker residue or marks or writing. Our service is second to no other seller because we use easy to remove inventory tags and try to ship every day so your book arrives quicker! As a small independent book store in the Midwest we thank you for the support. Satisfaction guaranteed in all transactions. Let us know what we can do to help!

Paperback. Condición: new. Paperback. (Guitar). This instructional book uses commercial recordings from 70 different "sides" from the 1920s and early 1930s as its basis to learn the principal guitar backup techniques commonly used in old-time country music. Topics covered include: boom-chick patterns * bass runs * uses of the pentatonic scale * rhythmic variations * minor chromatic nuances * the use of chromatic passing tones * licks based on chords or chord progressions * and more. This instructional book uses commercial recordings from 70 different "sides" from the 1920s and early 1930s as its basis to learn the principal guitar backup techniques commonly used in old-time country music. Topics covered include: boom-chick patterns * bass runs * uses of the pentatonic scale * rhythmic variations * minor chromatic nuances * the use of chromatic passing tones * licks based on chords or chord progressions * and more. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condición: New. Brand New.

Condición: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Condición: good. Fast Free Shipping â" Good condition book with a firm cover and clean, readable pages. Shows normal use, including some light wear or limited notes highlighting, yet remains a dependable copy overall. Supplemental items like CDs or access codes may not be included.

Paperback. Condición: new. Paperback. The concepts and fingerings in this book have been developed by analysing the licks used by Charlie Christian. Chord shapes are moveable; thus one can play the riffs in virtually any key without difficulty by simply moving the shape, and fingerings used to play them, up or down the keyboard. The author shows how the chord shapes - F, D and A are formed, then can easily be modified to major, minor, dominant seventh and diminished seventh chord voicings. Analysing licks frequently by Charlie Christian, Joe has identified a series of what he calls tetrafragments, ie the core element of a lick. The identifiable 'sound' of a particular lick is preserved regardless of how many notes are added on either side of it, eg, pick notes or tag endings. Many examples are shown and played on the CD of how this basic concept was used by Charlie Christian to keep his solo lines moving forward. Weidlich also makes observations on the physical manner Charlie Christian used in playing jazz guitar and how that approach contributed to his smooth, mostly down stroke, pick technique. Presents concepts and fingerings that are developed by analysing the licks used by Charlie Christian. This work shows how the chord shapes - F, D and A are formed, then can be modified to major, minor, dominant seventh and diminished seventh chord voicings. It makes observations on the physical manner Charlie Christian used in playing jazz guitar. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condición: New. Brand New.

Paperback. Condición: new. Paperback. (Fretted). While many extant photos of string band artists show members holding a mandolin, it often can barely be heard in most period recordings because the most important instrument to capture was usually the fiddle or voice. This collection provides you with the opportunity to learn over 70 old-time-music period songs recorded mostly by Ernest Stoneman, or the duo Grayson & Whitter, during the 1920s and early 1930s. Many of these songs were also "covered" by other string bands regardless of whether they had the opportunity or not to be commercially recorded. CD tracks of some of the songs in this collection as recorded by a number of different string band artists are provided so that performances can be compared. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condición: new. Paperback. (Banjo). Old Time String Band Banjo Styles will introduce you to the traditional, rural string band banjo styles as played in the southern mountains of the eastern United States, which were used to "second" vocal songs and fiddle tunes during the Golden Age of recorded string band music, from the early 1920s through the early 1930s. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condición: new. Paperback. (Guitar). One of the most popular acts of the 1930s was the Monroe Brothers, featuring Bill on mandolin and tenor vocals, and Charlie on lead vocals and rhythm guitar. This great overview of Charlie Monroe's unique guitar performance style (he used just his thumb and index finger) presents 52 songs, with an in-depth look at the backup patterns & techniques from each chord family (G, F, D, C, E, A), plus special note sequences, common substitutions and stock backup phrases. Includes the bluegrass classics "Roll in My Sweet Baby's Arms," "My Long Journey Home" and "Roll On, Buddy," plus a discography and complete Bluebird recording session info. One of the most popular acts of the 1930s was The Monroe Brothers, featuring Bill on mandolin and tenor vocals, and Charlie on lead vocals and rhythm guitar. This great overview of Charlie Monroe's unique guitar performance style (he used just his thumb and index finger) presents 52 songs, with an in-depth look at the backup patterns and techniques from each chord family (G, F, D, C, E, A), plus special note sequences, common substitutions and stock backup phrases. Includes the bluegrass classics "Roll in My Sweet Baby's Arms," "My Long Journey Home" and "Roll On, Buddy," plus a discography and complete Bluebird recording session info. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condición: new. Paperback. (Banjo). Pete Seeger took an interest in playing the 5-string banjo when he was 16 years old after he heard it played at the 1935 Asheville Folk Festival in North Carolina. It wasn't long after, when he was able to have a short lesson with banjoist Bascom Lamar Lunsford, known as the Minstrel of the Appalachians, where Seeger learned the basics of what would become his basic strum. From then on, Seeger made it a point to seek out, listen to, and learn from any banjo players that he met in his travels, learning a number of different playing styles which he experimented with in backing up his vocals. This book looks at the techniques he was using when he was a member of the Almanac Singers in 1941, seven years before the publication of his first banjo method. Join Pete Seeger as he was evolving his early playing technique through the mid-1950s at the dawn of the folk music era! Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condición: new. Paperback. (Banjo). After the Civil War, the "up picking" finger style of playing the 5-string banjo came into vogue eventually finding its way into the Victorian parlor and, later, college glee and music clubs. The original down picking style didn't entirely die out, because throughout the reaminder of the 19th Century, new methods for the banjo often included a number of songs in the older two-finger banjo style of performance. Perhaps the most intricate set of songs to appear in the "original" banjo style were these 34 progressive pieces found in Frank B. Converse's Analytical Banjo Method from 1887. Those songs, presented in this book for clawhammer banjo, offer a nice mix of banjo characteristic pieces, medleys and new compositions from Converse. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condición: new. Paperback. (Banjo). The Round Peak area of Surry County, North Carolina consists of a number of small communities which border Mt. Airy, NC. The Round Peak musical style is synonymous with the old time music pairing of the fiddle with the African-derived banjo and was considered to be the defining ensemble sound for community dance music as played by the holy trinity of the Round Peak banjo masters: Kyle Creed, Fred Cockerham, and Tommy Jarrell. As most of the Round Peak repertoire is played in the traditional fiddle keys of D Major and A Major, they are the keys that are used in the arrangements of some of the traditional Appalachian fiddle tunes that form its living tradition. Includes a lengthy instructional introduction. Songs are presented in banjo tab. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condición: New. Brand New.

Condición: New. Brand New.

Condición: New. Brand New.

Condición: New. Brand New.

Condición: New. Brand New.