wechsler max (176 resultados)

Condición: leicht beschädigt. Wechsler, Max Paul Ilustrador. Wandern, Sport, Spendenmarke, Kinder, Größe 7x5 cm. Original alte Reklamemarke (poster stamp) die seinerzeit für die Werbung benutzt wurde. Ein Katalog über Siegelmarken und Reklamemarken wird in veikkos-archiv aufgebaut. Diese Ware unterliegt der Differenzbesteuerung. Daher wird die im Kaufpreis enthaltene Mehrwertsteuer in der Rechnung nicht gesondert ausgewiesen.

Condición: guter Zustand. Wechsler, Max Paul Ilustrador. Wandern, Sport, Spendenmarke, Kinder, Größe 7x5 cm. Original alte Reklamemarke (poster stamp) die seinerzeit für die Werbung benutzt wurde. Ein Katalog über Siegelmarken und Reklamemarken wird in veikkos-archiv aufgebaut. Diese Ware unterliegt der Differenzbesteuerung. Daher wird die im Kaufpreis enthaltene Mehrwertsteuer in der Rechnung nicht gesondert ausgewiesen.

Paperback. Condición: Very Good. A very good copy, a small mark on front cover else as new.

Hardcover without dustjacket as issued, 56 pages, in German and French; good condition, covers very scuffed; abrasion to first blank page from removed sticker; no internal marks. Foreign shipping may be extra.

Hardcover with dustjacket, 272 pages, in English and German; very good condition; clean and crisp, owner's blindstamp on first blank page; no other internal marks. Foreign shipping may be extra.

Hardcover. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Condición: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Softcover, 76 pages; in German; very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.

First Edition. First edition. Softcover. Exhibition catalog for a show that ran July 26 through September 20, 1987. Text in German with a foreword by Jean-Christophe Ammann and an essay by Max Wechsler. Includes numerous black and white and color illustrations. A clean near fine copy in wrappers.

First Edition. First edition. Softcover. Exhibition catalog for a show that ran February 10 through March 13, 1983. An early catalog of the work of Japanese-Swiss artist Ikemura. Features text in German with contributions by Max Wechsler and Margarethe Jochimsen. Includes some color and numerous black and white illustrations. A very good copy in wrappers that are lightly soiled but internally a clean copy.

Hardcover without dustjacket as issued; 112 pages; in English and German; as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.

118 pp.; 27 x 26.9 cm.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Summer 1982 issue of Artforum edited by Ingrid Sischy. Contents include: "Forum: Waking Up to How We Sleepwalk," by Lawrence Weschler; "Great Expectations: Artists' TV Guide," by Robin White; "Book for Nigel Greenwood," a project by Richard Tuttle; "Framed: Innocence or Gilt?" by Germano Celant; "Three Color + within +," a project by Robert Mangold; "Negative Presences in Secret Spaces: The Art of Eric Orr," by Thomas McEvilley; "In the Absence of Heroes: The Early Work of Georg Baselitz," by Dr. Siegfriend Gohr; "An Iconography of Recent Figurative Painting: Sex, Death, Violence and the Apocalypse," by Marcia Tucker; "Tor-re-a-dora, Blood-up-on-the Floor-a: Peter Brook's Carmen," by Frederic Tuten; "Books: Charlotte Douglas on Russian Avant-Garde Art" and "Reviews," by Colin Westerbeck, Kate Linker, Thomas Lawson, Jeanne Silverthorne, Ida Panicelli, Donald Kuspit, Jamey Gambrell, Richard Flood, Barbara Kruger, Ronny H. Cohen, Lisa Liebmann, Nancy Stapen, Judith Russi Kirshner, John Perreault, Susan C. Larsen, Hal Fischer, Max Wechsler, Gérard-Georges Lemaire, Paul Groot, Saskia Bos, and Stuart Morgan. Cover: Robert Mangold. Good. Light soiling of covers including dust soiling, spiling along cover edges, and rubbing with light edge wear. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Hardcover exhibition catalog without dustjacket as issued, 56 pages, in german and French; very good condition, bump on top corner, light rubbing to covers; no internal marks.

169 pp.; 25.7 x 21.4 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Issue edited by Bice Curiger. Essays "The Philosophical Light and the Light of Art," by Hartmut Böhm; "Rachel Whiteread," by Doris von Drathen; "Ross Bleckner's Icons," by Edmund White; "Memorialising Aids," Simon Watney; "Oscillations," "Ross Bleckner in Conversation with David Seidner," by Jose Luis Brea; "In the Charnel House of Love," by Marina Warner; "The Unfulfillment and the Surfeit," by Anna Tilroe; "Dial 970-Muse: Marlene Dumas's Pornographic Mirror," by Ingrid Schaffner; "Pictures incomprehensible but illuminating," by Ulrich Looke; "Adrian Schiess," by Max Wechsler; "Les Infos Du Paradis," by Martijn Nieuwenhuyzen; "Cumulus From America," by Carolina Ponce de León "Cumulus Aus Europa," by Adrian Searle. Insert by Rudi Molacek. Text in German and English. Very Good / Fine. Light wear to covers. Covers and contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Condición: Good. Original yellow boards, illustrated with numerous (full page) photographs in colour, 4to.

Cartonnage illustré. Condición: TRES BON ETAT. Edition originale. Edition originale. Rextes en allemand et en anglais. Portrait de l'artiste et photographies en couleurs de son instalation "Placebos & surrogates", regroupant 150 mugs en céramique ornés de textes et de photographies de Lüthi.

Condición: New. Brand New.

Softcover. Condición: Very good. Unpaginated. 21 x 30 cm. B&w illustrations. Moderate wear.

Hardback. Condición: New.

275, (1)pp. Prof. illus. (partly color). 4to. Boards.

Hardcover. White cloth, 52 pp., 19 BW illus. Text is in German, French and English. Presents selected works of Swiss painter Aldo Walker (1938-2000). With an introduction by Max Wechsler about this "amiguity of clarity," and 19 examples of the theme. VG- (White covers are slightly soiling; interior is crisp and clean.).

Softcover. Condición: VG. White and yellow wraps with blue lettering; unpaginated, with approx. 52 pp.; numerous bw and color illustrations. Text in German.

Softcover. Condición: Gut bis sehr gut. 1. Auflage. 80 S. mit 58 farbigen Abbildungen Fomrat 16,5 x 32 cm, Softcover in Schweizer Broschur - Die Fotografie fokussiert hier nicht auf die Abbildung, sondern verweist als Objekt über das Bild hinaus. Denn die Basis dieser künstlerischen Strategie bildet der dahinter stehende bildhauerische Ansatz der Künstlerin, die ihre Motive aus einem gezielten Umgang mit Gegenstand und Raum entwickelt.

166 pp.; 27 x 26.5 cm.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; September 1987 issue edited by Ingrid Sischy. Essays "The Tale That Wags the Dog: Documenta 8. A Bite Before the Show"; "What Was that Masked Museum? The Mind's Construction in the Face. Gaetano Pesce," by Germano Celant; "Hugo: Ink into Ocean," by Donald Kuspit; "A Foundry of the Figure: Antonin Artaud, To be Somebody," by Stephen Barber; "Nuclear Towers Town & Country: A Project for Artforum," by Ilona Granet; "An Encounter with a Secret: The Sculpture of Susana Solano," by Gloria Moure; "Untitled Drawings: A Project for Artforum," by William Bailey; "The Critics' Way: Sculpture Goes to Town," by Donald Kuspit, Max Wechsler, Dan Cameron, Pier Luigi Tazzi, and Ingrid Rein, with photography by Shigeo Anzai; "Icons at Large: Icontact," by Lisa Liebmann; "Like Art: Amaretto di Ollie," by Glenn O'Brien; "Believe it or Not: Comrades in People," by J. Hoberman; "Games People Play: From 'Diamonds Are Forever: Artists and Writers on Baseball;'" "Ground Up: Color," by Herbert Muschamp; "Remote Control: Hearings and Seeing and the Law on Diaries," by Barbara Kruger; "Curies' Children: The Known within the Unknown within the Known," by Vilem Flusser "Object: In Pursuit of Unrealism," by Alessandro Mendini. Reviews by Donald Kuspit, Gloria Moure, Pier Luigi Tazzi, Carlo McCormick, Kate Linker, Charles Hagen, John Yau, Jean Fisher, Thomas McEvilley, John Howell, Patricia C. Phillips, Ronny Cohen, Nancy Stapen, Paula Marincola, Glenn Harper, Buzz Spector, Bill Berkson, Kenneth Baker, Colin Gardner, Susan Freudenheim, Catherine Cafopoulos, Aurora García, Ida Panicelli, Jole de Sanna, Denys Zacharopoulos, Daniel Soutif, Helmut Draxler, Anne Krauter, Martin Hentschel, Doris von Drateln, and Stuart Morgan. Cover: William Wegman. Good. Yellowing, dusting, scuffing of covers with light soiling and light edgewear. 2 cm. dog-ear to top right corner of pages 5-10. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Soft cover. Condición: Very Good. 1st Edition. Exhibition catalogue. Very good condition quarto paperback, printed card covers, French text, illustrated, 112 pages. [QP].

Softcover, 78 pages, in German; very good condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover. Condición: new. Hardcover. You can make something out of nothingSome of the current batch of watercolours were originated on partially sullied sheets of paper, on sheets that had been used either as an underlay for the painting of other watercolours or one that were to hand during this process in order that the artist could dab his brush now and then or test the value of a particular colour. Such literal working papers now form the basis for watercolours and paintings, which cover the whole range from cheery fields of paint blots to an intensive encounter between different principles of form. It is self-evident that the quasi self-originating beginnings of this new pictorial language also deal with the phenomenon of horror vacui, which on the one hand equivocally demands that the emptiness--the pure white of the canvas--should be done away with and yet in so doing, simultaneously induces a high degree of anxiety, rendering any composition a sheer impossibility. We can forge a connection to French Impressionism, which was quite literally thrown back upon the essence of the blot in its quest for that true visual insight and depiction of the world, as we also could see in these paintings the contemporary answer for that depiction.Exhibition: Fuhrwerkswaage, Cologne, 25/3-22/4/2007 Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Softcover. Condición: Gut bis sehr gut. Nico : 22 x 24 cm, 80 Seiten/pages, zahlreiche farbige Abbildungen - Markus Raetz beschäftigt sich seit den 1960er Jahren mit Wahrnehmung. Mit einfachen, raffinierten Tricks entwirft er Skulpturen, die sich durch Bewegung verwandeln: Entweder werden sie durch eine äußere Kraft vor dem Blick des Besuchers bewegt und verändert, oder die Bewegung des Besuchers lässt die Skulptur scheinbar stufenweise von einem Zustand in einen anderen wechseln. Wie bei einem Zaubertrick staunen wir, wenn wir beobachten, wie sich die Materie verwandelt, ein Motiv sich umkehrt oder in etwas anderes verwandelt, ein Wort sich selbst und sein Gegenteil darstellt, eine Silhouette dreidimensional wird. CECI CELA arbeitet nach dem gleichen Prinzip und setzt dabei auf einen neuen Trick: einen Spiegel. Vier Messingbuchstaben, CECI" (DIES"), sind an der Wand in der Nähe der Ecke angebracht. Sie spiegeln sich in einem Spiegel an der anderen Wand wider und ergeben CELA" (DAS"). Wie kann CECI" gleichzeitig CELA" sein? Warum spiegelt der Spiegel nicht genau dasselbe Bild wie das Modell? Dies zeigt, dass die Realität immer zwei Gesichter hat, zwei gegensätzliche Seiten, die nebeneinander existieren, und daher ist die eine auch die andere. Raetz lädt uns ein, dem oft trügerischen Schein zu misstrauen.

Softcover. Condición: Sehr gut. 1. Auflage. Z/B : 72 Seiten, 22,5 x 29 cm, 62 Farbabbildungen und 122 Pläne Fadenheftete Broschur - Adrian Schiess Werk bewegt sich in den Fortsetzungslinien der grossen Geschichte der abstrakten Malerei des 20. Jahrhunderts. In Zusammenarbeit mit Herzog & de Meuron aus Basel und Gigon/Guyer aus Zürich hat seine spezielle Beziehung zur Architektur Früchte getragen. - Adrian Schiess work continues along the lines of the great history of 20th century abstract painting. In addition, Adrian Schiess special relationship to architecture has resulted in collaboration with two internationally renowned architectural firms.

Softcover. Condición: Sehr gut. 1. Auflage. Z : 19,5 x 24 cm, 192 pages with 150 black-white and 32 colour, halfcloth illustrations - The retrospective Terry Fox: Elemental Gestures, which opened at the Berlin Academy of the Arts in 2015 before being shown in Mons, Wuppertal, and the Kunstmuseum Bern in 2017, clearly demonstrated Fox s key role in the development of art since the 1970s. It not only revealed him as a pioneer of performance, video art, and sound installation but also presented his experimental exploration of language and space. A symposium held in conjunction with the Bern exhibition adopted a variety of approaches to reflect on the performances and installations of this European American based in Switzerland. This is the starting point for the publication in which scholars, artists, and close associates seek to define more precisely the often silent situations at work between object and word, sound and sculpture, labyrinth and experience, body and action.