Watts william et al (6 resultados)

Soft cover. Condición: Very Good -. No Jacket. Original Edition. Volume 13, No. 1 of this literary review publication from the University of Chicago. 90 pages of writings and poetry, with a few illustrations. Cover is lightly faded and has minor wear, some foxing within. Book.

Magazine. 84p. including covers 8.5x11 inches, articles, features, reviews, listings, illustrated with b&w photos and ads, wraps lightly worn and soiled, else a very good semi-glossy entertainment magazine in stapled pictorial wraps. Cover story on Melba Moore and "The Dirtiest Show in Town" etc. The numbering of the volumes is illogical in the beginning years up to about 1971. The numbering of the volumes is illogical in the beginning years up to about 1971. "After Dark" was originally "Ballroom Dance Magazine" which ended with its volume 9, #4. The new magazine's first issue continued the numbering of the previous magazine and so issue #1 is stated as volume 10, #1. By the third year of the magazine they changed the numbering from volume 13 to volume 3, #9. A fine magazine of arts, stage, dance and music that bridged the gap between gay and straight readers in the 1970s-80s. …

Paperback. 160p., illustrations, photos, lightly worn, good first edition trade paperback literary journal in pictorial wraps. Prepublication excerpts from "Mrs. Bridge" and "Medicine for Melancholy".

Condición: as new. New York : Berghahn Books, 2013. Hardcover. 309 pp. - Using a broad definition of the Durkheimian tradition, this book offers the first systematic attempt to explore the Durkheimians' engagement with art. It focuses on both Durkheim and his contemporaries as well as later thinkers influenced by his work. The first five chapters consider Durkheim's own exploration of art; the remaining six look at other Durkheimian thinkers, including Marcel Mauss, Henri Hubert, Maurice Halbwachs, Claude Levi-Strauss, Michel Leiris, and Georges Bataille. The contributors-scholars from a range of theoretical orientations and disciplinary perspectives-are known for having already produced significant contributions to the study of Durkheim. This book will interest not only scholars of Durkheim and his tradition but also those concerned with aesthetic theory and the sociology and history of art. Condition : as new copy. ISBN 9780857459176. Keywords : PHILOSOPHY, Durkheim, E?mile, 1858-1917, Art -- Social aspects, Dewey: 306.47.…

Condición: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Hard Cover. Condición: Near Fine. First Edition. Rare Signed DELUXE COLLECTOR'S EDITION, NUMBER 10/200 COPIES. Large folio with burgundy cloth spine with red and green cloth covered boards, slipcase. Bright full-color endplates by Rick Griffin. 385 pages printed on archival paper. A magnificent and complete full-color recreation in book form of all 12 issues of the legendary psychedelic newspaper originally published in the Haight-Ashbury 1966-1968. The book contains each and every page of all 12 issues printed - in all their original brilliance. "Open any page and you are back on the streets of the Haight-Ashbury at a time when that tiny urban spot was the Olympus of the newborn world." Laid in with the book is a sheet advertising The San Francisco Oracle Facsimile Edition Publication and Book Signing Party, November 17th, 1991. The Oracle was one of the most unique and beautiful publications of the 1960's and is now a cherished legend. The Oracle is remembered for its extraordinary graphic design by major San Francisco artists, its rainbow colors, and cultural explorations and breakthroughs in its articles, interviews and poetry. Writers who appeared in The Oracle include: Gary Snyder, William Burroughs, Allen Ginsberg, Ken Kesey, Alan Watts, Tim Leary, Michael McClure, Norman Mailer, Jerry Rubin, Paul Krassner, Buckminster Fuller, Carl Rogers, Richard Alpert (Ram Dass), Lawrence Ferlinghetti and others. Artists include many of the great San Francisco Poster artists such as: Rick Griffin, Stanley Mouse, Alton Kelly, Bruce Conner, Michael Bowen and Gary Grimshaw. This Collector's Edition belonged to Raymond Knight, a collector of visionary art, and an early supporter of the press (see p. ixx). The title page is SIGNED AND NUMBERED BY ALLEN COHEN with his unique stamp, Michael McClure, and carries an inscription to Raymond Knight. The front color endpapers are signed by Jim Phillips and John Thompson who has drawn a small third-eye caricature. The beautiful color frontispiece for the Collector's Edition is signed by poster artist Rick Griffin. The copyright page is inscribed "with special appreciation to Raymond, Mark Weiman, Publisher." Additionally inscribed or signed by George Tsongas p. 31; Michael McClure above his poem "The God I Worship is a Lion" p.110; Joel Beck p.117; Jim Phillips p. 143; Ami Magill p.169; Gene Grimm p.173; Ami Magill p. 175; and Stephen Gaskin on the rear free endpaper. A unique and important signed association copy. Excellent condition, tiny spot of wear at head of spine, otherwise clean and tight, contents very bright and sharp, a solid volume throughout. The sturdy slipcase has a few small spots of wear and smudging, still very nice. Near Fine, Slip Case Near Fine. Size: Folio - over 12" - 15" tall. Signed.…