warsh max (22 resultados)

Paperback. Condición: New. Rosemary Mayer (1943-2014) was a prolific artist, writer, and critic, who entered the New York art scene in the late 1960s. By the early 1970s, she became known both for her large-scale fabric sculptures-inspired by the lives of historical women-and her involvement in the feminist art movement. As the decade progressed, Mayer gravitated away from sculpture as a fixed form and the gallery as the primary setting for experiencing art. In 1977, she began to create ephemeral outdoor installations using materials such as balloons, snow, paper, and fabric. Mayer called these projects "temporary monuments," and she intended for them to celebrate and memorialize individuals and communities through their connections to place, time, and nature. Temporary Monuments: Work by Rosemary Mayer, 1977­-1982 is the first comprehensive presentation of this body of work and includes Mayer's documentation of these impermanent artworks. Mayer created photographs, writings, artists' books, and drawings that expand the realm of these projects and reflect her interest in exploring ideas through a variety of media. An introductory essay by Gillian Sneed situates Mayer within the New York art world of the 1970s and '80s and argues that Mayer's public art anticipated more recent practices of site-specific and socially engaged art.

Condición: New.

Paperback. Condición: New. Rosemary Mayer (1943-2014) was a prolific artist, writer, and critic, who entered the New York art scene in the late 1960s. By the early 1970s, she became known both for her large-scale fabric sculptures-inspired by the lives of historical women-and her involvement in the feminist art movement. As the decade progressed, Mayer gravitated away from sculpture as a fixed form and the gallery as the primary setting for experiencing art. In 1977, she began to create ephemeral outdoor installations using materials such as balloons, snow, paper, and fabric. Mayer called these projects "temporary monuments," and she intended for them to celebrate and memorialize individuals and communities through their connections to place, time, and nature. Temporary Monuments: Work by Rosemary Mayer, 1977­-1982 is the first comprehensive presentation of this body of work and includes Mayer's documentation of these impermanent artworks. Mayer created photographs, writings, artists' books, and drawings that expand the realm of these projects and reflect her interest in exploring ideas through a variety of media. An introductory essay by Gillian Sneed situates Mayer within the New York art world of the 1970s and '80s and argues that Mayer's public art anticipated more recent practices of site-specific and socially engaged art.

Condición: As New. Unread book in perfect condition.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condición: new. Paperback. Rosemary Mayer (19432014) was a prolific artist, writer, and critic, who entered the New York art scene in the late 1960s. By the early 1970s, she became known both for her large-scale fabric sculpturesinspired by the lives of historical womenand her involvement in the feminist art movement. As the decade progressed, Mayer gravitated away from sculpture as a fixed form and the gallery as the primary setting for experiencing art. In 1977, she began to create ephemeral outdoor installations using materials such as balloons, snow, paper, and fabric. Mayer called these projects "temporary monuments," and she intended for them to celebrate and memorialize individuals and communities through their connections to place, time, and nature. Temporary Monuments: Work by Rosemary Mayer, 19771982 is the first comprehensive presentation of this body of work and includes Mayer's documentation of these impermanent artworks. Mayer created photographs, writings, artists' books, and drawings that expand the realm of these projects and reflect her interest in exploring ideas through a variety of media. An introductory essay by Gillian Sneed situates Mayer within the New York art world of the 1970s and 80s and argues that Mayer's public art anticipated more recent practices of site-specific and socially engaged art. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condición: Brand New. 151 pages. 9.75x7.75x0.50 inches. In Stock.

Condición: New. In.

Condición: New.

Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.

Soft cover. Condición: Good. 1st edition. Good only (lacking front wrapper). 4to, [ii]+38pp (mimeographed both sides), stapled wrappers. The final issue (from a psychedelicizing San Francisco) of this important sixties mimeographed poetry magazine. Includes Gary Snyder (Sherlock v2.D106). The missing front cover by Bob Branaman is supplied in photocopy. Unmarked copy with general reading wear, back cover is detached from staples. Not Signed.

Condición: As New. Unread book in perfect condition.

Soft cover. Condición: Fine. 1st edition. Near Fine. 4to, 20pp (mimeographed), staple-bound. Rare issue of this early 1970s mimeo revolution magazine, includes work by Opal Louis Nations, Lewis Warsh, Charlie Vermont, Max Jacob, Doris Green, Joyce Holland, et al. Unmarked copy, light wear. Not Signed.

Paperback. Condición: New. Rosemary Mayer (1943-2014) was a prolific artist, writer, and critic, who entered the New York art scene in the late 1960s. By the early 1970s, she became known both for her large-scale fabric sculptures-inspired by the lives of historical women-and her involvement in the feminist art movement. As the decade progressed, Mayer gravitated away from sculpture as a fixed form and the gallery as the primary setting for experiencing art. In 1977, she began to create ephemeral outdoor installations using materials such as balloons, snow, paper, and fabric. Mayer called these projects "temporary monuments," and she intended for them to celebrate and memorialize individuals and communities through their connections to place, time, and nature. Temporary Monuments: Work by Rosemary Mayer, 1977­-1982 is the first comprehensive presentation of this body of work and includes Mayer's documentation of these impermanent artworks. Mayer created photographs, writings, artists' books, and drawings that expand the realm of these projects and reflect her interest in exploring ideas through a variety of media. An introductory essay by Gillian Sneed situates Mayer within the New York art world of the 1970s and '80s and argues that Mayer's public art anticipated more recent practices of site-specific and socially engaged art.

Kartoniert / Broschiert. Condición: New. Klappentext Rosemary Mayer . was a prolific artist, writer, and critic, who entered the New York art scene in the late 1960s. By the early 1970s, she became known both for her large-scale fabric sculptures--inspired by the lives of his.

Paperback. Condición: new. Paperback. Rosemary Mayer (19432014) was a prolific artist, writer, and critic, who entered the New York art scene in the late 1960s. By the early 1970s, she became known both for her large-scale fabric sculpturesinspired by the lives of historical womenand her involvement in the feminist art movement. As the decade progressed, Mayer gravitated away from sculpture as a fixed form and the gallery as the primary setting for experiencing art. In 1977, she began to create ephemeral outdoor installations using materials such as balloons, snow, paper, and fabric. Mayer called these projects "temporary monuments," and she intended for them to celebrate and memorialize individuals and communities through their connections to place, time, and nature. Temporary Monuments: Work by Rosemary Mayer, 19771982 is the first comprehensive presentation of this body of work and includes Mayer's documentation of these impermanent artworks. Mayer created photographs, writings, artists' books, and drawings that expand the realm of these projects and reflect her interest in exploring ideas through a variety of media. An introductory essay by Gillian Sneed situates Mayer within the New York art world of the 1970s and 80s and argues that Mayer's public art anticipated more recent practices of site-specific and socially engaged art. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Condición: New. Rosemary Mayer (1943-2014) was a prolific artist, writer, and critic, who entered the New York art scene in the late 1960s. By the early 1970s, she became known both for her large-scale fabric sculptures-inspired by the lives of historical women-and her involvement in the feminist art movement. As the decade progressed, Mayer gravitated away from sculpture as a fixed form and the gallery as the primary setting for experiencing art. In 1977, she began to create ephemeral outdoor installations using materials such as balloons, snow, paper, and fabric. Mayer called these projects "temporary monuments," and she intended for them to celebrate and memorialize individuals and communities through their connections to place, time, and nature. Temporary Monuments: Work by Rosemary Mayer, 1977­-1982 is the first comprehensive presentation of this body of work and includes Mayer's documentation of these impermanent artworks. Mayer created photographs, writings, artists' books, and drawings that expand the realm of these projects and reflect her interest in exploring ideas through a variety of media. An introductory essay by Gillian Sneed situates Mayer within the New York art world of the 1970s and '80s and argues that Mayer's public art anticipated more recent practices of site-specific and socially engaged art.

Taschenbuch. Condición: Neu. Neuware - Rosemary Mayer (1943-2014) was a prolific artist, writer, and critic, who entered the New York art scene in the late 1960s. By the early 1970s, she became known both for her large-scale fabric sculptures--inspired by the lives of historical women--and her involvement in the feminist art movement. As the decade progressed, Mayer gravitated away from sculpture as a fixed form and the gallery as the primary setting for experiencing art. In 1977, she began to create ephemeral outdoor installations using materials such as balloons, snow, paper, and fabric. Mayer called these projects 'temporary monuments,' and she intended for them to celebrate and memorialize individuals and communities through their connections to place, time, and nature. Temporary Monuments: Work by Rosemary Mayer, 1977--1982 is the first comprehensive presentation of this body of work and includes Mayer's documentation of these impermanent artworks. Mayer created photographs, writings, artists' books, and drawings that expand the realm of these projects and reflect her interest in exploring ideas through a variety of media. An introductory essay by Gillian Sneed situates Mayer within the New York art world of the 1970s and '80s and argues that Mayer's public art anticipated more recent practices of site-specific and socially engaged art.

Softcover. Condición: Near Fine. Magazine. Cover by Bob Brannaman. Quarto. 37pp. Stapled pictorial wrappers. Near fine with edgewear. Includes contributions from Larry Eigner, Drew Wagnon, Fielding Dawson, Gary Synder, Lewis Warsh, David Ray, Mike Hannon, Jonathan Greene, Theodore Enslin, Bill Hutton, Victor Contoski, Robert Howell, Bruce Maddox, Ronald Wigginton, Max Finstein, and Daphne Buckle.

Softcover. Condición: Fine. Magazine. Cover by Ray Johnson. (24)pp. Single sheets printed both sides and secured with two staples. A fine copy. An influential mimeograph created by di Prima and LeRoi Jones featuring some of the most important poets of the 20th Century. Unlike other magazines, this so-called "newsletter" was distributed via a mailing list, many of which were noted poets, journalists, critics, publishers and artists. For this reason, most copies were hand addressed or affixed with a mailing label and stamp, and folded for mailing. This issue guest edited by Bill Berkson with contributions from Larry Fagin, Ron Padgett, Max Ernst, Michael Brownstein, Anne Waldman, Tom Clark, Clark Coolidge, Blaise Cendrars, David Shapiro, Kenneth Koch, John Thorpe, Lewis Warsh, and John Ashbery.

Soft cover. Condición: Fine. 1st edition. Near Fine. 4to, 22pp (mimeographed), printed front wrapper with illustration by Ray Johnson. Nice copy of this 1969 issue of The Floating Bear, with content from many major poets of the era. Unmarked copy, has not been folded or mailed. Not Signed.