Warsh max (23 resultados)
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Librería: WeBuyBooks, Rossendale, LANCS, Reino UnidoWeBuyBooks
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado - Bueno
EUR 17,88
Envío por EUR 8,50Se envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: 1 disponibles
Condición: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
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Librería: GreatBookPrices, Columbia, MD, Estados Unidos de AmericaGreatBookPrices
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 25,05
Envío por EUR 2,31Se envía dentro de Estados Unidos de AmericaCantidad disponible: Más de 20 disponibles
Condición: New.
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Librería: Rarewaves USA, OSWEGO, IL, Estados Unidos de AmericaRarewaves USA
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 27,44
Gastos de envío gratisSe envía dentro de Estados Unidos de AmericaCantidad disponible: Más de 20 disponibles
Paperback. Condición: New. Rosemary Mayer (1943-2014) was a prolific artist, writer, and critic, who entered the New York art scene in the late 1960s. By the early 1970s, she became known both for her large-scale fabric sculptures-inspired by the lives of historical women-and her involvement in the feminist art movement. As the…decade progressed, Mayer gravitated away from sculpture as a fixed form and the gallery as the primary setting for experiencing art. In 1977, she began to create ephemeral outdoor installations using materials such as balloons, snow, paper, and fabric. Mayer called these projects "temporary monuments," and she intended for them to celebrate and memorialize individuals and communities through their connections to place, time, and nature. Temporary Monuments: Work by Rosemary Mayer, 1977-1982 is the first comprehensive presentation of this body of work and includes Mayer's documentation of these impermanent artworks. Mayer created photographs, writings, artists' books, and drawings that expand the realm of these projects and reflect her interest in exploring ideas through a variety of media. An introductory essay by Gillian Sneed situates Mayer within the New York art world of the 1970s and '80s and argues that Mayer's public art anticipated more recent practices of site-specific and socially engaged art.
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Librería: Rarewaves.com USA, London, LONDO, Reino UnidoRarewaves.com USA
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 30,17
Gastos de envío gratisSe envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: 5 disponibles
Paperback. Condición: New. Rosemary Mayer (1943-2014) was a prolific artist, writer, and critic, who entered the New York art scene in the late 1960s. By the early 1970s, she became known both for her large-scale fabric sculptures-inspired by the lives of historical women-and her involvement in the feminist art movement. As the…decade progressed, Mayer gravitated away from sculpture as a fixed form and the gallery as the primary setting for experiencing art. In 1977, she began to create ephemeral outdoor installations using materials such as balloons, snow, paper, and fabric. Mayer called these projects "temporary monuments," and she intended for them to celebrate and memorialize individuals and communities through their connections to place, time, and nature. Temporary Monuments: Work by Rosemary Mayer, 1977-1982 is the first comprehensive presentation of this body of work and includes Mayer's documentation of these impermanent artworks. Mayer created photographs, writings, artists' books, and drawings that expand the realm of these projects and reflect her interest in exploring ideas through a variety of media. An introductory essay by Gillian Sneed situates Mayer within the New York art world of the 1970s and '80s and argues that Mayer's public art anticipated more recent practices of site-specific and socially engaged art.
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Librería: PBShop.store US, Wood Dale, IL, Estados Unidos de AmericaPBShop.store US
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 30,43
Gastos de envío gratisSe envía dentro de Estados Unidos de AmericaCantidad disponible: 15 disponibles
PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.
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Librería: GreatBookPrices, Columbia, MD, Estados Unidos de AmericaGreatBookPrices
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado - Como Nuevo
EUR 28,63
Envío por EUR 2,31Se envía dentro de Estados Unidos de AmericaCantidad disponible: Más de 20 disponibles
Condición: As New. Unread book in perfect condition.
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Librería: PBShop.store UK, Fairford, GLOS, Reino UnidoPBShop.store UK
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 27,88
Envío por EUR 5,89Se envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: 15 disponibles
PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.
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Librería: Grand Eagle Retail, Bensenville, IL, Estados Unidos de AmericaGrand Eagle Retail
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 36,24
Gastos de envío gratisSe envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
Paperback. Condición: new. Paperback. Rosemary Mayer (19432014) was a prolific artist, writer, and critic, who entered the New York art scene in the late 1960s. By the early 1970s, she became known both for her large-scale fabric sculpturesinspired by the lives of historical womenand her involvement in the feminist art movement.… As the decade progressed, Mayer gravitated away from sculpture as a fixed form and the gallery as the primary setting for experiencing art. In 1977, she began to create ephemeral outdoor installations using materials such as balloons, snow, paper, and fabric. Mayer called these projects "temporary monuments," and she intended for them to celebrate and memorialize individuals and communities through their connections to place, time, and nature. Temporary Monuments: Work by Rosemary Mayer, 19771982 is the first comprehensive presentation of this body of work and includes Mayer's documentation of these impermanent artworks. Mayer created photographs, writings, artists' books, and drawings that expand the realm of these projects and reflect her interest in exploring ideas through a variety of media. An introductory essay by Gillian Sneed situates Mayer within the New York art world of the 1970s and 80s and argues that Mayer's public art anticipated more recent practices of site-specific and socially engaged art. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Librería: Ria Christie Collections, Uxbridge, Reino UnidoRia Christie Collections
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 29,11
Envío por EUR 14,06Se envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: Más de 20 disponibles
Condición: New. In.
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Librería: GreatBookPricesUK, Woodford Green, Reino UnidoGreatBookPricesUK
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 26,98
Envío por EUR 17,61Se envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: Más de 20 disponibles
Condición: New.
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Librería: THE SAINT BOOKSTORE, Southport, Reino UnidoTHE SAINT BOOKSTORE
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 27,00
Envío por EUR 20,25Se envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: 10 disponibles
Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.
Editorial: San Francisco: Wild Dog, 1966
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- Primera edición
Librería: Philip Smith, Bookseller, Berkeley, CA, Estados Unidos de AmericaPhilip Smith, Bookseller
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado - Aceptable
EUR 27,07
Envío por EUR 5,21Se envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
Soft cover. Condición: Good. Estado de la sobrecubierta: No Jacket (as issued). 1st edition. Good only (lacking front wrapper). 4to, [ii]+38pp (mimeographed both sides), stapled wrappers. The final issue (from a psychedelicizing San Francisco) of this important sixties mimeographed poetry magazine. Includes Gary Snyder (Sherlock… v2.D106). The missing front cover by Bob Branaman is supplied in photocopy. Unmarked copy with general reading wear, back cover is detached from staples. Not Signed.
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Librería: GreatBookPricesUK, Woodford Green, Reino UnidoGreatBookPricesUK
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado - Como Nuevo
EUR 30,60
Envío por EUR 17,61Se envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: Más de 20 disponibles
Condición: As New. Unread book in perfect condition.
Editorial: Guerneville, CA: The End, 1973
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- Primera edición
Librería: Philip Smith, Bookseller, Berkeley, CA, Estados Unidos de AmericaPhilip Smith, Bookseller
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado - Excelente
EUR 40,60
Envío por EUR 5,21Se envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
Soft cover. Condición: Fine. Estado de la sobrecubierta: No Jacket (as issued). 1st edition. Near Fine. 4to, 20pp (mimeographed), staple-bound. Rare issue of this early 1970s mimeo revolution magazine, includes work by Opal Louis Nations, Lewis Warsh, Charlie Vermont, Max Jacob, Doris Green, Joyce Holland, et al. Unmarked copy,…light wear. Not Signed.
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Librería: Rarewaves USA United, OSWEGO, IL, Estados Unidos de AmericaRarewaves USA United
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 29,14
Envío por EUR 43,79Se envía dentro de Estados Unidos de AmericaCantidad disponible: Más de 20 disponibles
Paperback. Condición: New. Rosemary Mayer (1943-2014) was a prolific artist, writer, and critic, who entered the New York art scene in the late 1960s. By the early 1970s, she became known both for her large-scale fabric sculptures-inspired by the lives of historical women-and her involvement in the feminist art movement. As the…decade progressed, Mayer gravitated away from sculpture as a fixed form and the gallery as the primary setting for experiencing art. In 1977, she began to create ephemeral outdoor installations using materials such as balloons, snow, paper, and fabric. Mayer called these projects "temporary monuments," and she intended for them to celebrate and memorialize individuals and communities through their connections to place, time, and nature. Temporary Monuments: Work by Rosemary Mayer, 1977-1982 is the first comprehensive presentation of this body of work and includes Mayer's documentation of these impermanent artworks. Mayer created photographs, writings, artists' books, and drawings that expand the realm of these projects and reflect her interest in exploring ideas through a variety of media. An introductory essay by Gillian Sneed situates Mayer within the New York art world of the 1970s and '80s and argues that Mayer's public art anticipated more recent practices of site-specific and socially engaged art.
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Librería: moluna, Greven, Alemaniamoluna
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 33,08
Envío por EUR 48,99Se envía de Alemania a Estados Unidos de AmericaCantidad disponible: Más de 20 disponibles
Condición: New. Klappentext Rosemary Mayer . was a prolific artist, writer, and critic, who entered the New York art scene in the late 1960s. By the early 1970s, she became known both for her large-scale fabric sculptures--inspired by the lives of his.
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Librería: AussieBookSeller, Truganina, VIC, AustraliaAussieBookSeller
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 57,40
Envío por EUR 32,41Se envía de Australia a Estados Unidos de AmericaCantidad disponible: 1 disponibles
Paperback. Condición: new. Paperback. Rosemary Mayer (19432014) was a prolific artist, writer, and critic, who entered the New York art scene in the late 1960s. By the early 1970s, she became known both for her large-scale fabric sculpturesinspired by the lives of historical womenand her involvement in the feminist art movement.… As the decade progressed, Mayer gravitated away from sculpture as a fixed form and the gallery as the primary setting for experiencing art. In 1977, she began to create ephemeral outdoor installations using materials such as balloons, snow, paper, and fabric. Mayer called these projects "temporary monuments," and she intended for them to celebrate and memorialize individuals and communities through their connections to place, time, and nature. Temporary Monuments: Work by Rosemary Mayer, 19771982 is the first comprehensive presentation of this body of work and includes Mayer's documentation of these impermanent artworks. Mayer created photographs, writings, artists' books, and drawings that expand the realm of these projects and reflect her interest in exploring ideas through a variety of media. An introductory essay by Gillian Sneed situates Mayer within the New York art world of the 1970s and 80s and argues that Mayer's public art anticipated more recent practices of site-specific and socially engaged art. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
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Librería: Rarewaves.com UK, London, Reino UnidoRarewaves.com UK
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 27,28
Envío por EUR 76,29Se envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: 5 disponibles
Paperback. Condición: New. Rosemary Mayer (1943-2014) was a prolific artist, writer, and critic, who entered the New York art scene in the late 1960s. By the early 1970s, she became known both for her large-scale fabric sculptures-inspired by the lives of historical women-and her involvement in the feminist art movement. As the…decade progressed, Mayer gravitated away from sculpture as a fixed form and the gallery as the primary setting for experiencing art. In 1977, she began to create ephemeral outdoor installations using materials such as balloons, snow, paper, and fabric. Mayer called these projects "temporary monuments," and she intended for them to celebrate and memorialize individuals and communities through their connections to place, time, and nature. Temporary Monuments: Work by Rosemary Mayer, 1977-1982 is the first comprehensive presentation of this body of work and includes Mayer's documentation of these impermanent artworks. Mayer created photographs, writings, artists' books, and drawings that expand the realm of these projects and reflect her interest in exploring ideas through a variety of media. An introductory essay by Gillian Sneed situates Mayer within the New York art world of the 1970s and '80s and argues that Mayer's public art anticipated more recent practices of site-specific and socially engaged art.
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Librería: AHA-BUCH GmbH, Einbeck, AlemaniaAHA-BUCH GmbH
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 41,11
Envío por EUR 62,75Se envía de Alemania a Estados Unidos de AmericaCantidad disponible: 2 disponibles
Taschenbuch. Condición: Neu. Neuware - Rosemary Mayer (1943-2014) was a prolific artist, writer, and critic, who entered the New York art scene in the late 1960s. By the early 1970s, she became known both for her large-scale fabric sculptures--inspired by the lives of historical women--and her involvement in the feminist art mov…ement. As the decade progressed, Mayer gravitated away from sculpture as a fixed form and the gallery as the primary setting for experiencing art. In 1977, she began to create ephemeral outdoor installations using materials such as balloons, snow, paper, and fabric. Mayer called these projects 'temporary monuments,' and she intended for them to celebrate and memorialize individuals and communities through their connections to place, time, and nature. Temporary Monuments: Work by Rosemary Mayer, 1977--1982 is the first comprehensive presentation of this body of work and includes Mayer's documentation of these impermanent artworks. Mayer created photographs, writings, artists' books, and drawings that expand the realm of these projects and reflect her interest in exploring ideas through a variety of media. An introductory essay by Gillian Sneed situates Mayer within the New York art world of the 1970s and '80s and argues that Mayer's public art anticipated more recent practices of site-specific and socially engaged art.
Andy Warhol | Ai Weiwei
Delany, Max & Eric C. Shiner & John J. Curley & Caroline A. Jones & Anna Poletti & John Tancock & Kathryn Weir & Mathew Wrbican & Gao Minglu & Larry Warsh
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Librería: BWS BKS, Ferndale, NY, Estados Unidos de AmericaBWS BKS
Contactar con el vendedorVendedor de 1 estrellasCondición: Nuevo
EUR 1782,69
Envío por EUR 2,63Se envía dentro de Estados Unidos de AmericaCantidad disponible: 2 disponibles
Hardcover. Condición: New.
Editorial: Wild Dog, San Francisco, 1966
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- Primera edición
Librería: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, Estados Unidos de AmericaBetween the Covers-Rare Books, Inc. ABAA
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado - Muy bueno
EUR 67,66
Envío por EUR 4,82Se envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
Softcover. Condición: Near Fine. Magazine. Cover by Bob Brannaman. Quarto. 37pp. Stapled pictorial wrappers. Near fine with edgewear. Includes contributions from Larry Eigner, Drew Wagnon, Fielding Dawson, Gary Synder, Lewis Warsh, David Ray, Mike Hannon, Jonathan Greene, Theodore Enslin, Bill Hutton, Victor Contoski, Robert How…ell, Bruce Maddox, Ronald Wigginton, Max Finstein, and Daphne Buckle.
Editorial: The Poets Press, New York City
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Librería: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, Estados Unidos de AmericaBetween the Covers-Rare Books, Inc. ABAA
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado - Excelente
EUR 76,68
Envío por EUR 4,82Se envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
Softcover. Condición: Fine. Magazine. Cover by Ray Johnson. (24)pp. Single sheets printed both sides and secured with two staples. A fine copy. An influential mimeograph created by di Prima and LeRoi Jones featuring some of the most important poets of the 20th Century. Unlike other magazines, this so-called "newsletter" was dist…ributed via a mailing list, many of which were noted poets, journalists, critics, publishers and artists. For this reason, most copies were hand addressed or affixed with a mailing label and stamp, and folded for mailing. This issue guest edited by Bill Berkson with contributions from Larry Fagin, Ron Padgett, Max Ernst, Michael Brownstein, Anne Waldman, Tom Clark, Clark Coolidge, Blaise Cendrars, David Shapiro, Kenneth Koch, John Thorpe, Lewis Warsh, and John Ashbery.
Editorial: New York: Floating Bear, 1969
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- Primera edición
Librería: Philip Smith, Bookseller, Berkeley, CA, Estados Unidos de AmericaPhilip Smith, Bookseller
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado - Excelente
EUR 90,22
Envío por EUR 5,21Se envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
Soft cover. Condición: Fine. Estado de la sobrecubierta: No Jacket (as issued). 1st edition. Near Fine. 4to, 22pp (mimeographed), printed front wrapper with illustration by Ray Johnson. Nice copy of this 1969 issue of The Floating Bear, with content from many major poets of the era. Unmarked copy, has not been folded or mailed.…Not Signed.
