walter severinghaus (12 resultados)

Hardcover with dustjacket, 334 pages, good condition; light rubbing to dj; owner's stamp to first couple pages; pages yellowed at edges; no internal marks. Foreign shipping may be extra.

Hardcover. Condición: Fine. 1st. First edition stated on copyright page. Fine with no wear or markings in a fine looking jacket that has some scratches on the back lowering the dj grade to VG plus.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Near Fine. 1st. First edition stated on copyright page. Fine with no wear or markings in a near fine or better jacket. Looks about new.

Hard cover. Condición: As New. Estado de la sobrecubierta: Very Good. The JP Morgan Chase Art Collection began in 1959 when David Rockefeller, then president of The Chase Manhattan Bank, established the firm's art program and took the lead in the field of corporate art collecting. By integrating artwork with the architecture of new buildings and incorporating an enlightened approach to acquisitions, this forerunner of corporate collections became a model for other companies worldwide. Today it is one of the oldest and largest corporate art collections in the world, focusing on modern and contemporary painting, sculpture, works on paper and photography, which continue to be the portfolio's strength. This core collection is enhanced by a diverse and eclectic range of objects from every country in which JPMorgan Chase does business, offering a unique perspective on the firm's culture. The JPMorgan Chase Art Program oversees more than 30,000 objects in 450 corporate offices around the globe. In addition, the program administers an active museum loan program, originates traveling exhibitions, provides educational programming for internal and external audiences, and supports the firm's global philanthropic and sponsorship activities. JPMorgan Chase & Co. believes that arts and culture are the lifeblood of vibrant communities. We support a range of programs and events that foster creativity, provide access to the arts to underserved audiences, promote self expression and celebrate diversity.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st Edition. Numerous full page color plates. Edited by Marshall Lee. Forewords by David Rockefeller and Willard C. Butcher. Essays by J. Walter Severinghaus, Dorothy C. Miller and Robert Rosenblum. ; Tight, clean and crisp. A gently read book in excellent condition. No inscriptions. No remainder mark. Not ex-library. ; 4to ; 333 pages.

hardcover. Condición: fine. Estado de la sobrecubierta: near fine. First. Forewords by David Rockefeller, Willard C. Butcher. Edited, designed, and produced by Marshall Lee. Frontispiece and many other illustrations, mostly in color. 333 pages, small folio, black cloth, dust wrapper. New York: E. P. Dutton, (1984). First Edition. A fine copy in a near fine dust wrapper.

333 p., mit zahlreichen Abbildungen; SU minimal berieben, ansonsten gutes Exemplar. Englisch. [dust jacket slightly worn, clean inside, in good condition]. ****An unsere Kunden in Deutschland: Versand nach Deutschland einmal in der Woche ab Freilassing mit der Deutschen Post.*** - Sprache: Englisch Gewicht in Gramm: 2115 4° Orig.-Ganzleinen mit Rückengoldprägung, illustr. Orig.-Schutzumschlag. Forewords by D. Rockefeller, W. C. Butcher; edited, designes and produced by Marshall Lee;.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Near Fine. Second printing. 333 pages : illustrations ; 32 cm. Folio. Hardcover. Publisher's original black linen over boards, gilt lettering to spine, logo blindstamped to upper cover. Book Condition: fine. Dust Jacket Condition: some very superficial shelf wear to panels else fine. A virtually pristine copy inside and out. The second printing, which this is, has a short introduction mentioning some changes in the collection personell etc. clearly indicating 1991 as printing date. It's difficult to look at this lavishly produced volume, featuring all these amazing works of art owned by a bank without thinking, at least a little bit, wow, they have all the money and they get all that art too: ( . Pushing through that however one virtue of a survey like this is the opportunity to see works (and artists for that matter) that you rarely get an opportunity to see. Specifically you see works by artists you know well, but now you're looking at second tier work, a bit below museum quality, and often fascinating for just that trait. [Try not to linger on the the massive tax write-offs that Chase enjoyed as they acquired that ginormous accumulation of art; or that the collection is so large that no single person has ever seen all of it.].

Hardcover. Condición: Used - Very Good.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Slightly Frayed and Chipped. 1st Edition. DJ, TOP RIGHT CORNER 1 AND HALF INCH TEAR WRINKLED, COVER VG.

Condición: Used: Good. Occasion - Bon Etat - Art at work : The chase Manhattan collection. (1984) - Grand Format.

Couverture rigide. Condición: bon. RO80132544: 1984. In-4. Cartonné. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 333 pages. Frontispice en noir et blanc. Nombreuses illustrations et photos en couleurs et en noir et blanc, dans le texte et hors-texte. Texte en anglais. Avec Jaquette. . . Classification Dewey : 700-LES ARTS.