wainwright lisa (38 resultados)

Trade Paperback. Condición: Like New. William Wainwright (Cover Art); Lisa K. Clark (Cover Design) Ilustrador. 1st Harvard Uni. Pr. Ppbk Ed. 266 pp. Flawless copy.

Paperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Soft cover. Condición: Near Fine. Softcover. Exhibition Catalogue. Near Fine. Thin, square octavo; glossy pictorial stiff wraps; 46 pp.; 23 pages of text illustrated in b/w followed by 20 color plates; two small creases to spine, else a crisp and clean copy.

Softcover, 46 pages; very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Condición: New.

Condición: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books!

Condición: As New. Unread book in perfect condition.

Condición: As New. Unread book in perfect condition.

Condición: New.

Hardback. Condición: New. Minami Kobayashi (b.1989) is a Japanese artist based in London. Covering a significant period of development in her practice as a painter, this publication coincides with her second major solo exhibition, The Song of Jujubes, at Frestonian Gallery, London. Kobayashi's paintings depict familiar yet surreal scenes, created from an amalgamation of memories, places and ordinary people. In her dreamlike ambiguous narratives, nature, animals and humans are given equal status; her realms are symbiotic societies with multiple creatures. She captures transitory and fluctuating moments, depicting her protagonists in states of flux, vulnerability and openness. Rendered in a postImpressionist palette, her compositions are a potent mix of playfulness and deeper themes of human and natural life. Bringing together eleven new canvases, The Song of Jujubes takes its title from a song that the artist used to sing as a teenager in her hometown of Nagoya, Japan. It begins with a girl eating one jujube fruit every night, wondering what she will do when they are all gone. Imbued with a sense of nostalgia and loss, the works consider what 'home' means and the strong relationship between people and place. This publication documents Kobayashi's paintings chronologically, from her early works of 2016 to 2024. In a foreword, the Directors of Frestonian Gallery, Matt Incledon and Rollo Campbell introduce the inner world of the artist and the themes of The Song of Jujubes. In an interview with Lisa Wainwright, Kobayashi discusses her time studying at the School of the Art Institute of Chicago, her unique painting technique and the symbolism in her scenes. She also expands upon her artistic influences, including Ukiyoe woodblock prints, the tenets of Buddhism, Tarot and the Nabi painters, such as Félix Vallotton, Édouard Vuillard and Pierre Bonnard. In her essay 'Temperature of a Memory', Laura Allsop analyses Kobayashi's recent paintings in relation to memory and place, particularly the artist's hometown of Nagoya. Edited by Incledon and designed by Joe Gilmore, the book is copublished by Frestonian Gallery and Anomie Publishing, London.Minami Kobayashi (b.1989, Nagoya, Japan) lives and works in London. She holds an MFA in Painting and Drawing from the School of The Art Institute of Chicago (2018) and a BA in Painting from Tokyo University of the Arts (2016). Kobayashi makes figurative paintings that combine intimacy and mystery through their depictions of ordinary people, animals and places that seem vaguely surreal and ever so slightly offkilter.Recent solo or duo exhibitions include I Spell a Word to Free You (with Adrianne Rubinstein) at Et Al Gallery, San Francisco (2024), Place and Presence (with Patrick Procktor) at Frestonian Gallery (2023) and Somewhere not here at Goldfinch Gallery, Chicago (2022).

Hardback. Condición: New. Minami Kobayashi (b.1989) is a Japanese artist based in London. Covering a significant period of development in her practice as a painter, this publication coincides with her second major solo exhibition, The Song of Jujubes, at Frestonian Gallery, London. Kobayashi's paintings depict familiar yet surreal scenes, created from an amalgamation of memories, places and ordinary people. In her dreamlike ambiguous narratives, nature, animals and humans are given equal status; her realms are symbiotic societies with multiple creatures. She captures transitory and fluctuating moments, depicting her protagonists in states of flux, vulnerability and openness. Rendered in a postImpressionist palette, her compositions are a potent mix of playfulness and deeper themes of human and natural life. Bringing together eleven new canvases, The Song of Jujubes takes its title from a song that the artist used to sing as a teenager in her hometown of Nagoya, Japan. It begins with a girl eating one jujube fruit every night, wondering what she will do when they are all gone. Imbued with a sense of nostalgia and loss, the works consider what 'home' means and the strong relationship between people and place. This publication documents Kobayashi's paintings chronologically, from her early works of 2016 to 2024. In a foreword, the Directors of Frestonian Gallery, Matt Incledon and Rollo Campbell introduce the inner world of the artist and the themes of The Song of Jujubes. In an interview with Lisa Wainwright, Kobayashi discusses her time studying at the School of the Art Institute of Chicago, her unique painting technique and the symbolism in her scenes. She also expands upon her artistic influences, including Ukiyoe woodblock prints, the tenets of Buddhism, Tarot and the Nabi painters, such as Félix Vallotton, Édouard Vuillard and Pierre Bonnard. In her essay 'Temperature of a Memory', Laura Allsop analyses Kobayashi's recent paintings in relation to memory and place, particularly the artist's hometown of Nagoya. Edited by Incledon and designed by Joe Gilmore, the book is copublished by Frestonian Gallery and Anomie Publishing, London.Minami Kobayashi (b.1989, Nagoya, Japan) lives and works in London. She holds an MFA in Painting and Drawing from the School of The Art Institute of Chicago (2018) and a BA in Painting from Tokyo University of the Arts (2016). Kobayashi makes figurative paintings that combine intimacy and mystery through their depictions of ordinary people, animals and places that seem vaguely surreal and ever so slightly offkilter.Recent solo or duo exhibitions include I Spell a Word to Free You (with Adrianne Rubinstein) at Et Al Gallery, San Francisco (2024), Place and Presence (with Patrick Procktor) at Frestonian Gallery (2023) and Somewhere not here at Goldfinch Gallery, Chicago (2022).

Condición: New.

Magazine. First edition. Near Fine magazine with a hint of handling. SHIPS THE NEXT BUSINESS DAY, WRAPPED IN PADDING AND CARDBOARD. The March 14, 2004, issue of the Sunday New York Times Magazine, with: a profile of Tom Ford as he bids goodbye to Gucci, by Lynn Hirschberg with a portrait by Alfred Seiland; a tour of the objects in the home of Rufus Wainwright, photographed by Lisa Kereszi and interviewed by Amy Barrett; a tour of a new house in Bavaria by the British architect John Pawson, photographed by Todd Eberle and with text by Herbert Muschamp; Michael Ignatieff on his second thoughts on supporting the war in Iraq with photos by Antonin Kratochvil and Tyler Hicks; a profile of Ronald L. Motley and examination of his suit against the Saudis for the September 11, 2001, terrorist attacks, by Jennifer Senior, with photographs by Jeff Riedel; a profile of Jeanne Woodford, former warden of San Quentin and advocate of rehabilitation, tapped to run the California Department of Corrections by Arnold Schwarzenegger, by David Sheff and with a portrait by Justin Stephens; an essay by James Traub on the 100th anniversary of Times Square; an interview with Jonathan Schwartz; a profile of Kerry Conran who created Sky Captain and the World of Tomorrow on his computer, by John Hodgman, with a portrait by Catherine Ledner; and much more. Staple-bound magazine; 82 pages + an 8-page ad booklet bound-in; color and b&w illustrations throughout; 9.5 x 11.5 inches.

Condición: New. In.

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: As New. Unread book in perfect condition.

Hardcover. Condición: Brand New. 96 pages. 10.25x9.60x10.24 inches. In Stock.

Condición: As New. Unread book in perfect condition.

Condición: New.

Paperback. Condición: Brand New. 328 pages. 12.00x10.00x1.00 inches. In Stock.

Cloth. Condición: Very Good. 72 pages. Hardcover. Texts in English. Upper right corner is bumped, as are the pages in that area. Lighter bumps at other corners. Else, the binding is tight, the interior clean and unmarked. Bound in illustrated paper covered boards and issued without a dustjacket. Beautifully illustrated and contextualized with several insightful essays. Published on the occasion of the installation of the ten foot bronze sculpture at Rockefeller Center, New York. Book.

Condición: New.

Hardcover. Condición: Brand New. 96 pages. 10.25x9.60x10.24 inches. In Stock.

Condición: New.

Soft cover. Condición: Very Good. 1st Edition. Inscribed by the artist to title page. Slightly oblong 8" x 7.75" softcover book, staple bound in decorated card wraps. Unpaginated with 14 color illustrations. Foreword by David Cohen, essay by Lisa Wainwright, and a poem by Cyrus Cassels. Clean and unmarked. Very slight wear around spine and staples, else mild and barely noticeable scuffs/rubbing to covers. Shelfwear scant. Pages bright. Nice copy of this 2008 catalogue of paintings by American artist Susanna Coffey, in which the artist juxtaposes dramatic portraits of heads against images of war - in very good overall condition. Inscribed by Author(s).

Condición: new.

Condición: As New. Unread book in perfect condition.

Hardback. Condición: New. Minami Kobayashi (b.1989) is a Japanese artist based in London. Covering a significant period of development in her practice as a painter, this publication coincides with her second major solo exhibition, The Song of Jujubes, at Frestonian Gallery, London. Kobayashi's paintings depict familiar yet surreal scenes, created from an amalgamation of memories, places and ordinary people. In her dreamlike ambiguous narratives, nature, animals and humans are given equal status; her realms are symbiotic societies with multiple creatures. She captures transitory and fluctuating moments, depicting her protagonists in states of flux, vulnerability and openness. Rendered in a postImpressionist palette, her compositions are a potent mix of playfulness and deeper themes of human and natural life. Bringing together eleven new canvases, The Song of Jujubes takes its title from a song that the artist used to sing as a teenager in her hometown of Nagoya, Japan. It begins with a girl eating one jujube fruit every night, wondering what she will do when they are all gone. Imbued with a sense of nostalgia and loss, the works consider what 'home' means and the strong relationship between people and place. This publication documents Kobayashi's paintings chronologically, from her early works of 2016 to 2024. In a foreword, the Directors of Frestonian Gallery, Matt Incledon and Rollo Campbell introduce the inner world of the artist and the themes of The Song of Jujubes. In an interview with Lisa Wainwright, Kobayashi discusses her time studying at the School of the Art Institute of Chicago, her unique painting technique and the symbolism in her scenes. She also expands upon her artistic influences, including Ukiyoe woodblock prints, the tenets of Buddhism, Tarot and the Nabi painters, such as Félix Vallotton, Édouard Vuillard and Pierre Bonnard. In her essay 'Temperature of a Memory', Laura Allsop analyses Kobayashi's recent paintings in relation to memory and place, particularly the artist's hometown of Nagoya. Edited by Incledon and designed by Joe Gilmore, the book is copublished by Frestonian Gallery and Anomie Publishing, London.Minami Kobayashi (b.1989, Nagoya, Japan) lives and works in London. She holds an MFA in Painting and Drawing from the School of The Art Institute of Chicago (2018) and a BA in Painting from Tokyo University of the Arts (2016). Kobayashi makes figurative paintings that combine intimacy and mystery through their depictions of ordinary people, animals and places that seem vaguely surreal and ever so slightly offkilter.Recent solo or duo exhibitions include I Spell a Word to Free You (with Adrianne Rubinstein) at Et Al Gallery, San Francisco (2024), Place and Presence (with Patrick Procktor) at Frestonian Gallery (2023) and Somewhere not here at Goldfinch Gallery, Chicago (2022).