vito frank (33 resultados)

Condición: very_good.

Paperback. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

xviii, 205p., b/w illus., original stiff printed wrappers.

216 pp.; 26.6 x 21.5 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held November 8, 1989 - February 18, 1990, with public projects held November 22 - December 31, 1989. Texts by Marvin Heiferman, Lisa Phillips, and John G. Hanhardt. SArtists include Vito Acconci, Dennis Adams, Laurie Anderson, John Baldessari, William Beckley, Gretchen Bender, Wallace Berman, Ashley Bickerton, Dara Birnbaum, Nayland Blake, Barbara Bloom, Troy Brauntuch, Chris Burden, Nancy Burson, David Kramlich, Peter Campus, Sarah Charlesworth, John Clem Clarke, Clegg and Guttmann, Chuck Close, Bruce Conner, Robert Cumming, Fluxus Collective, George Brecht, Alison Knowles, Robert Watts, George Maciunas, Jack Goldstein, Dan Graham, Gran Fury, Hans Haacke, Robert Heinecken, Jenny Holzer, Larry Johnson, Edward Kienholz, Carole Ann Klonarides, Silvia Kolbowski, Jeff Koons, Joseph Kosuth, Barbara Kruger, Annette Lemieux, Les Levine, Sherrie Levine, Roy Lichtenstein, Robert Longo, Frank Majore, Allan McCollum, Matt Mullican, Peter Nagy, Bruce Nauman, Nam June Paik, Richard Prince, Robert Rauschenberg, David Robbins, James Rosenquist, Edward Ruscha, David Salle, Richard Serra, Cindy Sherman, Laurie Simmons, Lorna Simpson, Alexis Smith, Mark Tansey, Bill Viola, Andy Warhol, Oliver Wasow, William Wegman, Tom Wesselmann, and Krzysztof Wodiczko. Includes image world chronology, selected bibliography, films and videotapes in the exhibition, and an exhibition checklist. Very Good / Fine. Light rubbing of cover edges and yellowing of page edges. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Paperback. Condición: New. To paraphrase silent movie queen Norma Desmond in Billy Wilder's classic 1950 film Sunset Boulevard, "The epic miniseries are big! It's television that got small!" This is especially true when one compares such iconic epic miniseries as Rich Man, Poor Man (1976), Roots (1977), Holocaust (1978), Shogun (1980), The Winds of War (1983), War and Remembrance (1988-89) and Angels in America (2003) to today's ordinary television programming. This work traces the historical trajectory of the epic miniseries and delves into the character archetypes and themes that recur in the genre, giving close critical attention to more than 40 miniseries. A filmography is included.

Condición: New. Idioma/Language: Español. El trabajo de Conan como guardaespaldas en Shadizar conduce a un juego mortal de serpientes. Aunque las cartas estén a favor del bárbaro, quizás ni siquiera consiga saldar su deuda ni evitar al peligro. ¡Hace falta más que suerte para ganar esta mano! *** Nota: Los envíos a España peninsular, Baleares y Canarias se realizan a través de mensajería urgente. No aceptamos pedidos con destino a Ceuta y Melilla.

Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.

Condición: New. In.

16p. includes covers, 8.5x11 inches, sheets nested (unbound) photos, reports, columns, ads, events, services and resources, very good in wraps. Cover story on the 475 hearings. Vito Russo and the Firehouse Flicks. Q&A on Aversion Therapy. DOB reorganizes.

Condición: New.

Condición: New.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: Brand New. 213 pages. 8.75x6.00x0.50 inches. In Stock.

Condición: New. In.

Condición: New.

Condición: As New. Unread book in perfect condition.

Hardcover. Condición: New.

Condición: New. Traces the historical development, evolution, decline, and surprising rebirth of the epic miniseries. This title covers such topics as the role of HBO and other cable networks in reviving the miniseries genre and, the powerful influence of foreign miniserie.

Tapa dura al cromo. Condición: Bueno. Primera edición. 256 PÁGINAS. MUY ILUSTRADO.

Paperback. Condición: Brand New. illustrated edition. 240 pages. 8.75x6.00x0.75 inches. In Stock.

Condición: Bien. Gracias, su compra ayuda a financiar programas para combatir el analfabetismo.

Paperback. Condición: New. To paraphrase silent movie queen Norma Desmond in Billy Wilder's classic 1950 film Sunset Boulevard, "The epic miniseries are big! It's television that got small!" This is especially true when one compares such iconic epic miniseries as Rich Man, Poor Man (1976), Roots (1977), Holocaust (1978), Shogun (1980), The Winds of War (1983), War and Remembrance (1988-89) and Angels in America (2003) to today's ordinary television programming. This work traces the historical trajectory of the epic miniseries and delves into the character archetypes and themes that recur in the genre, giving close critical attention to more than 40 miniseries. A filmography is included.

Cartoné. Condición: New. Estado de la sobrecubierta: Nuevo. 01. Con un lenguaje claro, acompañado de numerosas fotografías a todo color, proporciona la más completa información sobre la selección, estándar, cuidados, salud, alimentación, acicalado, enfermedades y exhibiciones de los perros de esta raza. LIBRO.

103; 30.5 x 32.8 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Monograph / exhibition catalogue published in conjunction with show "Open Ends" held September 28, 2000 - January 30, 2001, the third and final exhibition in MoMA's series of exhibitions MoMA2000 drawing from works from the collection across curatorial departments and historical categories. Edited by Kirk Varnedoe, Paola Antonelli, and Joshua Siegel. Introduction by Kirk Varnedoe. Essays by Kirk Varnedoe, Paola Antonelli, Joshua Siegel, M. Darsie Alexander, Mary Lea Bandy, Fereshteh Daftari, Judith B. Hecker, Susan Kismaric, Roxana Marcoci, Terence Riley, and Lilian Tone. Artists include Cindy Sherman, Vito Acconci, Rainer Werner Fassbinder, Philip Guston, Peter Hujar, Ingmar Bergman, William Wegman, Richard Prince, Francesco Clemente, Frank Stella, Robert Ryman, Robert Frank, Susan Rothenberg, Andy Warhol, David Wojnarowicz, Annette Messager, Louise Bourgeois, Carrie Mae Weems, John Baldessari, Jean-Luc Godard, Matthew Barney, and many, many others. Includes checklist of illustrations and an index of illustrations. Fine. Light yellowing of page edges. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

116 pp.; 21.5 x 28 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at Institute of Contemporary Art, University of Pennsylvania, January 17 - February 28, 1975. Traveled to The Contemporary Arts Center, Cincinnati, OH, March 22 - May 30, 1975 ; Museum of Contemporary Art, Chicago, IL, June 28 - August 31, 1975 and the Wadsworth Atheneum, Hartford, CT, September 17 - November 2, 1975. Essays by David Antin, Lizzie Borden, Jack Burnham, John McHale, and Suzanne Delehanty. Includes works by Vito Acconci, Sonia Andrade, Ant Farm, Eleanor Antin, David Askevold, John Baldessari, Lynda Benglis, Jim Byrne, Pierpaolo Calzolari, Colin Campbell, Peter Campus, Giuseppe Chiari, Fernando França Cocchiarale, Andrea Daninos, Douglas Davis, Antonio Dias, Juan Downey, Ed Emshwiller, Valie Export, Terry Fox, Howard Fried, Seiichi Fujii, Anna Bella Geiger, Michael Geissler and Video Audio Mediem, General Idea, Frank Gillette, Dan Graham, Sakumi Hagiwara, Martha Haslanger, Michael Hayden, K.H. Hödicke, Nancy Holt, Rebecca Horn, Mako Idemitsu, Taka Iimura, Joan Jonas, Allan Kaprow, Nobuhiro Kawanaka, Hakudo Kobayashi, Masao Komura, Beryl Korot, Paul Kos, Ernie Kovacs, Shigeko Kubota, Richard Landry, Les Levine, Alvin Lucier, Urs Lüthi, Ivens Olinto Machado, Andy Mann, Toshio Matsumoto, Kyoto Michishita, Robert Morris, Philip Morton, Fujiko Nakaya, Bruce Nauman, Dennis Oppenheim, Jean Otth, Nam June Paik, Giulio Paolini, Ulrike Rosenbach, Reiner Ruthenbeck, Daniel Sandin, Ira Schneider, Eric Siegel, Richard Serra, Nina Sobel, Keith Sonnier, Lisa Stelle, Skip Sweeney, Telethon, Top Value Television, Steina and Woody Vasulka, Bill Viola, Wolf Vostell, Morihiro Wada, Andy Warhol, William Wegman, Peter Weibel, Katsuhiro Yamaguchi, Keigo Yamamoto, and twenty-two broadcast commercials. Includes exhibition checklist and a selected bibliography. Good. Light bumping to top and bottom right corners of publication. Rubbing of cover edges. 1 cm. tear to bottom edge of recto with adjacent 6.5 cm. crease. Light yellow foxing to title page with yellowing of inside of recto. 1 mm. mark on the table of contents and on page 116. Contents otherwise clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Hardcover. Condición: Very good condition. Estado de la sobrecubierta: Good. 669 pp. "Amici ed estimatori italiani e stranieri hanno voluto festeggiare con gli scritti qui raccolti il 70 compleanno dell'insigne musicologo Luigi Ronga.".

[2] pp.; 11 x 21 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Double sided postcard published in conjunction with meeting the artists held at Project Studio One / P.S. 1 on November 25, 1979. Good. Mailed copy mailing marks on recto and verso, otherwise Very Good.

[2] pp.; 70.9 x 55.9 cm.; duotone; edition size unknown; unsigned and unnumbered; offset-printed Large-scale folded poster published in conjunction with a series of six readings held May 20 - 25, [1968] at the homes of six artists and writers in celebration of the publication of "The Young American Poets Anthology," edited by Paul Carroll with an introduction by James Dickey. Readings were held at the homes of Jasper Johns, Norman Mailer, Red Grooms, Frank Stella, Claes Oldenburg, and Robert Rauschenburg with introductions by Kenneth Koch, Norman Mailer, John Ashbery, James Wright, and Paul Carroll and readings by Bill Berkson, Ted Barrigan, Tom Clark, Norman Mailer, Kenward Elmslie, Louise Glück, Robert Hass, Red Grooms, Richard Kostelanetz, Lou Lipsitz, Ron Padgett, Peter Schjeldahl, Frank Stella, Charles Simic, Mark Strand, Tony Towle, Claes Oldenburg, Allen Van Newkirk, Diane Wakoski, Anne Waldman, Lewis Warsh, Robert Rauschenberg, Vito Acconci, Michael Benedickt, Clark Coolidge, John L'Heureux, Lewis MacAdams, and John Perreault. Very Good. Folded in 8 as issued, with torn closure sticker, unmailed copy. Light yellow soiling along fold lines. Price correction sticker on recto, original to poster. Light handling wear. Five small pin holes to poster. Otherwise clean and unmarked.

[1] pp.; 28 x 21.6 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Flyer / announcement published to promote events held between 13th and 14th Streets and 6th and 5th Avenues, New York City, on April 18, 1969. Participating artists included Vito Hannibal Acconci, Terence Anderson, Arakawa, Gregory Battcock, Matthew Benedict, Michael Brownstein, Scott Burton, James Lee Byars, Rosemarie Castoro, Eduardo Costa, Bill Creston, Larry Fagin, Madeline Gins, John Giorno, Bobbi Gormley, Tom Gormley, Dan Graham, Katherine Greef, Stephen Kaltenbach, Joseph Kosuth, Leandro Katz, Alcides Lanzy, Lucy Lippard, Rosemary Mayer, Ben Patterson, John Perreault, Lil Picard, Adrian Piper, H Alexander Roberts, Marjorie Strider, Mr. T., Bernar Venet, Frank Lincoln Viner, Anne Waldman, Lewis Warsh, Luis Wells, Hannah Weiner and Lawrence Weiner. These organized street works can be understood as extensions of both the Pop art Happenings of the earlier 1960s and the street protests taking place in New York City and throughout the country during the 1968 elections, the Civil Rights Movement, and the Vietnam War. Whereas the Pop happenings usually took place in galleries and performance spaces, the street works were unconfined by physically walled-in spaces. Enacted in open environments, comingled with the natural flow of pedestrians, these performances created unlimited possibilities for happenstance with the sidewalk as the stage and the city as backdrop, the inhabitants of New York became active participants with the artists, willingly or not. Fair / Good. Folded in three and two tape stains. Name of recipient on verso in ink.

Condición: New. Print on Demand.