Vincente huidobro (17 resultados)

Softcover. Condición: Fine. First Edition. First edition. Stapled gray wrappers. 47pp. Fine. Four poems by Paul Neruda translated by James Wright and Robert Bly. Some poems by Vincente Huidobro translated by William Witherup and Serge Echeverria. Publisher's letter and subscription card laid in. Other contributors are Greg Kuzma, Ron Welburn, Dave Kelly, James Haining, Stuart Peterfreund, Peter Klappert, Sam Periera, G.S. Sharat Chandra, David Ray, Robert Bly, Dan Gerber, Peter Wild, Clarence Major, Stephan Taugher, William Witherup, Orville Hayden, Pat Garvey, James Tipton, D.V. Smith, and Peter Cooley. …

single_issue_magazine. Condición: Very Good. Light shelf wear. Small white rub/stain on back cover. Great shape! Else clean and tight.

Paper Back. Condición: Very Good. The cover has light shelf wear. 231 pages. Books listed here are not stored at the shop. Please contact us if you want to pick up a book from Newtown. Size: Size E: 7"-8" Tall (177-203mm).

Condición: Gut. (10 Melior Linotype) - Bll. + 109 S. inkl. Impressum. * zehnte (10.) Publikation des Gerhardt Verlag Sprache: Deutsch Gewicht in Gramm: 150 Gr.-12°, O(Hell)-LeichtKarton.-Broschur mit OIll.(nach e. Collage v. Arp - Typographie v. Christian Chruxin)-Umschlag (Rücken v. Umschlag mit Bleistift-Rückentitel -leicht störend) mit fest. transparent.-Plastikschutz. Gut erhalten. Erstauflage (innerh. v. 4000 Exemplare).…

Soft cover. Condición: Very Good. Edited by Eliot Weinberger. Features an interview with Basil Bunting and poems by many notable figures, including George Oppen, William Bronk, Clayton Eshleman, John Taggart, Hugh MacDiarmid, Rachel Blau DuPlessis, Cid Corman, Amiri Baraka, Eliot Weinberger, Toby Olson, Michael Heller, Roy Fisher, Vincente Huidobro, Iain Sinclair, Jerome Rothenberg, and Octavio Paz. Bumping to edges, some staining to spine. A very good copy free of internal markings.…

Couverture souple. Condición: bon. RO60090985: 1996. In-12. Broché. Etat d'usage, Couv. légèrement pliée, Dos plié, Intérieur frais. 311 pages. Premier plat illustré en couleurs. Texte en espagnol. Couverture plastifiée. . . . Classification Dewey : 860-Littératures espagnole et portugaise.

Couverture souple. Condición: Très bon. Ex-dono sur la première page. Collection '' Projection ''.

Klein Oktav. 109 Seiten. Broschiert mit Plastikumschlag. Gut erhalten. Deutsche Erstausgabe - Umschlaggestaltung nach einer Collage von Hans Arp, Typographie: Christian Chruxin. Sprache: deutsch.

Condición: Used: Like New. LIVRE A L?ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9782493282071.

109 S. OBrosch. m. OSch. (Klarsichthülle). EA. WG II 33. - Schönes Expl.

238 pp.; 17.4 x 11.2 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed An overview of the Dada movement by Georges Hugnet. Introduction by Tristan Tzara. Cover by Marcel Duchamp. Artists featured include Pierre Albert-Birot, Aragon, Céline Arnauld, Hans Arp, Johannes Baader, Johannes Theodor Baargeld, Hugo Ball, Jacques Baron, J.-K. Bonset, Gabrielle Buffet, Serge Charoune, Paul Citroën, Arthur Cravan, René Crevel, Jean Crotti, Paul Dermée, Otto Dix, Marcel Duchamp, Suzanne Duchamp, Viking Eggeling, Paul Eluard, Max Ernst, J. Evola, Otto Flake, Théodore Fraenkel, George Grosz, Raoul Hausmann, John Heartfield, Wieland Herzfelde, Emmy Hennings, Hannah Höch, Henrich Hoerle, Richard Huelsenbeck, Vincente Huidobro, Marcel Janco, Franz Jung, Adou Lacroix, Pierre de Massot, Walter Mehring, Clément Pansaers, Benjamin Péret, Francis Picabia, Man ray, Otto Van Rees, Georges Ribemont-Dessaignes, Hans Richter, Jacques Rigaut, Erik Satie, Christian Schad, Rudolf Schlichter, Otto Schmalhausen, Kurt Schwitters, Walter Serner, Philippe Soupault, Sophie Tauber, Tristan Tzara, Jacques Vaché, and Roger Vitrac. Printed in black-and-white. Text in French. Fair / Good. Rubbing to covers and moderate rubbing of edges with light soiling of text block edge. Discrete small rubber stamp logo inside rear cover, otherwise contents clean and unmarked.…

Couverture souple. Condición: Bon. 1ère Édition. Editions du Carrefour, 1929 - Petit in-4° broché, couv. cart., reproductions photographiques ou artistiques (E. Sheler, Maurice Tabard, Genia Berman, André Derain, Max Ernst) en noir en planches, 189 pages + feuillets publicitaires, bon exemplaire, frais. Edition originale, tirage limité à 3200 exemplaires, un des 3000 sur papier Alfa de Lafuma-Navarre (n°64). E. Sheler, Maurice Tabard, Genia Berman, André Derain, Max Ernst (ilustrador). …

Broché. 1 volume. In-16 carré. 50 pp. Couverture souple rempliée illustrée par Mario Prassinos. Non coupé. Traduit de l'espagnol par Rilka Walter. En bon état. Collection "L'âge d'or" n°20, dirigée par Henri Parisot.ÉDITION ORIGINALE. Un des 450 exemplaires numérotés sur vélin blanc.

109 S. Gutes Exemplar. E 4.1 Sprache: Deutsch Gewicht in Gramm: 500 Kl.-8° Klein-Oktav, Softcover/Paperback.

Couverture souple. Condición: Très bon. Edition originale. In-4 (23,8 x 19 cm), broché, couverture imprimée, non paginé, frontispice de Picasso, 20 ff. n. ch., feuillet d'errata. Édition originale (pas de grand papier). En frontispice portrait de l'auteur par Pablo Picasso. Envoi autographe signé de l'auteur : "Au peintre G. C. Roux / de son admirateur / V. Huidobro / Paris - 16 rue Boissonade (14ème)". Petite fente en haut du dos, papier jauni et cassant en marge. Rare avec envoi. Dessinateur et peintre français, Gaston-Louis Roux (1904 - 1988) débuta sa carrière d'illustrateur en 1926 grâce à André Malraux et Pascal Pia qui lui confièrent l'illustration de plusieurs ouvrages dont Les exploits d un jeune Don Juan d Apollinaire. Il fait la connaissance d'Elie Lascaux et d'André Masson qui lui présente Daniel-Henry Kahnweiler, directeur de la galerie Simon, qui le prend sous contrat. Le peintre rencontre de nombreux artistes dont Alberto Giacometti qui réalisera son portrait en 1956. Il côtoie également de nombreux écrivains surréalistes dont Paul Eluard, Raymond Queneau, Jacques Baron, Robert Desnos (dont il illustrera Etat de Veille en 1943), Vicente Huidobro qui deviennent des amis proches. De 1931 à 1933, il est membre permanent da la Mission Dakar-Djibouti dirigée par Marcel Griaule, en compagnie de son ami Michel Leiris qui en rendra compte dans L'Afrique fantôme (Gallimard, 1934). De retour à Paris il se remet à la peinture et épouse Pauline Chenon, qui aura une liaison avec Michel Leiris en 1939 et 1940. Sa dernière exposition personnelle à la galerie Simon, devenue Galerie Louise Leiris, aura lieu en 1947. Gaston-Louis Roux s'oriente ensuite vers une peinture plus figurative qui rencontre moins de succès. Il quitte définitivement la galerie Louise Leiris en 1956. En 1970, alors qu'il est contraint de quitter Paris pour des raisons économiques, André Malraux interviendra pour lui octroyer un atelier dans le 13ème arrondissement. Signé par l'auteur. Livre d'occasion.…

Condición: Very Good only. 4 rare journals. 9 were published in total these being from the second phase. Large format extra postage may be required. As Dr. Elizabeth Cooper has written: Born out of the literary and artistic movements that took the world by storm during the 1922 São Paulo Semana de Arte Moderna (Modern Art Week) Festa offers a rare lens onto the evolution of Latin American modernism and Pan-American politics. This second series was published in Rio de Janeiro during the political reign of Getúlio Vargas (1937-45) and comprised a revolutionary Pan-American challenge to the policies of Brazil's 'Estado Novo.' The journal's 'founding poem' is a work by the Paraguayan anarchist, poet, and writer: Leopoldo Ramos Giménez. The journal embraced the practice of 'creative dislocations and collaborations' (Treece, 2004) through the juxtaposition of social commentary, poetry, images, literary and cultural criticism, and fiction by writers and artists from across Latin American. Taken as a whole, the series constitutes an invaluable source for scholars as well as artists. Anno 1, Number 1, July 1934.Cecilia Meirelles, Jorge de Lima, Fransico Karan, Padua de Almeida Mario de Andrade poems on page 3; a beautiful Cecilia Meirelles illustration on page 13; a Juana de Ibarbourou commissioned page amongst many other contributions. The first issue begins with a critical appreciation entitled Dois Perfis of Ronald de Carvalho by Andrade Muricy; on page 5 poems by five important Chilean avant- garde poets, including Rosamel de Valle, Pablo Neruda, Gerardo Seguel, Vicente Huidobro, Ruben Azocar.Condition: All pages present. Some foxing to covers, rust to staples (no bleeding), toned newsprint pages, some chipping and creasing to the front cover, minor chipping to the bottom edge of the back cover, some loss along the fold of the spine, but still intact; pages have separated from the cover but are all present, and apart from minor chipping to edges and 5 mm closed tear to edge of 3 pages Very Good. Overall Very Good.Anno 1, Number 3, September 1934.With poems by the Brazilian avant-garde poets Murilo Mendes (credited as the progenitor of the Brazilian Surrealist movement, and previously a contributor to the seminal Brazilian avant-garde publication Revista de Antropofagia) and Bastos Gadea on page 4; poems by Abgar Renault on page 7; poems by Murillo Araujo, Egydio Squeff ad A.D. Tavares Bastos on page 9.Condition: All pages present. Some foxing to covers, rust to staples (no bleeding), toned newsprint pages, some chipping to the edges of the pages, and one closed tear to page 12 at the top. Covers intact, some pages are loose from the staples, top staple is attached to some pages. Overall Very Good.Anno 1, Number 5, December 1934.With poems by important Brazilian avant-garde poets Gilka, Silveira Netto, Onestaldo De Pennafort, Murillo Mendes, Abgar Renault and Nunes Pereira. Page 9 features Mendes poem 'Meu Novo Olhar" which is dated 15/9/1934.Condition: All pages present. Some tanning/toning to covers, covers and pages are separated at the fold of the spine, no staples (all pages present) minor chipping to edges, toning to pages, Overall Very Good.Anno 1, Number 9, May 1935.Last issue of the run of the journal. Includes a manifesto of the Festa group, printed on pages 1-2, and continued on page 12. Includes poetry in French by Jules Supervielle on page 5; a specially commissioned page of poetry by the famousUruguayan poet Juana de Ibarbourou on page 7; on page 9 'El Pueblo', a poem by the Venezuelan poet J. Ramon Heredia; 'Mai' by the Brazilian poet Mario de Andrade on page 11.Condition: All pages present. Tanning and toning to covers, some chipping to edges, rusting to staples (no bleeding), toning to pages, chipping to the outer edge of the pages, with some closed tears, separation of covers along the fold.…

Paris, Champ Libre, 1976, 250x145mm, 331pp., broché couverture illustrée. (104588).