Vesuv (21 resultados)

10,8 x 16,0 cm. [SW-Ansicht, Ansichten].

22,0 x 15,7 cm. [SW-Ansicht, Ansichten, Italien].

Condición: gebraucht - sehr gut. Gebundene Ausgabe 112 S. sehr guter altersbedingter Zustand, ohne Namenseintrag Zustand: 2, gebraucht - sehr gut, Gebundene Ausgabe Pelikan , 1993 112 S. , Der Vesuv bricht aus, SB 4, Ed ElkinDer Vesuv bricht aus, SB 4.

Blatt (13x21cm) minimal braunfleckig.

Ca. 9,5 x 14 cm.

Mit 107 Tafeln und 2 mehrf. gefalt. Karten in Rückentasche. 71 Seiten. Qu.-Folio. Orig.-Halbleinen. Reich illustriertes Standardwerk. - Das Museo Vesuviano in Pompei ist nach "Giovan Battista Alfano" benannt. - Sehr gut erhalten.

Kein Einband. Condición: Gut bis sehr gut. Kupferstich nach Florent Fidèle Constant Bourgeois 1804 --- "Vue du Vésuve, prise ne Naples." Blatt Nr. 66 aus dem Werk "Recueil des Vues et Fabriques pittoresques d'Italie, dessinées d'après nature par Bourgeois" nach Motiven des Malers und Kupferstechers Florent Fidèle Constant Bourgeois (1767-1841), der dieses Werk selbst herausgegeben hatte. Dieses Blatt gestochen von Vexelberg. Zu sehen ist der der Vulkan Vesuv, im Vordergrund Neapel. Paris, Florent Fidèle Constant Bourgeois 1804 Originaler Kupferstich, hinter Passepartout montiert. Format: Blatt 27,8 x 39,8 cm; Platte 23,5 x 31,3 cm, Passepartout 37,5 x 41 cm, Bildausschnitt 23,2 x 29 cm. --- Zustand: Etwas fleckig, der obere Rand etwas schief beschnitten. Der sogenannte Tempel der Sibylle ist ein römischer Tempel in Tivoli, dem antiken Tibur, in der Metropolitanstadt Rom, der sich neben dem sogenannten Tempel der Vesta befindet. Geschichte: Der Tempel wurde im 2. Jahrhundert v. Chr. auf der Akropolis des antiken Tibur erbaut. Im Mittelalter wurde im Inneren des Tempels eine Kirche eingerichtet, die dem Heiligen Georg geweiht war und 978 n. Chr. erstmals erwähnt wurde. Die Fresken der Kirche, die bis zum Beginn des 20. Jahrhunderts zu sehen waren, sind verschwunden. --- Florent Fidèle Constant Bourgeois (5 June 1767, Guiscard - 26 June 1841, Paris) was a French landscape painter, engraver, and lithographer. He studied under David, but spent much of his time in Italy. Landon mentions him as an artist distinguished for the richness of his compositions and the purity of his style, and describes three of his pictures as being in the manner of Gaspard Poussin. He died at Passy (now in Paris), in June 1841. (Quelle: wikipedia.).…

Kupferstich, 19,5 x 33 cm (Blattgröße: 31 x 36 cm Am rechten Blattrand, außerhalb der Abbildung zwei Braunflecken. Sonst einwandfrei.

LeatherBound. Condición: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1869 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 143 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 143 Donner-von Richter, Otto Philipp, 1828-1911,Helbig, Wolfgang, 1839-1915. Wandgemälde der vom Vesuv verschütteten städte Campaniens.…

Kupferstich aus Strahlheim, 1835, 9 x 13,7.

Leather Bound. Condición: New. Language: German. Language: German. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1869. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - German, Pages: - 143, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 143 143.…

Stahlstich, um 1840, 9,5 x 14,6.

Lithographie aus Gailer, Neuer Orbis Pictus, um 1833, 7 x 9,3.

Kupferstich aus Strahlheim, 1835, 9 x 13,7.

farb. Lithographie v. Terzaghi n. Barbieri b. Pagnoni in Mailand, um 1845, 12 x 18,5.

Leather Bound. Condición: New. Language: German. Language: German. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1869. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - German, Pages: : - 146, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 146 146.…

Kupferstich v. Carl Guttenberg n. Tierce aus Voyage pittoresque . Naples et de Sicile, 1786, 21,2 x 34,5.

kol. Lithographie b. A. Gemuseus, um 1830, 12 x 18 Blick zur Einsiedeley mit dem Vesuv im Hintergrund.

Lithographie v. Simon Klotz, 1806, 21,6 x 28,8 Winkler 974/16 (Folge - Aricia?) und detaillierte Beschreibung des Blattes unter dem Künstler Simon Petrus Klotz (Winkler 416/17). Inkunabel der Lithographie.

Gouache v. Augusto Corelli, um 1890, 20 x 33 Hübsche Ansicht des Vesuv aus der Ferne, unten rechts signiert Corelli (1853-1910, Studium an der KA S. Luca in Rom, Istituto di belle Arti Rom und in Neapel bei Achille Guerra). - Alt auf einen Untersatzkarton montiert.

Gouache v. La Pira, um 1900, 32 x 47 Gesamtansicht von Neapel mit dem Vesuv. Ausbruch des Vulkans mit Blick über die Bucht auf Neapel bei Nacht und Vollmond. - Gefasst durch eine getuschte schwarze Linie und grau getöntem Papierrand. In leuchtenden Farben, frisch erhalten und in bestem Zustand. Unten links signiert: La Pira. Aufgrund der Papierbeschaffenheit wohl eher ein Blatt aus dem 20. Jahrhundert und nicht von Gioacchino La Pira (1839-1870). …