Van wyk susan (24 resultados)

soft cover. Condición: Fine, near new condition. No Jacket. Illustrated with photographs in colour and black and white. 29 cm. V, 124 pages.

Soft cover. Condición: Very Good. No Jacket. very good copy.

Soft cover. Condición: Very Good. No Jacket. 4to, Card Covers. 128 Pages. Numerous Illustrations. Overall A Near Fine Copy. Extra Postage costs may apply to overseas orders. All books posted in sturdy book box.

124pp. 4to. Original wrappers, minimal bumping to spine ends. Colour and b/w photographs. A very good copy. First Edition.

Softcover staple bound, 8 pages; very good condition, clean and crisp; no internal marks.

4to, 167pp. Colour illustrations. As new hardback copy in shrink wrappers.

Hardcover. Condición: new. Hardcover. Polixeni Papapetrou was a singular Australian artist, known for her compelling photographs that show childhood as a complex realm of imagination and storytelling.The birth of her daughter, Olympia, precipitated what was to be a lifelong shift in Papapetrou's practice and she began to work closer to home, photographing her children, first Olympia and later son Solomon. Olympia was central to the artist's work, and over a twenty-year period assumed the position of muse and, ultimately, of collaborator. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

4to, 133pp. Colour and black & white illustrations. A very good paperback copy. Exhibition catalogue.

Soft cover. Condición: Near Fine. No Jacket. Exhibition cataloque. Quality production with french flaps and great reproductions. This book may require a freight adjustment.

Soft cover. Condición: Near Fine.

Hardcover. Condición: new. Hardcover. Polixeni Papapetrou was a singular Australian artist, known for her compelling photographs that show childhood as a complex realm of imagination and storytelling.The birth of her daughter, Olympia, precipitated what was to be a lifelong shift in Papapetrou's practice and she began to work closer to home, photographing her children, first Olympia and later son Solomon. Olympia was central to the artist's work, and over a twenty-year period assumed the position of muse and, ultimately, of collaborator. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

soft cover with dust jacket. Condición: Very Good. Estado de la sobrecubierta: Very Good. 1st edition. Illustrated with photographs in colour and black and white. 27 cm. IX, 133 pages VG/VG. Very good book in very good dust jacket with light shelf wear, slight creasing.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Near Fine. First Edition. Numerous fine b&w photographs throughout (some colour). Several contributors. Includes bibliography. Large format volume. A very nice clean tight copy. 128pp. Uncommon.

Hardcover. Condición: New. Estado de la sobrecubierta: Fine. protected in Mylar.

Soft cover. Condición: Fine.

Soft cover. Condición: Near Fine. 1st Edition. Book is near fine, unmarked clean, bright, solid copy.

Softcover. Condición: Near Fine. First Edition. 27.5cm x 22.5cm. 135 pages, illustrations, many colour. Pictorial french fold wrappers. Catalogue for a retrospective exhibition of Australian photographer Rennie Ellis held at the NGV five years after his death. Very minor shelf wear. Category: Photography; Australia; 21st Century: 2000-2009; ISBN/EAN: 9780724103003. Inventory No: 0037723. …

paperback. Condición: Very Good. Published in conjunction with the major Rennie Ellis show 31 October 2008 - 22 February 2009 The Ian Potter Centre; text by Susan van Wyk, and with an essay by George Negus; b&w and colour photos throughout - King's Cross, the beach, graffiti, decadence, celebrities, music, and more; mild toning to edges of some pages, mild rubbing to maroon endpapers, o.w. Very Good. . 135pp. 4to. Very Good. profusely illustrated (ilustrador). …

Soft cover. Condición: As New. Estado de la sobrecubierta: As New. 1st Edition. Condition of Softback Book: As New National Gallery of Victoria, 2015. 1st edition. soft cover with dust jacket. Illustrated with photographs in colour and black and white. 27 cm. 133pp.

Susan van Wyk and Olympia Nelson with Robert Nelson and Solomon Nelson. Melbourne : National Gallery of Victoria, 2019. Quarto, quarter cloth over illustrated boards, pp. 165, illustrated. New copy, in shrinkwrap. Catalogue of exhibition held at NGV from 27 September 2019 - 15 March 2020. Polixeni Papapetrou was a singular Australian artist, known for her compelling photographs that show childhood as a complex realm of imagination and storytelling. The birth of her daughter, Olympia, precipitated what was to be a lifelong shift in Papapetrou?s practice and she began to work closer to home, photographing her children, first Olympia and later son Solomon. Olympia was central to the artist?s work, and over a twenty-year period assumed the position of muse and, ultimately, of collaborator.…

Softcover. Condición: Good. Book is pre-owned - please see photos. Accompanying a retrospective exhibition with the same title, this book explores the life and work of the photographer Rennie Ellis from 1968 to 1993. The book features photographs primarily about people, nudes, the beach, major events and sport.…

Hardcover. Condición: New. The Paris End focuses on the role of the trend-setting studio photographers and their relationship with couture, culture and the celebrated.

reprint hardback in original cloth Nice copy quarto 135pp., col. & b/w pls., Specially bound limited edition. No original photograph.

Melbourne : National Gallery of Victoria, 2008. Quarto,black Brillianta linen with debossed Rennie Ellis signature and clear foil finish, hand crafted slip case, pp. 135, extensively illustrated. The deluxe edition, limited to 110 copies (of which 100 were for sale) with an original Rennie Ellis photograph Dino Ferrari, Toorak Road 1976(20.3 cm x 25.4 cm) signed by his widow Kerry Oldfield Ellis. Mint copy, as new, in shrinkwrap. Rare. ?Art or not art, that is immaterial ? I continue on my way, seeking my own truth, ever affirming today.? In 1977 Rennie Ellis used this quote, by the American photographer Alfred Stieglitz, to explain the rationale for his own photography. When he began to photograph, Ellis aspired to work as a photojournalist, but within a few years he had moved away from the more detached and objective position of a reporter. Rennie Ellis was wholeheartedly engaged with life, with the absurdities, the ironies, the passion and the small dramas of the everyday. Rennie was renowned for his candid documentary images of contemporary Australian life. He was best known for his photographs of social events, such as music festivals, fashion parades or nightclubs. But his oeuvre also encompassed the grittier side of life. During his career he photographed life on the streets, sometimes showing the darker aspects of society such as his Kings Cross series. Ultimately, Ellis? vision of the world was celebratory; his photographs in this exhibition document the richness and diversity of contemporary life from the 1970s and 1980s. In a career that spanned forty years he avidly photographed people from all walks of life doing all manner of things. His legacy is a vast collection of photographs that celebrate life. The warmth of the man and his non-judgemental approach to the people he encountered is evident in his work. His photographs remain as a lasting affirmation of his times. In the years since the unexpected and untimely death of Rennie Ellis in 2003, the National Gallery of Victoria has been engaged in a major project, working with the Rennie Ellis Photographic Archive to exhibit and publish his work. While Ellis may be known primarily for the books of photographs that he published, this is really only a fraction of the vast body of work that he produced during his prolific life. This exhibition, and the accompanying catalogue, focus on Ellis?s work in the 1970s and 1980s and brings together almost two hundred photographs, which, to paraphrase Stieglitz, affirm the importance of the everyday and show how wonderful and surprising life can be. The title of the exhibition, No Standing, Only Dancing, comes from one of Rennie?s own works and was chosen because it seems to encapsulate something essential of the man himself. He was tirelessly energetic, eager for new experiences and a prodigious worker, but he never forgot about enjoying life along the way. - NGV website.…