valran valery (3 resultados)

108 pp.; 24.4 x 21.5 cm; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at the Joel and Lila Harnett Museum of Art, University of Richmond Museums, Virginia, September 12 to December 3, 2006. Traveled to Faulconer Gallery, Grinnell College, Iowa, March 9 - April 22, 2007 and Samek Art Gallery, Bucknell University, Lewisburg, Pennsylvania, October 24 - December 9, 2008. Texts by Evgeny Orlov, Sergei Kovalsky, Joseph C. Troncale. Artists include Vyacheslav Afonichev, Viktor Andreev, Alexsandr Arefiev, Leonid Bolmat, Leonid Borisov, Sergei Dobrotvorsky, Henrik Elinson, Elena Figurina, Valentin Gerasimenko, Evgeny Gindper, Vladimir Gromov, Alexsandr Gurevich, Igor Ivanov, Rostislav Ivanov, Boris Koshelokhov, Kirill Lilbok, Alexsandr Lotsman, Alexsandr Manusov, Anatoly Maslov, Yury Medvedev, Vladimir Mikhailov, Evgeny Mikhnov, Kirill Miller, Boris Mitavsky, Lenina Nikitina, Timur Novikov, Vladimir Ovchinnikov, Yury Petrochenkov, Yuly Rybakov, Valentin Samarin, Sergei Sergeev, Dmitry Shagrin, Vladimir Shagrin, Sergei Sheiff, Sholom Shvarts, Sergei Sigei, Vladislav Sukhorukov, Viktor Trofimov, Gennady Ustiugov, Valery Valran, Rikhard Vasmi, Vik (Vyacheslav Zabelin), Vadim Voinov and Natalya Zhilina. Includes a map of Leningrad apartment exhibitions, artists biographies, and a checklist of the exhibition. Very Good. Light rubbing of covers and handling wear. Discrete small rubber stamp logo on page 108, otherwise contents clean and unmarked.

319 pages. With a lot of illustrations. Illustrated original hardcover and an illustrated dustjacket. Condition new. 33x25 c, * Independent photography which did not find a place in official canons and could not be shown in galleries or published appears in 50s' in USSR. Official photography resided under the full ideological control. It was prohibited to take pictures on religious subject matters ("religious propaganda"), nudity ("pornography") and socially harsh stories ("ideological sabotage"). Censorship also brushed away symbolism, aestheticism and any other formalist searches and experiments in photography. The photographs of 50s'-80s' so as painters could chose conformist way take pictures corresponding with the ideological requirements, or defend their right for creative freedom. In last case scenario the photographs could be shown to friends and relatives, but no chance to be seen publicly. Independent art photography unlike official, so as underground movements of visual arts, music and literature expanded the art area. Photograph took not the allowed pictures, but those he or she thought were necessary to be taken they searched for new forms, new languages in the arts. Although every underground representative formed a unique individual style, not taking in account any political or social goal fighting current at that time regime. In the end it appeared that their activities were guided to loosening and destruction of the monopoly and uniformity of totalitarian system in the arts and social life. No one proposed any political demands like: "Freedom for the Arts!", "Freedom for speech", but behaved as if they have already got the freedom they need. In the photo book there are photographs from the 60s-80s by 14 Leningrad underground photographers: Gran-Boris Kydryakov (fr. grande), Gennady Prihod'ko, Leonid Bogdanov, Pti-Boris Smelov (fr. petit), Olga Korsunova, Vladimir Okulov, Slava Mikhajlov, Valentin Til' Maria Samarin, Nikolay Matrenin, Sergey Falin, Anatoly Shishkov, Sergey Podgorkov, Lev Zvyagyn, Evgeny Antonenko. Sprache: Englisch Gewicht in Gramm: 1500.

23.0 x 24.0cms 144pp colour illusts very good+ hardback with decorated boards (no dustwrapper as issued) Valentin Samarine began making abstract art in the 1960s and abstract photographs in the 1970s when he began to shoot Leonid Yakobson's ballets in Moscow. English & Russian text.