Typescript (23 resultados)

Cloth. Condición: Very Good. Estado de la sobrecubierta: Good. First Edition. Hardback. First Edition. Lord Byron's Family. Slight shelf wear to top edge of D/J. Lady Byron's determination to frustrate all attempts at reconciliation with her husband continued after the legal separation and her custody of their daughter Ada was achieved. How Annabella's attititude toward Byron changed into an elaborate and often virulent campaign of sewlf-justificantion, aided by a curious group of sycophantic hangers-on, is the subject of this engrossing study which covers the years between Byron's self-imposed exile and his death in 1824. 252 pp. (We carry a wide selection of titles in The Arts, Theology, History, Politics, Social and Physical Sciences. academic and scholarly books and Modern First Editions, Reference books ,and all types of Academic Literature.).…

Soft cover. Condición: New. 1st Edition. First printing December 2003 new.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. 1st Edition. First edition, first impression. Very minor edge wear to top and bottom of jacket and spine, slight foxing to page fore edges, not price clipped (£7.50), no inscriptions, internally clean tight and square, overall a vg+ copy. 252pp. The story of Byron's family, from his self imposed exile in 1816 until his death in Greece in 1824. Malcolm Elwin, editor of the 'Lovelace Papers', died before the publication of this book. Jacket by Craig Dodd (ilustrador).…

Soft cover. Condición: Good. 26 pp. Rare.

pp. 252. 4 plates. 8vo. D/W.

Soft cover. Condición: Good. First Edition. Pp.9, 12, 12. Original Typescript. SIGNED & INSCRIBED "For., who have done so much for me and for whom I can never do enough Love Francis Warner. Bloomsday 1969 Dublin." Covers stained and staples rusted. Pre-wider publication. Rare in this format. Signed by Author(s).…

1938. (Hardcover) Very good, no dust jacket. 172pp. Gilt decorated cover, photographs, illustrations, diagrams, notes, tables, maps, folding map, index. Previous owner's inscription. Contributors include Mary Antrobus (The Funeral Surcoat in Stoke D'abernon Church: The Condition and Repairs), F.E. Bray (Extracts from the Diary of William Bray, the Surrey Historian, 1756-1800), A.L. Browne (The Early Archdeacons of Surrey), B. Campbell Cooke (List of Transcripts of Surrey Parish Registers, Showing Those That Have Been Printed, or Copied in Manuscript or Typescript), L.B. Ellis (The Funeral Surcoat in Stoke D'abernon Church: The Heraldry), R.G. Goodchild (Martin Tupper and Farley Heath), Earl of Onslow (The Road in Surrey), W.F. Rankine (Tranchet Axes of South-Western Surrey). Locale: ; Surrey. (Archaeology). …

Condición: New. Print on Demand.

Ephemera. Condición: Very Good. A small archive of works by Michele Andree Guy: "La France Contemporaine," in French, 9 leaves (208 x 270 mm), typed on the recto only and bound with a clasp at top corner; "Alphonse de Chateaubriant, Romancier," in French, 11 leaves (208 x 270 mm), typed on the recto only and staple-bound at the top corner; and the translation into English of "Alphonse," 11 leaves (203 x 328 mm, lined paper), handwritten in black ink on the recto only, with corrections in ink and pencil, staple-bound at tope corner. All in excellent condition, some light wrinkling or flattened creases along the edges, nowhere infringing upon text. Alphonse de Chateaubriant was a prize-winning French novelist who became an ardent supporter of Nazism after a trip to Germany in 1935. The essay included here focuses on his writing (making no mention of his abhorent political beliefs), and a pencil notation indicates that it may have been a submission to the Bermondsey Book literary magazine, edited by Frederick Heath and published December 1923 to May 1930. However, we find no record of publication.…

Hardcover. Condición: Very Good. 33 typed pages with 21 good quality original ink drawings and lettering around the text. (10.5 x 8.3 inches). Watercolour illustration mounted to the front cover with blank ink drawings and lettering surrounding it. Some wear to the paper covered boards and chipping to the paper on the spine. Pages a bit loose but still all attached to the binding. An interesting self issued magazine with a very personal 6 page article of the writer?s impressions of a trip to London, plus puzzles, letters, poems and stories, each with original ink illustrations. Page 2 has a list of the magazine subscribers with dates they are allowed to borrow and read, and then pass to the next person. An interesting mix of articles and the standard of the accompanying artworks are generally very high. I can find no mention of this magazine anywhere so don?t know who produced it, where it was issued, although a few references to Cambridge and the University may give some clues, or how many numbers it ran for, but is is a charming and well produced volume.…

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 1st Edition. 453 pages. Octavo (8 3/4" x 6") bound in original publisher's light blue cloth, lettered in white to spine, top edge stained red in an original red, white, and blue dust jacket designed by Paul Bacon. With souvenir typescript, one page (11" x 8 1/2") signed in black ballpoint, "Joseph Heller. Housed in a custom made enclosure. First edition with first state jacket. Souvenir typescript excerpt from chapter one of the great satirical novel Catch-22, beginning: "It was love at first sight. The first time Yossarian saw the chaplain he fell madly in love with him." signed by Heller in black ballpoint pen. Catch-22 is a satirical war novel by American author Joseph Heller. It is his debut novel. He began writing it in 1953, and the book was first published in 1961. Often cited as one of the most significant novels of the 20th century, it uses a distinctive non-chronological third-person omniscient narration, describing events from the points of view of different characters. The separate storylines are out of sequence so the timeline develops along with the plot. The novel satirizes military bureaucracy and greed. Condition: Some staining to cloth along top edge and at foot of spine. Jacket lightly rubbed with a few small tears along edges, some with tape repairs to reverse, small puncture to back panel at fold else very good in like jacket housed in custom orange-brown marbled cloth clamshell box. Souvenir typescript fine. Paul Bacon (ilustrador). Signed by Author(s).…

Soft cover. Condición: Good. Koln 1968 large paperback silver titles to purple covers 243 pages, comes with Review Request letter dated 24th April 1969 from the British Council and a rewiew response letter from same dated 5th May 1969 to Dr Ellis Evans the well respected Oxford Don, Academic and Linguist with his Signature to fep. rubbing wear to covers Otherwise inside in VERY GOOD CLEAN TIGHT READING ORDER. Full refund if not satisfied. 24 hour dispatch. If not pictured in this listing, a scan of the actual book is available on request.…

Soft cover. Condición: Near Fine. Estado de la sobrecubierta: Not applicable. Limited Edition. 35 page exhibition catalogue with an original typescript of the sculptress's life by her niece and student Francoise Guiter and this signed & presented to Courtauld art lecturer John J Gibson. "John J Gibson. Loosely inserted in clear plastic folder and also a 4 page errata also loosely inserted, contents very good, a crease line along top of back cover, not severe. Inscription: "Presenté par Mme Francoise Guiter le 23rd Janvier 1995" on top edge of half title page. The 24 single side foolscap page biography was a proposed biography (or part) of the artist by this family member. It is typed out in English by Barbara Shuey, the text of the catalogue is bilingual in French & Danish. Slim folio. Unique association copy of this retrospective catalogue of her works held in Louisiana in 1988. John J Gibson was a senior art lecturer at the Courtauld and worked there in the 1980's-90's. *We can find no evidence this was ever published in this format later by her neice, perhaps shelved? or incorporated in some other retrospective work.…

Softcover. Condición: Very Good. 16.5cm x 20.5cm. [56] leaves (printed recto only). Side-stapled plain wrappers. Soho typescripts were clandestinely produced works of pornographic fiction associated with London's Soho book trade during the 1950s and 1960s. Typically typewritten, duplicated by mimeograph, and printed on one side of the paper only, they were usually issued in simple stapled wrappers without publication details. Sold under the counter, they formed part of Britain's illicit post-war pornography trade, with retailers categorizing stock by theme using a shorthand folk-sexological vocabulary such as 'fladge' (flagellation), 'straight', 'B/W' (interracial), 'les' (lesbian), and 'Fem Dom' (female domination). Produced as ephemeral publications and often read to destruction, surviving examples are scarce and remain under-represented in institutional collections. Minor creasing and ink annotation to wrappers. Category: Sexuality; Sexuality::Erotic Fiction; 20th Century: 1960s; Inventory No: 0037387.…

Softcover. Condición: Near Fine. 19cm x 15.5cm. [i], 78 leaves (printed recto only). Side-stapled cloth tape spine, lettered covers. Soho typescripts were clandestinely produced works of pornographic fiction associated with London's Soho book trade during the 1950s and 1960s. Typically typewritten, duplicated by mimeograph, and printed on one side of the paper only, they were usually issued in simple stapled wrappers without publication details. Sold under the counter, they formed part of Britain's illicit post-war pornography trade, with retailers categorizing stock by theme using a shorthand folk-sexological vocabulary such as 'fladge' (flagellation), 'straight', 'B/W' (interracial), 'les' (lesbian), and 'Fem Dom' (female domination). Produced as ephemeral publications and often read to destruction, surviving examples are scarce and remain under-represented in institutional collections. Minor tanning and ink annotation to lower cover. Category: Sexuality; Sexuality::Erotic Fiction; 20th Century: 1960s; Inventory No: 0037389. …

Softcover. Condición: Very Good. 17cm x 14cm. [i], 68 leaves (printed recto only). Side-stapled plain wrappers. Soho typescripts were clandestinely produced works of pornographic fiction associated with London's Soho book trade during the 1950s and 1960s. Typically typewritten, duplicated by mimeograph, and printed on one side of the paper only, they were usually issued in simple stapled wrappers without publication details. Sold under the counter, they formed part of Britain's illicit post-war pornography trade, with retailers categorizing stock by theme using a shorthand folk-sexological vocabulary such as 'fladge' (flagellation), 'straight', 'B/W' (interracial), 'les' (lesbian), and 'Fem Dom' (female domination). Produced as ephemeral publications and often read to destruction, surviving examples are scarce and remain under-represented in institutional collections. Minor creasing to wrappers. Category: Sexuality; Sexuality::Erotic Fiction; 20th Century: 1960s; Inventory No: 0037388.…

Softcover. Condición: Fair. 17cm x 14cm. [ii], 49, [1], 22 leaves (printed recto only). Side-stapled plain wrappers. Soho typescripts were clandestinely produced works of pornographic fiction associated with London's Soho book trade during the 1950s and 1960s. Typically typewritten, duplicated by mimeograph, and printed on one side of the paper only, they were usually issued in simple stapled wrappers without publication details. Sold under the counter, they formed part of Britain's illicit post-war pornography trade, with retailers categorizing stock by theme using a shorthand folk-sexological vocabulary such as 'fladge' (flagellation), 'straight', 'B/W' (interracial), 'les' (lesbian), and 'Fem Dom' (female domination). Produced as ephemeral publications and often read to destruction, surviving examples are scarce and remain under-represented in institutional collections. Some chipping and tears to wrappers edges. A few leaves in the second story loose or tender. Category: Sexuality; Sexuality::Erotic Fiction; 20th Century: 1960s; Inventory No: 0037391.…

Softcover. Condición: Good. 17cm x 14cm. [i], 47, [1], 33 leaves (printed recto only), 2 black and white plates. Side-stapled plain wrappers. Soho typescripts were clandestinely produced works of pornographic fiction associated with London's Soho book trade during the 1950s and 1960s. Typically typewritten, duplicated by mimeograph, and printed on one side of the paper only, they were usually issued in simple stapled wrappers without publication details. Sold under the counter, they formed part of Britain's illicit post-war pornography trade, with retailers categorizing stock by theme using a shorthand folk-sexological vocabulary such as 'fladge' (flagellation), 'straight', 'B/W' (interracial), 'les' (lesbian), and 'Fem Dom' (female domination). Produced as ephemeral publications and often read to destruction, surviving examples are scarce and remain under-represented in institutional collections. This issue with two short stories, the second with two erotic lesbian line drawings. Minor creasing to wrappers. Minor foxing. Lower hinge cracked, text block still intact. Minor crossed-out annotation to lower wrapper. Category: Sexuality; Sexuality::Erotic Fiction; 20th Century: 1960s; Inventory No: 0037390.…

Softcover. Condición: Good. 16.5cm x 20.5cm. [70] leaves (printed recto only), 10 black and white illustrations within the pagination. Lettered wrappers. Soho typescripts were clandestinely produced works of pornographic fiction associated with London's Soho book trade during the 1950s and 1960s. Typically typewritten, duplicated by mimeograph, and printed on one side of the paper only, they were usually issued in simple stapled wrappers without publication details. Sold under the counter, they formed part of Britain's illicit post-war pornography trade, with retailers categorizing stock by theme using a shorthand folk-sexological vocabulary such as 'fladge' (flagellation), 'straight', 'B/W' (interracial), 'les' (lesbian), and 'Fem Dom' (female domination). Produced as ephemeral publications and often read to destruction, surviving examples are scarce and remain under-represented in institutional collections. Cover title: Viola's Victorian Degradation: An Account of Sexual Matters in Victorian Times. Lacking the side-staples, spine reinforced with paper, minor split at spine tail. Light vertical creasing and minor crossed-out annotations to wrappers lower panel. Category: Sexuality; Sexuality::Erotic Fiction; 20th Century: 1960s; Inventory No: 0037385. …

Thick 4to. [4], viii, [1], 201 leaves, including several large folding hand-coloured manuscript tables, charts, diagrams (old scotch tape at folds as originally prepared). Green cloth, gilt lettering stamped on front cover (minor edgewear, rubbing), VG exemplar. An intriguing unpublished typescript manuscript of the American labor movement, focusing on the forces that effected the labor movement's growth, and analyzing those forces or factors. The author felt that not enough efforts had been made historically prior to World War II on applying the science of statistical analysis to labor unions, their membership, and the potential impacts on the economic life of the United States. In addition, he employs statistical analysis of the union membership by many different unions, trades, and occupations, in order to measure the strength of the labor movement, reducing dependence on the analysis of strike frequency, threats of strikes, elections, or other factors which can be indeterminate. Although he does draw upon the work of Barnett, "Growth of Labor Organization in the United States, 1897-1914," and Wolman "The Growth of American Trade Unions, 1880-1923," Current believed their numbers were flawed in the 19th Century, and includes a substantial statistical analysis of how he corrects those numbers, as well as those from other historical sources. Of additional interest are the two critical letters bound into the volume, with the first from famed Wisconsin labor historian Selig Perlman (1888-1959) which notes that Current "is entitled to credit for ingenuity, industry, and optimism. The valuable part of the manuscript is the statistical one. . . and full credit for debunking some of the loose estimates of membership at the peaks of 1836 and 1872." Perlman himself has received recently significant criticism regarding his racist views and limited understanding of the evolution of the labor movement which did not try to include race, status, ethnicity, or other sociological factors. Perlman's letter The second from W.D. Knight, notes that Current's study may impede on work underway for publication by Professor Moberly. Current (1923-2013), received his BA from the University of Wisconsin, later worked for Kennedy Economic Development in Oregon, and aided the Oregon Shakespeare Festival, wrote on the conditions of migrant workers in the Willamette Valley in the 1950s, and authored several works on philately and stamp cancels.…

Original wraps. Condición: Fine. First Edition. 294p octavo, Uncorrected Page Proof. A fine copy in blue printed wraps. with typescript of Clyde Edgerton typescript titled "The Man in the Canoe" Durham NC (1991) 8pp on 8.5 x 11 copy paper' draft of short story later published in 'Winter Harvest' around 1994. Clyde Edgerton 14 August '95 Orange County, NC" A cover sheet, bearing the stamp of Edgerton's tongue in cheek cover business ("Dusty's Air Taxi"), is dated Aug 21, 1995, and reads in Edgerton's hand: "Dear Bett: Enclosed is a short story ms. I hope it brings you some $. Best, C Edgerton". The entire contents are laid into an envelope address from Edgerton to Bett Sanders of The Writer's Workshop in Asheville, NC. There are 3 stamps to the envelope, but no postmark indicating that it may never have been mailed. There are a few minor edits in red pen, likely Edgerton's. The story in the the printed book is titled "Baby at the Lake" and is much shorter than the manuscript. …

Softcover. Condición: Near Fine. Original document. Octavo. 11 [1]pp. Original string-bound blue-green stiff wraps with black lettering and framed green design on glossy paper plate laid to cover, housed in small ochre handmade paper portfolio with handwritten "My South Sea Island Printer's Dummy" on cover. Title page design in three colors printed to plate. "Printer's dummy" with spelling of the author's name incorrect on title page for the first edition, with handwritten instructions and corrections by the publisher, e.g. note "reprint title page!" for the second issue. Page with printed pagination "4" corrected to "5" by hand, with additional penciled note at bottom edge. Inside cover with penned note "Printer's Dummy 8-21-26." Contains handwritten printer's note on front endpaper with instructions, signed Forgue, including direction to print 50 copies, not more than 5 over, and further details regarding paper choice and color. Verso of front free endpaper and page "5" with handwritten printer's instructions. Back endpaper with unsigned, handwritten note "Printed on Ben Abramson's order." in ink and pencil. A 1936 unauthorized edition, limited to 50 copies, had been published with a double M in Somerset on the title page, as seen in this printer's dummy. My South Sea Island was originally published in "The Daily Mail" in London in 1922. The unauthorized edition had been destroyed but for two copies, due to the spelling error in the author's name, and was reprinted immediately. All pages pasted to paper with spots from glue showing along corners. Printed plate of page 4 loose but intact and present. [WITH] Abramson's three page typed rendering entitled "Hell's Paving Stones," describing a conversation between Maugham and himself on collecting in general, and Maugham's publications in magazines in particular. Maugham had forgotten where he had published "My South Sea Island," and misplaced his own typescript of it. Abramson eventually located the piece in a 1921 issue of The Daily Mail. No copies of the issue were available and requested Photostats were defective. As a result Abramson decided to print it himself and contacted his printer. The following one and a half pages reflect a conversation between Abramson's printer and the "publisher." The final paragraph describes the surprise discovering that Somerset was spelled with two Ms in the first 50 copies printed. Abramson closes with "And that, Ladies and Gentlemen, is how I came to write "The Raven." Contains pencil note at top of first page: "for Reading and Collecting," a monthly review of rare and recent books. [WITH] The Theatre. Special Series.-No. 155. Vol. XXVI, Nineteenth Year. November, 1895. Includes original, pasted down sepia-toned photograph of Mr. & Miss Somerset, with tissue guard. Wraps with very light wear and some sunning along edges and spine of wraps. Block lightly age-toned. Norman Forgue was the founder of several private presses, including At the Sign of the Gargoyle, The Black Cat Press, Normandie House. and The Norman Press. Born in 1904 Forgue saw his first printing press in his uncle's basement. At the age of 13 Forgue took his first jobs at printers in Chicago. After getting his apprentice card he took various jobs offered by Chicago printers and eventually worked for Western Electric. He joined the Navy when dissatisfied with the compensation, and eventually worked in the Navy print shop. Very good to near fine condition. …

Hardcover. Condición: Very Good. Black cloth. 44pp. In part, "Left New York June 6th, 1894, on steamship "City of Paris.arrived at Southampton.Saw the crown jewels.the beheading block where Anne Boleyn, Lady Jane Grey, and other were beheaded.Left for Paris at 10am on Orient Express." Many foreign words are mispelled/americanized. Detailed descriptions from England, Germany, Sweden, France, etc. The typescript ends: "the voyage is over.".…