Tucker marcia (637 resultados)

Paperback. Condición: Good.

Paperback. Condición: Very Good.

Condición: very_good. Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Condición: good. Fast Free Shipping â" Good condition. It may show normal signs of use, such as light writing, highlighting, or library markings, but all pages are intact and the book is fully readable. A solid, complete copy that's ready to enjoy.

Paperback. Condición: Good. Examines the issues and controversies raised by the recent exhibitions Bad Girls and Bad Girls West in New York and Los Angeles.With essays by Marcia Tucker, Marcia Tanner, Linda Goode Bryant, and Cheryl Dunye Unconventional and distinctly unladylike, Bad Girls considers many issues and controversies raised by the recent exhibitions Bad Girls and Bad Girls West, mounted in New York and Los Angeles respectively. But the central issues it examines are humor, transgression, and the critical and constructive potential of laughter in the work of a new generation of Bad Girls. Humor is the connecting force between the 45 artists in Bad Girls, and it is clear that they express themselves in ways that their mothers probably would not have approved of. But they don't care. Bad Girls addresses questions of gender, race, class, age, and sex by challenging conventional ideas about motherhood, food, fashion, beauty, work, marriage, and psychoanalysis. Using humor as a subversive weapon and having a field day with cosmetic aids and transgressive bodies, the artists in Bad Girls draw from the issues that concern artists like Barbara Kruger, Jenny Holzer, Hannah Wilke, and Cindy Sherman while taking these in new directions. In one of the book's four essays, Marcia Tucker, founder and director of The New Museum of Contemporary Art, discusses the relationship between work centering on gender and feminist issues and the carnivalesque, the female/lesbian/cross-dressed body in relation to the grotesque body, mass culture and popular culture, and the evolution of a female comic sensibility. Marcia Tanner, independent curator for Bad Girls West in Los Angeles, focuses on foremothers who include Yoko Ono, Sherrie Levine, and Louise Bougeoise. Linda Goode Bryant, freelance writer and researcher, takes on the etymology of the world bad in black culture. And Cheryl Dunye, curator, lecturer, and self-described black lesbian bad girl filmmaker, addreses transgressive women's videos. You're less apt to be a bad girl if: You're reasonably sure you could survive in the suburbs without taking Prozac. You're more apt to be a bad girl if: Someone made your hair a primary color and you didn't sue Sybil Sage/Wall Texts, 1994.…

Paperback. Condición: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Paperback. Condición: Good.

Paperback. Condición: Very Good.

Paperback. Condición: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Good. Examines the issues and controversies raised by the recent exhibitions Bad Girls and Bad Girls West in New York and Los Angeles.With essays by Marcia Tucker, Marcia Tanner, Linda Goode Bryant, and Cheryl Dunye Unconventional and distinctly unladylike, Bad Girls considers many issues and controversies raised by the recent exhibitions Bad Girls and Bad Girls West, mounted in New York and Los Angeles respectively. But the central issues it examines are humor, transgression, and the critical and constructive potential of laughter in the work of a new generation of Bad Girls. Humor is the connecting force between the 45 artists in Bad Girls, and it is clear that they express themselves in ways that their mothers probably would not have approved of. But they don't care. Bad Girls addresses questions of gender, race, class, age, and sex by challenging conventional ideas about motherhood, food, fashion, beauty, work, marriage, and psychoanalysis. Using humor as a subversive weapon and having a field day with cosmetic aids and transgressive bodies, the artists in Bad Girls draw from the issues that concern artists like Barbara Kruger, Jenny Holzer, Hannah Wilke, and Cindy Sherman while taking these in new directions. In one of the book's four essays, Marcia Tucker, founder and director of The New Museum of Contemporary Art, discusses the relationship between work centering on gender and feminist issues and the carnivalesque, the female/lesbian/cross-dressed body in relation to the grotesque body, mass culture and popular culture, and the evolution of a female comic sensibility. Marcia Tanner, independent curator for Bad Girls West in Los Angeles, focuses on foremothers who include Yoko Ono, Sherrie Levine, and Louise Bougeoise. Linda Goode Bryant, freelance writer and researcher, takes on the etymology of the world bad in black culture. And Cheryl Dunye, curator, lecturer, and self-described black lesbian bad girl filmmaker, addreses transgressive women's videos. You're less apt to be a bad girl if: You're reasonably sure you could survive in the suburbs without taking Prozac. You're more apt to be a bad girl if: Someone made your hair a primary color and you didn't sue Sybil Sage/Wall Texts, 1994.…

Paperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condición: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Paperback. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condición: Good. Reprint. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condición: Good. This engrossing memoir brings to vivid life the behind-the-scenes struggles of Marcia Tucker, the first woman to be hired as a curator at the Whitney Museum of American Art and the founder of the New Museum of Contemporary Art in New York City. Tucker came of age in the 1960s, and this spirited account of her life draws the reader directly into the burgeoning feminist movement and the excitement of the New York art world during that time. Her own new ways of thinking led her to take principled stands that have changed the way art museums consider contemporary art. As curator of painting and sculpture at the Whitney, she organized major exhibitions of the work of Lee Krasner, Joan Mitchell, Robert Morris, Bruce Nauman, and Richard Tuttle, among others. As founder of the New Museum of Contemporary Art, she organized and curated groundbreaking exhibitions that often focused on the nexus of art and politics. The book highlights Tucker's commitment to forging a new system when the prevailing one proved too narrow for her expansive vision.…

Paperback. Condición: Very Good. First Edition. Minimal wear to cover. Pages clean and binding tight. shelf wear. bumped edges. Paperback.

Paperback. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condición: Good. This engrossing memoir brings to vivid life the behind-the-scenes struggles of Marcia Tucker, the first woman to be hired as a curator at the Whitney Museum of American Art and the founder of the New Museum of Contemporary Art in New York City. Tucker came of age in the 1960s, and this spirited account of her life draws the reader directly into the burgeoning feminist movement and the excitement of the New York art world during that time. Her own new ways of thinking led her to take principled stands that have changed the way art museums consider contemporary art. As curator of painting and sculpture at the Whitney, she organized major exhibitions of the work of Lee Krasner, Joan Mitchell, Robert Morris, Bruce Nauman, and Richard Tuttle, among others. As founder of the New Museum of Contemporary Art, she organized and curated groundbreaking exhibitions that often focused on the nexus of art and politics. The book highlights Tucker's commitment to forging a new system when the prevailing one proved too narrow for her expansive vision.…

Trade Paperback. Condición: Very Good. First Edition. 4to - over 9¾" - 12" Tall (oblong small). 93, [3] pages. Catalogue of the exhibition at the Contemporary Arts Museum, Houston, and The New Museum of Contemporary Art, New York, December 1983 - May 1984; organized and with a foreword and essays by Cathcart and Tucker; includes bibliography. A very good copy with a few ex-library markings (chiefly to upper left corner of upper wrapper and contents page and foredge); slight rubbing, creases and nicks to wrappers; slight internal browning to edges.Over 50 Color & b/w Illustrations.…