Troeller jordan (70 resultados)

Hardcover. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Hardcover. Condición: Acceptable. Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.

Hardcover. Condición: Fine. Book.

Hardback. Condición: Good. How a group of artist-mothers in postwar San Francisco refused the centuries-old belief that a woman could not make art while also raising children.

Hardcover. Condición: Very Good. With dust jacket. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Hardback. Condición: Good. How a group of artist-mothers in postwar San Francisco refused the centuries-old belief that a woman could not make art while also raising children.

Hardcover. Condición: Used-Very Good. Dec. cloth, no d.j. (as issued). 4to. Profusely illus. Some shelf-wear. Else bright, clean copy.

Condición: New.

Hardcover. Condición: new. Hardcover. How a group of artist-mothers in postwar San Francisco refused the centuries-old belief that a woman could not make art while also raising children.For most of modern history, to be an artist and a mother was to embody a contradiction in terms. This awful dichotomy, as painter Alice Neel put it, pitted artmaking against caretaking and argued that the best art was made at the expense of family and futurity. But in San Francisco in the 1950s and 1960s, a group of artists gathered around Ruth Asawa (19262013) began to reject this dominant narrative. In Ruth Asawa and the Artist-Mother at Midcentury, Jordan Troeller analyzes this remarkable moment. Insisting that their labor as mothers fueled their labor as artists, these women redefined key aesthetic concerns of their era, including autonomy, medium specificity, and originality.Delving into the archive, where the traces of motherhood have not yet been erased from official history, Troeller reveals Ruth Asawas personal and professional dialogue with several other artist-mothers, including Merry Renk, Imogen Cunningham, and Sally Woodbridge. For these women, motherhood was not an essentialized identity, but rather a means to reimagine the terms of artmaking outside of the patriarchal policing of reproduction. This project unfolded in three broad areas, which also structure the books chapters: domesticity and decoration; metaphors for creativity; and maternal labor in the public sphere, especially in the public schools. Drawing on queer theory and feminist writings, Troeller argues that in belatedly accounting for the figure of the artist-mother, art history must reckon with an emergent paradigm of artmaking, one predicated on reciprocity, caretaking, and futurity. "The untold story of how Ruth Asawa (1926-2013), motherhood, and community profoundly influenced midcentury art"-- Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardback or Cased Book. Condición: New. Ruth Asawa and the Artist-Mother at Midcentury. Book.

Condición: New.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: Very Good. PREFIX PHOTO 20: Archival Legacies edited by Scott McLeod. Text by or about Monika Kin Gagnon, Jordan Troeller, Jacob Korczynski, Kyla Mallett, Gabor Szilasi, Zoe Leonard, Stephen G. Rhodes, Jamal Cyrus, Rose Bouthillier and others. 104 pages, paper with stiff cover. Color and black and white reproductions. Very good condition. …

Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Hardback. Condición: New. How a group of artist-mothers in postwar San Francisco refused the centuries-old belief that a woman could not make art while also raising children.For most of modern history, to be an artist and a mother was to embody a contradiction in terms. This "awful dichotomy," as painter Alice Neel put it, pitted artmaking against caretaking and argued that the best art was made at the expense of family and futurity. But in San Francisco in the 1950s and 1960s, a group of artists gathered around Ruth Asawa (1926-2013) began to reject this dominant narrative. In Ruth Asawa and the Artist-Mother at Midcentury, Jordan Troeller analyzes this remarkable moment. Insisting that their labor as mothers fueled their labor as artists, these women redefined key aesthetic concerns of their era, including autonomy, medium specificity, and originality.Delving into the archive, where the traces of motherhood have not yet been erased from official history, Troeller reveals Ruth Asawa's personal and professional dialogue with several other artist-mothers, including Merry Renk, Imogen Cunningham, and Sally Woodbridge. For these women, motherhood was not an essentialized identity, but rather a means to reimagine the terms of artmaking outside of the patriarchal policing of reproduction. This project unfolded in three broad areas, which also structure the book's chapters: domesticity and decoration; metaphors for creativity; and maternal labor in the public sphere, especially in the public schools. Drawing on queer theory and feminist writings, Troeller argues that in belatedly accounting for the figure of the artist-mother, art history must reckon with an emergent paradigm of artmaking, one predicated on reciprocity, caretaking, and futurity.…

hardcover. Condición: New. Brand new book, sourced directly from publisher. Dispatch time is 6-7 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New. pp. 368.

Hardcover. Condición: New.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: As New. Unread book in perfect condition.

Condición: New.

Hardcover. Condición: New.

Hardcover. Condición: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condición: new.

hardcover. Condición: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condición: new.

Condición: New.

Condición: New.

Hardback. Condición: New. A prolific writer, photographer, portraitist, and documentarian, Lucia Moholy defies categorization. She was as active in avant-garde circles as she was in the field of information science, advancing an expansive understanding of visual reproduction. While previous publications on Moholy have limited her accomplishments to the five years she spent at the Bauhaus, Lucia Moholy: Exposures presents the full breadth of her writings and photographs for the first time. Extensive essays drawing on new archival discoveries offer insights into her early life in turn-of-the-century Prague, her involvement in the radical social movements of the 1920s in Weimar Germany, her emigration to London, where colleagues and friends included members of the Bloomsbury Group as well as her wartime involvement with microfilm and scientific documentation and her work in the Middle East on behalf of UNESCO. Acknowledging her reception by contemporary artists such as Jan Tichy, the publication demonstrates how Moholy's interdisciplinary approach to photography anticipated the medium's post-analogue present.…