Trechsel gail (47 resultados)

paperback. Condición: Fair.

Condición: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Condición: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Paperback. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Very Good. First Edition. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condición: Very Good. 1st. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.…

Condición: Good. 1st. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condición: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

paperback. Condición: Good.

Soft cover. Condición: Good. 1st Edition. Clean, crease-free spine with light wear to extremities. BP/Quilting.

Wrappers. Condición: Very Good. Birmingham Museum of Art, Published 2003. Wraps, 63 pp.; 25 cm; distributed by D.A.P.; printed and bound in the UK by Butler & Tanner; illustrated throughout with color photographs, one double-page gatefold; catalogue raisonne; exhibition history. In Very Good condition. Pictorial paper covers (detail of Ascension on front, a row of five color squares on rear) with light bumping and creasing to edges and corners, mild shelf wear; a few tiny dark specks to rear cover. Sewn binding, tight. Pages clean and unmarked. Published for Perspectives 7: Stephen Hendee, 5 September 2002 to 6 July 2003, the seventh in the museum's series on new directions in contemporary art. Ascension was a 30-foot-high glowing tunnel of corrugated polypropylene, black tape, hot glue, fluorescent lights, and gels built into the museum's existing staircase, so that visitors walked up through the sculpture; it incorporated pieces first installed around downtown Birmingham during Hendee's 2002 residency at ArchitectureWorks, including Presence Control V.2 in the Concord Center tower and works set in the vaults, firing range, and fallout shelter of the decommissioned Federal Reserve Bank branch. Moos compares the work to Pierre Koenig's Stahl House, Tony Smith's Smoke, Blade Runner, Tron, and Coltrane's Ascension; Phillips, a mathematician and Hendee's collaborator on Q-Artifacts (1998), reads the installations as quasicrystals and cellular automata; Griffin, then associate editor of Artforum, on the synthetic ideal. Hendee (born Santa Monica, 1968; BFA San Francisco Art Institute, MFA Stanford) has since built installations for Meow Wolf Las Vegas and teaches at the Maryland Institute College of Art. The catalogue raisonne of built sculpture, pp. 48-57, records every installation from BlackMarket RAM (1994) to 2002 with venue, dates, and materials. Contents: Secret Spaces, a foreword by Gail Trechsel; Connecting with Ascension, an essay by David Moos; Ascension, an installation by Stephen Hendee; What Infernal Hand or Algorithm? A Mathematician's Perspective on the Art of Stephen Hendee, an essay by Robert Phillips; Synthetic Ideal, an essay by Tim Griffin; Artist's Exhibition History; Catalogue Raisonne of Built Sculpture; A Note on Additional Images & Text; Contributors.…

Softcover, 248 pages, very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.

247p., profuse color photography, captioned and coordinated with the texts, 11x8.5 inch color wraps, a very good copy.

Hard Cover. Condición: VG to Fine. VG to Fine. Previous owner name and date on front end paper. Oversize. Art Collection.

Oversized Paperback. Condición: Very Fine. None Issued. 1st Edition. This is a Very Fine copy of the first edition (1st prionting). The catalogue of the museum exhibition. From the collection of Dr. Kurt Gitter and Alice Rae Yelen.

247 pages. Paperback: H 28cm x L 21.5cm. Paper covers lightly rubbed. Past owner's ink signature at top of half-title page; interior leaves are otherwise bright and clean. Binding retains some crispness. Please note that this large book has an approximate shipping weight of 2.75 pounds (1.25 kg) and may require additional postage for any postal class other than domestic Media Mail. ISBN 0878058788.…

Trade Paperback. First Printing. Near Fine Condition. Tight Bright Attractive Copy With No Markings To The Book. ISBN 0-939009-52-8. Copy Two.

Trade Paperback. First Printing. Near Fine Condition. Tight Bright Attractive Copy With No Markings To The Book. ISBN 0-939009-52-8. Copy One.

Condición: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Softcover. Large format. Very Good condition. One crease to the back cover. 96 pages, with color illustrations. ISBN: 0-939009-52-8.

Condición: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

ISBN 0-939009-52-8. Trade Paperback. Very Good condition. Tight, sound, unmarked copy. No statement of later printing on copyright page.

Paperback. Condición: Very Good. Later Edition. ISBN 9780939009527. Paperback copy in very good condition. Trade paperback edition. Tight clean unmarked copy. PR 19-3 4. Later Edition. No Dustjacket.

127 pages. Paperback: H 25.25cm x L 25.25cm. Paper covers lightly rubbed; strong foxing to front cover's left spine margin. Interior pages are bright and clean. Binding is firm. A very good copy. Published on the occasion of the exhibition "Samuel Mockbee and the Rural Studio: Community Architecture" organized by David Moos at the Birmingham Museum of Art and opening at the Birmingham Museum of Art from October 5, 2003 to January 4, 2004 and touring to the Washington, D.C. National Building Museum from May 22 to September 6, 2004 and closing at the Scottsdale Museum of Contemporary Art from September 25, 2004 to January 2, 2005. ISBN 093139452X.…

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 1st Edition. Signed hardback book with dust jacket titled PICTURED IN MY MIND:Contemporary American Self-Taught Art from the collection of Dr. Kurt Gitter and Alice Rae Yelen. Inscribed and signed by both on front endpaper.Edited by Gail Published in 1996 by Birmingham Museum of Art.Illustrated with 200 color plates. Light rubbing to dust jacket otherwise in excellent condition. Bookseller since 1995 (LL-Base2-D-2) rareviewbooks Language: eng. Signed by Author(s).…

392 pages. Paperback: H 29.75cm x L 22.25cm. Green paper covers; light creasing at rear cover's lower fore-edge corner. Interior pages are bright and clean. Binding remains fairly crisp. A very good+ copy. With Contributors, Preface, Acknowledgements, color and b/w illustrations throughout, Catalogue of the Works, Selected Bibliography, Appendixes, and Index. Features "Introduction: Made in Alabama 1819-1930" by Leah Rawls Atkins; "The Furnishing of Early Alabama Homes, 1819-1870" by Lee W. Rahe; "Marking Time in a Plain Style Tradition: The Decorative Lives of Frederick and Narcissa Cooper" by Daniel Fate Brooks; "Made of Alabama: Alabama Folk Pottery and Its Creators" by Joey Brackner; "Woven in Alabama: Handmade Textiles" by Pat Jemian; "Covering Alabama: Nineteenth Century Quilts and Needlework" by Gail Andrews Trechsel; "'True to Life . . . In the Highest Style' Painting in Alabama" by E. Bryding Adams; "Mortised, Tenoned, and Screwed Together: A Large Assortment of Alabama Furniture" by E. Bryding Adams; "'Engraved by the Sunbeams' Alabama Photographs 1840-1920" by Frances Osborn Robb; and concludes with "Alabama Silversmiths, Jewelers, and Silver Merchants" by E. Bryding Adams and Frances C. Sommers. Uncommon and authoritative monograph offering an illustrated survey of 19th century Alabama decorative arts reviewing painting, sculpture, furniture, handmade textiles, quilts, needlework, photography, silverware, etc. Published as the accompanying catalog for an exhibition organized by and opening at the Birmingham Museum of Art from October 14, 1994 to January 8, 1995 and then touring to the Huntsville Museum of Art from January 29 to March 25, 1995, the Mobile Museum of Art from August 18 to October 15, 1995, and concluding at the Montgomery Museum of Fine Art from December 10, 1995 to January 28, 1996. Please note that this book has an approximate shipping weight of 5.25 pounds (2.38 kg) and will require additional postage for any postal class other than domestic Media Mail. {RegAmShelf#2} ISBN 0931394406. …