Translated by robin carson (3 resultados)

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  • Editorial: Crown Publishers, New York, 1966

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    Librería: Willis Monie-Books, ABAA, Cooperstown, NY, Estados Unidos de AmericaWillis Monie-Books, ABAA

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    Miembro de asociación: ABAAESAILAB

    Condición: Usado - Bueno

    EUR 8,26

    Envío por EUR 7,13 
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    Cantidad disponible: 1 disponible

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    Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good-. Second Printing. Light wear DJ extremities.

  • Editorial: Crown, 1966, 1966

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    • Primera edición

    Librería: Longhouse, Publishers & Booksellers, Brattleboro, VT, Estados Unidos de AmericaLonghouse, Publishers & Booksellers

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    Condición: Usado

    EUR 11,89

    Envío por EUR 5,35 
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    Cantidad disponible: 1 disponible

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    First edition 300 illustrations in full color and black and white. Near fine red boards with gilt lettering in like dustjacket with trifle wear to top of spine. Text beautifully realized and profusely illustrated throughout in black and white and color. Runs the spectrum of modern art. Unique.

  • Editorial: Crown Publishers, Inc., New York, 1966

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    Librería: LEFT COAST BOOKS, Santa Maria, CA, Estados Unidos de AmericaLEFT COAST BOOKS

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    Condición: Usado - Bueno

    EUR 22,49

     Gastos de envío gratis 
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    Cantidad disponible: 1 disponible

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    Hardcover. Condición: Very Good. Estado de la sobrecubierta: Good. Cloth, 320 pages, illustrations (some colour); 24 cm. First published, Argentina, under title: Nuevas tendencias en la pintura. Translated from the Spanish. Firm binding, clean inside copy. Light foxing/endpapers, age toning. Dust jacket, with moderate edgewear, protected in a mylar cover. *** Aside from the identification of "Informalism as an international tendency," covering American Abstract Expressionism and its European counterpart (Tachism), this book contains important information on European and Latin American "Concrete Art." *** CONTENTS: The directions of modern art; Chapter one: The avant-garde at the end of the second world war; Chapter two: Reaction against concrete art; Chapter three: Informalism as the dominant international tendency; Chapter four: Informalism in the United States; Chapter five: The reaction against informalism; Chapter six: Currents opposed to informalism and strict visuality; Chapter seven: The synthesis of neodadaism and strict visuality; Chapter eight: Sociological aspects of postwar art. Size: 8vo.…