torres richard (143 resultados)

Paperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: Good. No Jacket. Some light rubbing and edgewear. Text has begun to yellow, but remains tight in binding, no ownership or other markings. Size: 8vo - over 7¾" - 9¾" tall.

Condición: New.

Hardcover. Condición: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!

Paperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less 0.77.

Wraps. Condición: Very Good. 8vo, 84 pp. Light handling and edgewear to wrappers.

Condición: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Pictorial Cover. Condición: Fine. No Jacket. Bill Siekiewicz, Richard Corben, Rick Geary, Serpiere, Daniel Torres, Simon Bisley [cover] Ilustrador. Mint, unread copy.

paperback. Condición: Used: Very Good. Very good glossy paper wraps; light rubbing along edges. Binding tight; contents clean and unmarked. Second printing. 144 pages. Clear plastic dust jacket very good over the paper wraps.

Trade Paperback. Condición: Very Good. Hector Torres (Cover Design) Ilustrador. Copyright © 1988. 159 pp. Solidly bound copy with moderate external wear, crisp pages and clean text. Occassional highlighter/pen/pencil markings on text/marginalia.

Hardcover. Condición: Fine. This book is in excellent, like new condition with crisp, unmarked pages, a tight binding, and a strong, clean cover.

Soft cover. Condición: Good Only. No Jacket. Moderate age/use wear; a reference copy. Book.

Condición: Como nuevo. : La guía 'Cuba' de Guiarama Compact es una compañera de viaje esencial para explorar la isla. Ofrece información detallada sobre los lugares imprescindibles, consejos prácticos y mapas claros para facilitar la navegación. Descubre la rica cultura, la historia y la belleza natural de Cuba con esta guía compacta y fácil de llevar. EAN: 9788497761239 Tipo: Libros Categoría: Historia Título: Cuba Autor: Richard Sale| Fernando De Giles Pacheco| Juan Cabrera Torres Editorial: Anaya Touring Idioma: es-ES Páginas: 126 Formato: tapa blanda.

paperback. Condición: ACCEPTABLE. 143 mostly clean, unmarked, tight pages but there are instances of ink underlining and margin marks, and light tanning on edges; sturdy plastic wrap over paper cover.

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: New. In.

Condición: New. In.

Paperback. Condición: New.

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: As New. Unread book in perfect condition.

Paperback. 1973 Presumed first edition (NAP) Softcover, 8 1/2 x 11 inches, 49 pp + worksheets. Good to very good. Prev owner's sgn on front cover, covers age yellowed, with some soil and drop marks, upper corner bumped, 1 worksheet partially filled in, o/w tight, clean and unmarked. Simple instructions for the beginner. Harder to find. Music.

Condición: New.

Hardback. Condición: New. Felix Gonzalez-Torres' text reveries on the intersections of the historical and the personal, gathered for the first time in this elegant clothbound volumeFelix Gonzalez-Torres (1957-96) is one of the most significant artists to have emerged in the 1980s. An artist whose beautiful, restrained and often mutable works are abundant in compelling contradictions, Gonzalez-Torres was committed to a democratic form of art informed as much by the aesthetic and conceptual as by politics. His work challenges authority and our obeisance to it, dissolves the delineations between public and private, and creates a rich, open field into which the viewer is invited to complete works with her own inferences, imagination, and actions.The photostats are a series of fixed works with white text on black fields framed behind glass to create a reflective surface bringing the viewers' reflection into the work. Made at the height of the AIDS crisis, these profoundly suggestive lists of political, cultural, and historical references disrupt hierarchies of information and linear chronology, asking how we receive and prioritize information, how we remember and forget, and how we continuously create new meaning. The photostats also recall the screens (the television, and now the computer) which furiously deliver information from which we must parse substance from surface and choose what to assimilate and what to reject.This elegant volume is a discrete space in which to closely read the photostats with sustained attention: it opens from both sides, reproducing the framed photostats as objects on one, and from the other, details of the texts can be read as writing. In between the two, original writings by Mónica de la Torre and Ann Lauterbach, explore adjacent territories, signaling the multiple entry points for understanding the works.

Hardcover. Condición: new. Hardcover. Felix Gonzalez-Torres text reveries on the intersections of the historical and the personal, gathered for the first time in this elegant clothbound volumeFelix Gonzalez-Torres (1957-96) is one of the most significant artists to have emerged in the 1980s. An artist whose beautiful, restrained and often mutable works are abundant in compelling contradictions, Gonzalez-Torres was committed to a democratic form of art informed as much by the aesthetic and conceptual as by politics. His work challenges authority and our obeisance to it, dissolves the delineations between public and private, and creates a rich, open field into which the viewer is invited to complete works with her own inferences, imagination, and actions.The photostats are a series of fixed works with white text on black fields framed behind glass to create a reflective surface bringing the viewers' reflection into the work. Made at the height of the AIDS crisis, these profoundly suggestive lists of political, cultural, and historical references disrupt hierarchies of information and linear chronology, asking how we receive and prioritize information, how we remember and forget, and how we continuously create new meaning. The photostats also recall the screens (the television, and now the computer) which furiously deliver information from which we must parse substance from surface and choose what to assimilate and what to reject.This elegant volume is a discrete space in which to closely read the photostats with sustained attention: it opens from both sides, reproducing the framed photostats as objects on one, and from the other, details of the texts can be read as writing. In between the two, original writings by Monica de la Torre and Ann Lauterbach, explore adjacent territories, signaling the multiple entry points for understanding the works. Felix Gonzalez-Torres text reveries on the intersections of the historical and the personal, gathered for the first time in this elegant clothbound volume Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardback. Condición: New. Felix Gonzalez-Torres' text reveries on the intersections of the historical and the personal, gathered for the first time in this elegant clothbound volumeFelix Gonzalez-Torres (1957-96) is one of the most significant artists to have emerged in the 1980s. An artist whose beautiful, restrained and often mutable works are abundant in compelling contradictions, Gonzalez-Torres was committed to a democratic form of art informed as much by the aesthetic and conceptual as by politics. His work challenges authority and our obeisance to it, dissolves the delineations between public and private, and creates a rich, open field into which the viewer is invited to complete works with her own inferences, imagination, and actions.The photostats are a series of fixed works with white text on black fields framed behind glass to create a reflective surface bringing the viewers' reflection into the work. Made at the height of the AIDS crisis, these profoundly suggestive lists of political, cultural, and historical references disrupt hierarchies of information and linear chronology, asking how we receive and prioritize information, how we remember and forget, and how we continuously create new meaning. The photostats also recall the screens (the television, and now the computer) which furiously deliver information from which we must parse substance from surface and choose what to assimilate and what to reject.This elegant volume is a discrete space in which to closely read the photostats with sustained attention: it opens from both sides, reproducing the framed photostats as objects on one, and from the other, details of the texts can be read as writing. In between the two, original writings by Mónica de la Torre and Ann Lauterbach, explore adjacent territories, signaling the multiple entry points for understanding the works.

paperback. Condición: Very Good. Cover and edges may have some wear.

Trade Paperback. VG condition.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Very Good. First Edition. ABout new book, unmarked, in dust jacket with two 1/2" edgetears. ; 10.60 X 8.50 X 0.90 inches; 146 pages.