Toren amikam (10 resultados)

1. Auflage. 56 Seiten. OBr., Quart 28 cm x 23 cm, 56 S., Abb.; gut erhaltenes Exemplar.

Couverture souple. Condición: Très bon. Edition originale. The Everyday Press, Londres, 2012, 20,5 x 29 cm, non paginé. Brochure agrafé. Légère trace d'usure dans un angle.

SOFTCOVER. Condición: As New. 1st Edition. Extra Large 4to. in stiff card covers, 56pp on stiff art paper, colour plates, etc . [CONDITION: An extremely well preserved AS NEW unread and unmarked copy ] . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

SOFTCOVER. Condición: As New. 1st Edition. 4to in colour printed stiff card covers, 99pp on thick art paper, colour plates, etc. PLUS loosely inserted hand written letter (approx 130 words) from Phillip Hedley to an art critic . [CONDITION: An AS NEW unmarked copy (very slight and barely noticeable bump to top corner tip of page-block fore-edge) ] . To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

Bound in wallpaper wrappers. Condición: Very Good. First Edition. (55pp.) 200 copies. Minute fragment missing at head of spine. Amikam Toren; Anthony McCall (ilustrador).

Paperback. Condición: Good in wraps. 24 x 28cm 56pp good paperback exhibition catalogue, corners and edges have slight wear. Amikam Toren is a Jerusalem-born British artist whose works explores painting, sculpture, moving image and mixed media. He was the co-founding editor of magazine, Wallpaper from 1974 to 1976. He is regarded as one of the most important and interesting conceptual artists of the 20th century to work in the UK. Colour reproductions of the series Armchair Paintings which overlay text in a Ruscha-like way, examples of other work in black and white.…

Soft cover. Condición: Very Good. 1st Edition. Issue 1 one of 150 copies (of 200), issue 2 one of 50 numbered copies signed by the contributors (Eden, Bernas, Hiller, Shepherd (his sticker detached but present), and Bonvin) (of 260), issues 3-4 each one of 210 copies (of 260), issues 5/6 and 7 without statements of limitation. 4to. Stab-stapled into wrappers. Unpaginated (42pp.-114pp.). A complete set of this magazine of art and writing (1974-1977), which was published co-operatively by the contributing editors. Each editor was allocated an equal space every other issue; issues 1-4 contained their work by rota, so that each contributor appeared twice. For double issue 5/6, each editor invited either one or two guests to share his/her space equally, and for the final issue (as it turned out) the editors agreed that any of them may invite a guest to fill his/her space. Issue 1 was edited anonymously, but (according to these details) involved the original eleven contributing editors. Each issue uses a different pattern of actual wallpaper for its wrappers, with no two copies likely to be identical. Each copy of issue 2 is also made unique by Hiller's piece 'Transformation', 'a distribution and relocation of the material elements' used in her artwork 'Transformer'. Consisting of 260 A4 tissue paper segments bound into the magazine, i.e. five cut from each of the fifty-two sections of 'Transformer', the work 'should be understood to be located in from one to 260 sites simultaneously'. Toren's work 'Print Off Print' in issue 1 also plays with the material format, combining printed sheets with sticky tape apparently for an offsetting effect; it is not obvious how the piece would have looked originally, which perhaps is a sign of its success. Other contributors include Carolee Schneemann, David Medalla, Allen Fisher, Paul Buck, Lynne Tillman, Fiona Templeton, Annabel Nicolson, and Anthony Barnett. Extremely rare as a complete set; the first and final issues are notably scarce, but accounts vary as to why this is. It has been suggested that issue 7 was organised by Howell (who was the magazine's main figure) without the knowledge of people usually involved, or alternatively that the co-operative had merely become stretched geographically. Given that two of the usual contributing editors are in it, the latter theory seems more likely, although one could combine the theories by saying simply that the project was disbanding. With regard to issue 1, it has been suggested that Howell distributed the issue very quickly, although it should be noted in the first place that there were fewer copies than of subsequent issues. There was also an elusive 'Wallpaper' cassette available separately, not present here. A slip has been affixed to the contents page of issue 5/6 to include Howell's contribution, and a slip has been affixed to the contribution itself to adjust the poem's title (from 'Depressed Poem' to 'Depression Poem'). A Very Good set, with the usual rubbing and light wear to the wrappers, those of the double issue inevitably slightly tired, having taken a few attempts to staple, the staples rusty on a couple of issues, and with some spotting and soiling to the page edges (not hampering the contents, although staining comes close to 'Transformation'). The strips of tape in 'Print Off Print' have adhered the facing pages to each other, which is not unique to this copy and, as above, the outcome might be a fair one. Signed by Editors.…

Paperback. Condición: Good in wraps. First Edition. 21 x 30cm good paperback, minor curl to bottom edge. Drawings by Amikam Toren, words by Peter Strickland.

Paperback. Condición: Very Good. First Edition. Wraps. Slim 8vo.pp. 48. Signed presentation copy: "To Maxim meeting again much love. Amikam." Original publisher's wraps in white, lettered grey. English translation by Richard Flantz. Arabic translation by Antuan Shalhat. Introduction in English by Hana Kofler. Near fine. Glassine dust jacket. Signedes.…

No Binding. Condición: Fine. Invitation. Exhibition announcement card. Ephemera.