thys daniel (6 resultados)

Condición: very_good. Gently read. May have name of previous ownership, or ex-library edition. Binding tight; spine straight and smooth, with no creasing; covers clean and crisp. Minimal signs of handling or shelving. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships USPS Media Mail.

Encuadernación de tapa dura. Condición: Como Nuevo. Medicina y Salud Ilustrador. El servicio contrareembolso tiene un coste adicional de 3 euros. La fotografía del libro que aparece en la pantalla puede ser distinta a la real.

2 vol. : [unpaginated] ; [unpaginated]; 2 vol. : 15 x 10.7 cm. (vol. 1) ; 15 x 10.7 cm. (vol. 2); sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Two volume exhibition catalogue for a two part multi-venue exhibition held April 5 - June 15, 2008. Curated by Adam Szymczyk and Elena Filipovic. Artists include: Danai Anesiadou, Caner Aslan, Michel Auder, Pedro Barateiro, Ursula Block, Cezary Bodzianowski, Manon de Boer, Nairy Baghramian, Alexandra Bachzetsis, Balázs Béla Studio, Ludovic Balland, Augusto Boal, Oksana Bulgakowa, Banu Cennetoglu, Philippine Hoegen, Marc Camille Chaimowicz, Banu Cennetoglu, Dorit Chrysler, Holk Cruse, Luc Steels, Thea Djordjadze, Aleana Egan, Haris Epaminonda, Patricia Esquivias, Chris Evans, Maria Eichhorn, Seth Siegelaub, Matthias Einhoff, Philip Horst, Markus Lohmann, Harry Sachs, Dan Seiple, Cyprien Gaillard, Jos De Gruyter, Harald Thys, Masist Gül, Daniel Guzmán, Goodiepal, Susan Hiller, Dieter Hacker, Emma Hedditch, IDEA arts + society, Cameron Jamie, Sung Hwan Kim, Daniel Knorr, Susanne Kriemann, Gabriel Kuri, Tellervo Kalleinen, Oliver Kochta-Kalleinen, Miss Le Bomb, Joachim Koester, Luciana Lamothe, Lars Laumann, Janette Laverrière, Zhao Liang, Jacques Lacan, David Maljkovic, Babette Mangolte, Jacob Mishori, Ulrike Mohr, Ania Molska, Melvin Moti, Goshka Macuga, Thomas Macho, Kobe, Matthias, James McFarland, Nashashibi / Skaer, Kristina Norman + Paul Davies, Ahmet Ögüt, Paulina Olowska, Giulia Piscitelli, Paola Pivi, Pushwagner, Pil und Gala Kollectiv, Falke Pisano, Lili Reynaud-Dewar, Pamela Rosenkranz, Kilian Rüthemann, Rebond pour la Commune + Arbeiter- und Veteranenchor Neukölln, Dieter Roelstraete, Jimmy Robert, Paul Sietsema, Ettore Sottsass, Zofia Stryjenska, Superflex, Wilhelm Sasnal, Aaron Schuster, Stefan Thater, Pilvi Takala, Harald Thys & Erik Thys, Piotr Uklanski, Tris Vonna-Michell, Mona Vatamanu / Florin Tudor, Roi Vaara, Annie Vigier & Franck Apertet, Vinyl-Terror & -Horror & Dr. Nexus, Bettina Vismann, Susanne M. Winterling, What, How & for Whom (WHW), Kohei Yoshiyuki, Dolores Zinny, Juan Maidagan, Andrzej Zulawski and Artur Zmijewski. "The exhibition When things cast no shadow consisted of two parts one taking place by day, one by night. The daytime part of the 5th Berlin Biennale presented mainly new productions by 50 artists of four generations shown at four different venues--at the KW Institute for Contemporary Art, the Neue Nationalgalerie, the Skulpturenpark Berlin_Zentrum and the Schinkel Pavilion. Many of the participating artists conceptualized and built their commissioned artworks explicitly in response to the specifically designated exhibition site. Already a few weeks prior to the official opening the first in a series of five solo exhibitions (curated by artists participating in the biennial) was launched at the Schinkel Pavilion as part of the 5th Berlin Biennale. Throughout the duration of the biennial these exhibitions gave insights into ways in which younger artists deal with topics such as the legacy of previous generations, modernity or various exhibition formats." -- publisher''s statement. Fine. Two volumes, both with covers and contents clean and unmarked.

Condición: Very good.

Hardcover. Condición: Sehr gut. Zustand: SEHR GUTER Zustand! HC1-027-6/8-00215661 Sprache: Deutsch Gewicht in Gramm: 701.

Brussel Etablissement D'en Face Projects 2006 Softcover, 56 niet-genummerde pp., 21x30cm., talrijke ills. in kleur, in zeer goede staat. Tweetalig Frans-Nederlands. Oplage: 1000 exemplaren. Dans le cadre de Bruges 2002 Capitale Culturelle Européenne, à l?occasion du projet Wijk-up dans le quartier Sint-Jozef, une maison d?habitation ordinaire est ouverte au public par complicité entre l'habitante et l'artiste. Elles en font un musée. La propriétaire Maria De Waele continue d?occuper les lieux et devise avec Claudia Radulescu des effets de la muséalisation. Claudia Radulescu se donne pour projet de commuer ce musée « vrai » en construction utopique. « L?esprit moderne », sur les versants d?une installation et d?une publication, déplie les volumes et les surfaces d?une chronologie de l?inclassable. Etablissement d?en Face ouvre temporairement son espace à cette « habitation » déménagée. «L?esprit moderne », sur les versants d?une exposition et d?une publication, déplie les volumes et les surfaces d?une chronologie de l?inclassable. / During 2002, the year in which Bruges held the title Cultural Capital of Europe, Claudia Radulescu participated in the project Wijk-Up in the Saint-Josef district, making a modest home, complete with its household accoutrements, into a museum. The resident, Maria De Waele, continued to live in her house unabated all the while, speculating with Radulescu as to what this museum-isation would actually affect. Claudia Radulescu continued with this veritable museum as a utopist possibility. Invited by Etablissement d?en Face to utilize the gallery space, Raduelscu has been able to realize the temporary placement of this veritable museum. Both as an exhibition and as a publication, THE MODERN SPIRIT poignantly reveals a chronology of the unclassifiable. / In het kader van Brugge 2002, als Europese Culturele Hoofdstad, werd tijdens het project Wijk-up in de wijk Sint-Jozef een gewoon huis opengesteld voor het publiek. De bewoner en de kunstenaar werkten samen om er een museum van te maken. De eigenaresse, Maria De Waele, bleef er wonen en besprak de effecten van museificatie met Claudia Radulescu. Het project van Claudia Radulescu was om dit 'echte' museum te transformeren tot een utopische constructie. 'The Modern Spirit', een installatie en een publicatie, ontvouwt de volumes en oppervlakken van een chronologie van het onclassificeerbare. Etablissement d'en Face stelde tijdelijk zijn ruimte beschikbaar voor deze verplaatste 'woning'.