Thomas w gaehtgens (369 resultados)

Paperback. Condición: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

Soft cover. Condición: Near Fine. 1st Edition. Stiff color illus. wraps, French flaps. [vii],360 pp., illus. 1st ptg. Minor shelf wear. Firm, square binding with very slight stress creasing. Size: 4to - over 9¾" - 12" tall. Book.

Condición: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condición: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized.

Paperback. Condición: Near Fine. Oversize trade paperback with French-fold covers -- minro wear, clean binding, no spine crease; internally fine, clean and unmarked.

Trade Paperback. Condición: Used - Very Good. American painters and graphic artists of the eighteenth and nineteenth centuries sought inspiration for their work in the uniquely American experience of history and nature. The result was a transformation of the conventional Old World visual language into an indigenous and populist New World syntax. The twelve essays in this volume explore the development of a frontier mythology, a democratic style depicting common people and objects, and an American artistic consciousness and identity. Conceived and written from the perspectives of both cultural and art historians, American Icons initiates an interdisciplinary discussion on the complex relationships between American and European art. Contributors are Herbert Beck, Werner Busch, Martin Christadler, Nicolai Cikovsky, Jr., Francoise Forster-Hahn, Ursula Frohne, Barbara Gaehtgens, Thomas W. Gaehtgens, Barbara Groseclose, Olaf Hansen, William Hauptman, Heinz Ickstadt, Barbara Novak, and Kathleen Pyne.' American painters and graphic artists of the eighteenth and nineteenth centuries sought inspiration for their work in the uniquely American experience of history and nature. The result was a transformation of the conventional Old World visual language into an indigenous and populist New World syntax. The twelve essays in this volume explore the development of a frontier mythology, a democratic style depicting common people and objects, and an American artistic consciousness and identity. Conceived and written from the perspectives of both cultural and art historians, American Icons initiates an interdisciplinary discussion on the complex relationships between American and European art. Very nice clean, tight copy free of any marks.…

Trade Paperback. Condición: Very Good.

Condición: New.

Condición: New. Brand New.

Paperback. Condición: New. This is a superbly illustrated exploration of the first modern art catalogue, its creation and its legacy. This richly illustrated book examines the making of the first modern catalogue - La galerie electorale de Dusseldorff. Published in 1778, the revolutionary two-volume publication showcases one of the most important European painting collections of the eighteenth century, reflecting a pivotal moment in the history of art as well as the history of the art museum. In two essays, the authors analyse the process by which the catalogue was produced and shed light on the historical and cultural context that gave rise to an innovative and didactic way of displaying paintings - and, by extension, to art history as a discipline.…

Paperback. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Soft cover. Condición: New. New softcover book. From the cover: "American artists of the eighteenth and nineteenth centuries yearned to create their art in terms of uniquely American experience of history and nature. Paradoxically, however, when they insisted upon American originality and uniqueness, they could not but mediate these qualities through European conventions." Size: 4to - over 9¾" - 12" tall.…

Hardcover. Condición: New. HARDCOVER, BRAND NEW COPY, Perfect Shape, No Black Remainder Mark, 480-509Fast Shipping With Online Tracking, International Orders shipped Global Priority Air Mail, All orders handled with care and shipped promptly in secure packaging, we ship Mon-Sat and send shipment confirmation emails. Our customer service is friendly, we answer emails fast, accept returns and work hard to deliver 100% Customer Satisfaction.…

Condición: As New. Unread book in perfect condition.

Soft cover. Condición: Very Good. 1st Edition. 217 p., well illustrated.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

softcover. Condición: Collectible; Like New. First Edition; First Printing. Numerous full page color plates. Foreword by Thomas W. Gaehtgens. ; Tight, clean and crisp. A very minor bump to top of spine, otherwise As New. No inscriptions. No remainder mark. Not ex-library. In excellent condition.

80 Seiten. 4°, Leinen. Ohne Schutzumschlag. Einband gering bestoßen, sonst in tadellosem Zustand. Sprache: Deutsch.

Condición: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condición: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Trade Paperback. Condición: Used - Very Good. American painters and graphic artists of the eighteenth and nineteenth centuries sought inspiration for their work in the uniquely American experience of history and nature. The result was a transformation of the conventional Old World visual language into an indigenous and populist New World syntax. The twelve essays in this volume explore the development of a frontier mythology, a democratic style depicting common people and objects, and an American artistic consciousness and identity. Conceived and written from the perspectives of both cultural and art historians, American Icons initiates an interdisciplinary discussion on the complex relationships between American and European art. Contributors are Herbert Beck, Werner Busch, Martin Christadler, Nicolai Cikovsky, Jr., Francoise Forster-Hahn, Ursula Frohne, Barbara Gaehtgens, Thomas W. Gaehtgens, Barbara Groseclose, Olaf Hansen, William Hauptman, Heinz Ickstadt, Barbara Novak, and Kathleen Pyne.' American painters and graphic artists of the eighteenth and nineteenth centuries sought inspiration for their work in the uniquely American experience of history and nature. The result was a transformation of the conventional Old World visual language into an indigenous and populist New World syntax. The twelve essays in this volume explore the development of a frontier mythology, a democratic style depicting common people and objects, and an American artistic consciousness and identity. Conceived and written from the perspectives of both cultural and art historians, American Icons initiates an interdisciplinary discussion on the complex relationships between American and European art.…

Paperback. Condición: New. This is the latest volume in the annual publication that showcases the work of the Getty Research Institute. This annual publication showcases work by scholars and staff associated with the Getty Research Institute and the other programs of the prestigious J. Paul Getty Trust. "Getty Research Journals" offers peer-reviewed essays that focus on an object as aspect of the Getty's extensive archival, rare book, and artistic holdings or that relate to the annual research themes of the Research Institute and the Getty Villa. It also presents a selection of short, dynamic pieces about new acquisitions, scholarly activities, and ongoing projects at the Getty.…

Condición: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condición: new.

Paperback. Condición: VG. Blue and color-illustrated wraps with black lettering. 360 pp. BW illustrations. Contents: Introduction / Thomas W. Gaehtgens and Heinz Ickstadt -- American genesis : the landing of Christopher Columbus / Barbara Groseclose -- Copley, West, and the tradition of European high art / Werner Busch -- Self, time, and object in American art : Copley, Lane, and Homer / Barbara Novak -- Romantic landscape painting in America : history as nature, nature as history / Martin Christadler -- Inventing the myth of the American frontier : Bingham's images of fur traders and flatboatmen as symbols of the expanding nation / Françoise Forster-Hahn -- Fictions of nationhood : Leutze's pursuit of an American history painting in Düsseldorf / Barbara Gaehtgens -- Kindred spirits : notes on Swiss and American painting of the nineteenth century / William Hauptman -- Strategies of recognition : the conditioning of the American artist between marginality and fame / Ursula Frohne -- Winslow Homer's national style / Nicolai Cikovsky, Jr. -- The senses of illusion / Olaf Hansen -- Resisting modernism : American painting in the culture of conflict / Kathleen Pyne.…

Condición: New. pp. vii + 95 76 Illus. (Col. & 2 Folded), Map (Col.).

Wrappers. Condición: Fine Condition. First Edition. 360 pp., B&W illus. throughout. Part of the Issues & Debates series.

kart. Condición: Gut. 26 cm ; Issues & Debates Series Volume 2. Englischsprachige Paperbackausgabe, 360 Seiten mit zahlreichen Abbildungen. Gutes Exemplar (good Condition). hw582 ISBN: 0892362472.

Condición: New. Examines the making of the first modern catalogue - La galerie electorale de Dusseldorff. This book showcases this one of the most important European painting collections of the eighteenth century, reflecting a pivotal moment in the history of art as well as the history of the art museum. Num Pages: 104 pages, 70 colour illustrations & 20 b&w illustrations. BIC Classification: 1D; 1DFG; 3JF; ACQ; AFC; AGC. Category: (G) General (US: Trade). Dimension: 265 x 206 x 8. Weight in Grams: 410. . 2011. 1st Edition. Paperback. . . . .…