thea brejzek (56 resultados)

Paperback. Condición: new. Paperback. This edited volume explores the far-reaching influence of two 20th-century design icons: the Bauhaus art school and the furniture company IKEA. The Bauhaus was founded in 1919 and disbanded in 1933, but in its short existence it served as a crucible for much of what came to be known as modernist design. It set out to transform daily life for the better by incorporating mass manufacturing techniques into the design of everything from single objects to buildings, putting in motion the democratisation of design. Just 10 years after the Bauhaus' closure, this principle would become the theoretical and functional foundation for IKEA. 'Design for everyone', IKEA's guiding principle, is both the embodiment of Bauhaus ideals and a business plan that has seen modernism repackaged in the form of a global consumer goods empire. Considered together, the Bauhaus and IKEA could be said to have profoundly transformed how our societies relate to and understand design and its artefacts. But as we grapple with climate change and the wreckage brought about by the consumer-driven, mass manufacturing models promulgated by the Bauhaus, and then perfected by IKEA, how might we reckon with this legacy, and what can we learn from it?Through a carefully curated selection of essays and photography, Bauhaus Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condición: New. The Model as Performance investigates the history and development of the scale model from the Renaissance to the present from a scenographic perspective and a performative paradigm that explores what the model can do and how it is used in theatre and architecture. It provides a comprehensive historical context and theoretical framework for theatre scholars, scenographers, artists and architects interested in the model's reality-producing capacity and its recent emergence in contemporary art practice and exhibition. For the undergraduate student, it provides a historical survey of the model, and to the postgraduate student, it opens up a new methodological approach. Introducing a typology of the scale model beyond the iterative and the representative model, the authors identify the autonomous model as a provocative construction between past and present, idea and reality that challenges and redefines the relationship between object, viewer and environment. Case studies include Brunelleschi's dome models and Bel Geddes' Futurama, Mies van der Rohe's mock ups and Zumthor's atmospheric models, Anna Viebrock's life size boxes and Herzog and de Meuron's miniature styrofoam exhibits.The Model as Performance was shortlisted for the best Performance Design and Scenography Publication Award at the Prague Quadrennial (PQ) 2019.

Condición: New.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Paperback or Softback. Condición: New. The Model as Performance: Staging Space in Theatre and Architecture. Book.

Condición: New.

Condición: New. In.

Condición: New.

Condición: New. 2018. Paperback. . . . . .

Hardcover. Condición: As New. No damage, markings or signs of use. 2018 hardback. The photo is of the actual book you will receive. Fast dispatch from UK seller.

Condición: As New. Unread book in perfect condition.

Condición: New. 2018. Paperback. . . . . . Books ship from the US and Ireland.

Paperback. Condición: new. Paperback. This edited volume explores the far-reaching influence of two 20th-century design icons: the Bauhaus art school and the furniture company IKEA. The Bauhaus was founded in 1919 and disbanded in 1933, but in its short existence it served as a crucible for much of what came to be known as modernist design. It set out to transform daily life for the better by incorporating mass manufacturing techniques into the design of everything from single objects to buildings, putting in motion the democratisation of design. Just 10 years after the Bauhaus' closure, this principle would become the theoretical and functional foundation for IKEA. 'Design for everyone', IKEA's guiding principle, is both the embodiment of Bauhaus ideals and a business plan that has seen modernism repackaged in the form of a global consumer goods empire. Considered together, the Bauhaus and IKEA could be said to have profoundly transformed how our societies relate to and understand design and its artefacts. But as we grapple with climate change and the wreckage brought about by the consumer-driven, mass manufacturing models promulgated by the Bauhaus, and then perfected by IKEA, how might we reckon with this legacy, and what can we learn from it?Through a carefully curated selection of essays and photography, Bauhaus Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Condición: Brand New. 188 pages. 9.25x6.25x0.50 inches. In Stock.

Paperback. Condición: VG+. Paperback in Very Good+ condition in Very Good Slipcase. 8.7 X 1.7 X 11.5 inches. 400 pages. Three volumes with spines uniformly sunned white in slipcase with a couple of minor flaws. An Attractive set. Interiors are clean and unmarked. Quick shipping, excellent customer service. All books carefully packaged in boxes and ship with tracking information.

hardcover. Condición: Fine.

Hardcover. Condición: new. Hardcover. What is the impact of virtual models and realms in contemporary theatre, art and architecture?This volume explores the evolution of virtual models, their transformative spatial potential, and their capacity for world-making using a range of case studies drawn from global contemporary theatre, art and architecture practice.It draws upon a rich array of contemporary examples, including the Japanese artist collective Dumb Type, Chinese artist Lu Yang, US-Iranian artist Morehshin Allahyari, Bjoerk, and the UK research agency Forensic Architecture. In parallel, a historical overview focused on the formative years of digital society provides context to the rapid development of virtual technologies, including the work of architecture collectives Superstudio and Archigram and seminal art, performance and technology collaborations from 1960s New York onward, enabled by institutions such as MoMA and Bell Labs. Behind this inquiry is a historical and theoretical positioning of the immaterial and its relationship to the material. Discussing emerging forms of expanded reality (XR) as devices in the theoretical and cultural framework of the virtual model, this study reveals the processes made visible in exhibitions, installations and performances while focusing on overlapping spaces, narratives and actors as they contribute to constructing virtual worlds. Virtual Models in Theatre, Art and Architecture: Making Worlds reframes the virtual model as dispositif at the interface of the real, the fictional and the virtual, encouraging the reader to critically consider how new technologies open new spaces for knowledge creation and creative expression. This volume argues that virtual models are dispositifs that act as critical instruments in theatre, art and architecture and propose counterpositions to dominant narratives. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condición: New.

Paperback. Condición: New. The Model as Performance investigates the history and development of the scale model from the Renaissance to the present from a scenographic perspective and a performative paradigm that explores what the model can do and how it is used in theatre and architecture. It provides a comprehensive historical context and theoretical framework for theatre scholars, scenographers, artists and architects interested in the model's reality-producing capacity and its recent emergence in contemporary art practice and exhibition. For the undergraduate student, it provides a historical survey of the model, and to the postgraduate student, it opens up a new methodological approach. Introducing a typology of the scale model beyond the iterative and the representative model, the authors identify the autonomous model as a provocative construction between past and present, idea and reality that challenges and redefines the relationship between object, viewer and environment. Case studies include Brunelleschi's dome models and Bel Geddes' Futurama, Mies van der Rohe's mock ups and Zumthor's atmospheric models, Anna Viebrock's life size boxes and Herzog and de Meuron's miniature styrofoam exhibits.The Model as Performance was shortlisted for the best Performance Design and Scenography Publication Award at the Prague Quadrennial (PQ) 2019.

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: New. In.

Condición: As New. Unread book in perfect condition.

Hardcover. Condición: new. Hardcover. What is the impact of virtual models and realms in contemporary theatre, art and architecture?This volume explores the evolution of virtual models, their transformative spatial potential, and their capacity for world-making using a range of case studies drawn from global contemporary theatre, art and architecture practice.It draws upon a rich array of contemporary examples, including the Japanese artist collective Dumb Type, Chinese artist Lu Yang, US-Iranian artist Morehshin Allahyari, Bjoerk, and the UK research agency Forensic Architecture. In parallel, a historical overview focused on the formative years of digital society provides context to the rapid development of virtual technologies, including the work of architecture collectives Superstudio and Archigram and seminal art, performance and technology collaborations from 1960s New York onward, enabled by institutions such as MoMA and Bell Labs. Behind this inquiry is a historical and theoretical positioning of the immaterial and its relationship to the material. Discussing emerging forms of expanded reality (XR) as devices in the theoretical and cultural framework of the virtual model, this study reveals the processes made visible in exhibitions, installations and performances while focusing on overlapping spaces, narratives and actors as they contribute to constructing virtual worlds. Virtual Models in Theatre, Art and Architecture: Making Worlds reframes the virtual model as dispositif at the interface of the real, the fictional and the virtual, encouraging the reader to critically consider how new technologies open new spaces for knowledge creation and creative expression. This volume argues that virtual models are dispositifs that act as critical instruments in theatre, art and architecture and propose counterpositions to dominant narratives. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Condición: New.

Condición: New. In.

Condición: As New. Unread book in perfect condition.

Condición: New.

Hardcover. Condición: new. Hardcover. What is the impact of virtual models and realms in contemporary theatre, art and architecture?This volume explores the evolution of virtual models, their transformative spatial potential, and their capacity for world-making using a range of case studies drawn from global contemporary theatre, art and architecture practice.It draws upon a rich array of contemporary examples, including the Japanese artist collective Dumb Type, Chinese artist Lu Yang, US-Iranian artist Morehshin Allahyari, Bjoerk, and the UK research agency Forensic Architecture. In parallel, a historical overview focused on the formative years of digital society provides context to the rapid development of virtual technologies, including the work of architecture collectives Superstudio and Archigram and seminal art, performance and technology collaborations from 1960s New York onward, enabled by institutions such as MoMA and Bell Labs. Behind this inquiry is a historical and theoretical positioning of the immaterial and its relationship to the material. Discussing emerging forms of expanded reality (XR) as devices in the theoretical and cultural framework of the virtual model, this study reveals the processes made visible in exhibitions, installations and performances while focusing on overlapping spaces, narratives and actors as they contribute to constructing virtual worlds. Virtual Models in Theatre, Art and Architecture: Making Worlds reframes the virtual model as dispositif at the interface of the real, the fictional and the virtual, encouraging the reader to critically consider how new technologies open new spaces for knowledge creation and creative expression. This volume argues that virtual models are dispositifs that act as critical instruments in theatre, art and architecture and propose counterpositions to dominant narratives. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.