Terry adkins (15 resultados)

Paperback. Condición: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condición: New.

94p., poetry, prose and photos, very good in pictorial wraps. Poetry, prose and photography by KY Kids.

Hardcover without dustjacket as issued; 96 pages, new condition; still sealed in shrinkwrap; clean and crisp; no internal marks. Foreign shipping may be extra.

First edition. 10 x 7.5 inches. 96 pages. Profusely illustrated in color. Original pictorial boards. "The work of American sculptor and musician Terry Adkins (1953-2014) often started with a theme or idea, illuminated by sculptural components that sometimes housed a performative element. The performative and sculptural aspects of his practice evolved in tandem, and utilized materials that had likely served another purpose, be they instruments, materials from his printmaking experiences or locally sourced items. This catalog accompanies Lévy Gorvy's first solo exhibition of Adkins' works, exploring the materiality of his sculptures. The exhibition was curated by Charles Gaines, a celebrated artist and longtime friend and collaborator of Adkins', who contributes an essay to this publication that explores the experience of viewing Adkins' sculptures. Also included are an essay by Michael Brenson and newly commissioned poetry by Robin Coste Lewis" (the publisher). New in shrinkwrap.…

8vo. 96 pages. Color illustrations. Printed boards. Published on the occasion of the exhibition held 10 January to 17 February 2018. A fine, as-new copy.

Hardcover. Condición: Very Good+. No Jacket. Edition not stated but presumed first with NAP, hardcover, has light bumps to the spine ends and cover corners, mild rubbing to the covers, and a touch of toning to the page edges. Overall, a Very Good+ copy.

Soft cover. Condición: Very Good. No Jacket. 1st Edition. b-50 Chip at top of spine. Pages clean and tight.

Softcover with dustjacket, 52 pages; in English and German; very good condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Condición: New.

Condición: New. KlappentextThe first survey of videos by multimedia artist and musician Terry Adkins (1953-2014), this catalog features 12 videos created between 1998 and 2013, with installation views, stills and interviews.

Paperback. Condición: Very Good. Second Edition. "After fifty years of mushing, five Iditarod races, watching both his son and grandson win the Iditarod, and induction into the Iditarod Hall of Fame, Dan tells his incredible story. With a captivating style, he compiles his trove of notes, photos, and recordings taken during the first great race to give readers a first-hand, on-the-runners experience of a grueling 1,000 mile, twenty-day odyssey through some of the most unforgiving wilderness on earth." - back cover. 496 pages. Index. Many black and white reproductions of photos. Tight, clean, square and unmarked with very light wear. A high-quality signed example.; 8vo; Signed by Author. …

Condición: Fine. First edition. Paperback. Slim octavo. 30pp. Original printed paperback. Fine.

Condición: Good. 4to. 32 pp. Soft Cover. Very Good. Light smudging on covers. Color Plates. Provenance: From the collection of the Peter Norton Family Foundation, Santa Monica, CA. In 2003, Norton, the founder of Norton Utilities, became the chairman of the board of MoMA PS1.

Hardcover. Condición: Near Fine. No Jacket. 1st Edition. Title: The Philadelphia Negro Reconsidered: Suite of 18 Silkcreen Prints. Artist: Terry Adkins after W.E.B. Du Bois. Publisher: Common Press, University of Pennsylvania, School of Design, Department of Fine Arts. Place: Philadelphia, Pennsylvania. Date: 2012. Special characteristics: Original copy of a ltd. ed. 1/18, one of only two copies signed by the artist. Description: 2012. Fo. 18 unpaginated plates, a series of multilayer silkscreens from Du Bois hand-drawn maps and color-coded tabs, each separated by wax paper, in a black hardcover slipcase with color title and illustration stamped/embossed on the front cover. Measures: 16 W x 25 L x 2 H inches. About the artist: Terry Adkins (1953 2014) created the portfolio The Philadelphia Negro Reconsidered in collaboration with The Common Press at the University of Pennsylvania, which is directed by Matt Neff. The portfolio was inspired by The Philadelphia Negro - W.E.B. Du Bois pioneering demographic study of Philadelphia s original 7th Ward. Terry Adkins s art is in the collections of the Hirshhorn Museum and Sculpture Garden, the Metropolitan Museum of Art, the Museum of Modern Art, Pérez Art Museum Miami, and Tate Modern, among others, and has been exhibited around the world. About the publisher: The Common Press is the letterpress printing studio at the University of Pennsylvania. The press is a collaboration of interests at Penn, including writing (Kelly Writers House), print culture (the Rare Book & Manuscript Library) and visual arts and design (the School of Design). The facility provides a mixed media environment where students can move between digital and manual image making, collaborating with writers, printmakers and others in the book arts. The Common Press exists to assist in teaching design and to facilitate collaborative projects across the university. It was founded on January 17, 2006, the 300th anniversary of Benjamin Franklin s birth. Provenance: Arthur E. McFarlane II (W.E.B. Du Bois great grandson). On Friday, February 12, 2012, the whole portfolio was presented to Arthur by Terry Adkins personally when the UPenn Board of Trustees gave his Grandpa an honorary doctorate (of which he received the original along with a proclamation by the Philadelphia City Council and Mayor Nutter). About the work: Neff, the manager of Penn s Common Press and Print Shop, along with PennDesign s Marc Blumthal and Ivanco Talevski, worked closely with Adkins on the portfolio, which was inspired by W.E.B. Du Bois The Philadelphia Negro, the 1899 demographic study of black people living in Philadelphia s original Seventh Ward. The area covered Spruce to South streets and Seventh Street to the Schuylkill River. Terry is not just rethinking Du Bois as an artist and a practitioner, he s reconsidering the visual work, says Neff. He wanted to recast Du Bois as one of the first modernist painters, predating Piet Mondrian paintings of urban landscapes. In the original research, conducted for Penn in 1896 and 1897, Du Bois went from house to house interviewing heads of households to gather information such as profession and socio-economic status, as well as whether they were affected by social problems such as poverty and crime. To create the screen prints, Adkins, who joined the Penn faculty in 2000, used Du Bois hand-drawn maps of the neighborhood with its color-coded bar graphs of Du Bois findings, and Adkins had Du Bois maps layered to produce the prints. The maps are layered visually, but the content conceptually are super-layered, says Neff. There's a lot happening behind those images. What contemporary art does is, it shows you something that you can take on the surface as what you re seeing, but, if you look into it, there's much more embedded in it. Adkins 18 prints in the portfolio were created in 2012 to commemorate the appointment of Du Bois as an honorar. Signed by Illustrator(s). …