Terence translators (18 resultados)

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Good+. Old price sticker to inner cover. Minor shelfwear to book. DJ has chipping, rubbing and a couple of small tears. DJ is price-clipped.; 398 pages.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Good. Light pencilling to a couple of pages. Scholar's name to ffep (Robert Brown). Minor shelfwear to book. DJ has chipping, rubbing and 1 open tear near head of spine.; 398 pages.

Softcover. Condición: Very Good. Crease to spine. Small chip to foreedge of front wrap. Minor shelfwear.; 398 pages.

Soft cover. Condición: Good. Stated First U.S. Edition, in Good condition. Some normal wear for a good used paperback, including a crease on the front cover. Interior pages clean and unmarked. Originally published in French.

Hardcover. Condición: Fine. 1st Edition. 1ST ED THUS, 1ST US PRT (1999) with no add'l prt noted. HARDBACK, NO DJ AS ISSUED. The most loved GRINCH WHO STOLE CHRISTMAS - IN LATIN!! Splendid translation. Wonderful (original) art by "Doctore Seuss". 62pp. Includes extensive vocabulary. Dr. Seuss (ilustrador).…

Hardcover. Condición: Near Fine. No Jacket. 1st Edition. Jennifer Tunberg, Terence Tunberg, translators. Quomodo Invidiosulus Nomine Grinchus Christi Natalem Abrogaverit [How a Spiteful Creature by the Name of Grinch Cancelled Christmas]. Bolchazy-Carducci Publishers, Wauconda IL, 1998. Hardcover, issued without jacket. Condition: VG. Cover has small crease head of spine; one corner softened. Small quarto (8.5"W x 11.25"H); 63 pp. Original artwork by Theodore Seuss Geisel. Text includes Latin-English glossary. Binding strong; clean, bright copy; no markings. *** Translation into Latin of the Dr. Seuss classic, How the Grinch Stole Christmas. From author notes: "Jennifer and Terence Tunberg considered it a creative challenge to render in another language the flawless and seemingly effortless verbal pyrotechnics Theodor Geisel (Dr. Seuss) achieved in English. Their translation is in "rhythmic prose" - sprinkled liberally with rhyme, repetition, alliteration, colloquialisms, and wordplay. The Tunbergs hope that readers will regard this translation not as a novelty, but rather as a sign that Latin continues to be a living language and not just a venerable relic of the race who wore the toga.". Theodor Seuss Geisel (ilustrador). …

Softcover (Perfect Bound). Condición: Very Good. No Dust Jacket. First Edition; First Edition. 481 pages. Top right hand corner front cover slightly creased. Otherwise slight shelfwear only and as new.; 2; Octavo (standard book size).

Hardcover. Condición: Fine-. No Jacket. 1st Edition. Random House, Inc., New York, New York, USA, 1981. First (1st) Printing of this "First Edition" (stated with number line to 2, as the publisher designates its first printings). Fine- condition. No Dust Jacket. The Text Block is clean, white, tight, straight and square with no markings other than a small amount of stray marks to the top-edge. The Binding is full black cloth, color uniform throughout,;with bright gilt author's name in a gilt framed box to the front board, black title, etc., in a bright gilt box to the spine, unmarked black endpapers, and all corners square with very slight wear at the tips. No Jacket. xii, 1040 pages (including Notes, Addenda and Synopsis). 5 5/8" x 8 3/8". This volume contains Swann's Way and Within a Budding Grove. Random House first published this work in a two-volume set in 1934, based on the then available French text. In 1954, after an extensive study of the author's papers, a revised three-volume edition of A la recherche du temps perdu was published in the Bibliothèque de la Pléiade of Editions Gallimard, Paris, restoring passages previously omitted and making numerous corrections. Terence Kilmartin has, in the current translation based on the Pléiade edition, added the omitted passages and made corrections while preserving the Moncrieff translation of the first six books as much as possible. NOTE: This is a heavy book, weighing 1,077 grams / 38.0 ounces, and will require extra postage for international shipment. ISBN: 0394506448. …

Hardcover. Condición: Good. Estado de la sobrecubierta: N/A. First Edition. The first English edition and printing published in the US in silver and black patterned boards and ivory buckram to spine and corners with gilt to type. Heavy rubbing/scuffing to boards and some fraying to paper at board edges. Some staining to spine and top corner adjacent to spine. Rubbing to corners, bookplate to front pastedown and numbers to ffep. Solid binding. #2052 of 2000 sets published (misnumbered?) 1st Printing.…

Hardcover. Condición: Very good. Estado de la sobrecubierta: very good. Third imp, 1988. Lrge 8vo. In a price clipped dust jacket with a little edgewear, fraying to spine ends. viii, 1197. Some toning, minor discolouration to page edges, board edges rubbed, internally clean and bright, binding firm, no ownership marks. …

Hardcover. Condición: Very Good. Estado de la sobrecubierta: N/A. First Edition. The first English edition and printing published in the US in silver and black patterned boards and ivory buckram to spine and corners with gilt to type. Rubbing/scuffing to boards and a little wear to bottom edges. Sharp corners, clean interior and solid binding. #716 of 2000 sets published. 1st Printing. …

Card Covers. Condición: Fine. Letters between two intelligent & cultured Russians that reveal Russian intellectual life of the latter part of the nineteenth century. Translated from the Second Edition of D. Samarin, Moscow, 1984. Editing & with an intro on Iu Samarin by Calder, who translated from the oriiginal Russian. Cheyne translated from German & Scully translated from the French. Beige card covers. 267 pages with index. 8vo - over 7¾ - 9¾" tall.…

Hardcover. Condición: Near fine. First thus. Considering how many lists of "great books" as "Remembrance of Things Past" has landed on, not that many people seem to have actually it. That could be because its sheer size and reputation for "greatness" is so intimidating. Take a couple of pointers from someone who is working their way through it: First, it's just not that hard. Long, yes, but actually a relatively light read compared to so much of the modern literature it inspired. It's an impressionistic, meandering study of a man's life in late nineteenth and early twentieth century France (actually a covert autobiography of author Marcel Proust himself with added fiction), told in the first person. The narrator is at least as interested in the characters, places, and milieus he encounters along the way as he is in his own story. Plot simply isn't that important; people are. What that means is that it is easy to put down and then pick back up later without feeling lost, but still get completely absorbed into the narrator's intellectual bourgeoisie world while reading. It doesn't hurt that Proust based a number of the characters on historical figures and friends-one character is based on a combination of author Anatole France and another author, for instance; a painter in the book is more than reminiscent of Claude Monet; many prominent Parisian socialites of the era appear in the book in various guises; etc. On the other hand, while Proust tells us the stories of these characters and their worlds, he also tells us narrator's thoughts about and reactions to them. It's a story about a world at the same time it is a story about interiority. In that way, it is easy to see why it broke new ground in modernism. Our second point: owning only one volume of a multi-volume set-the form in which this book is inevitably published-won't do you any good, either as a collector or as a reader. The original was progressively published in seven volumes and has been published in many other versions since. The first volume came out in 1913; the last in 1927, all with individual titles but with the over-arching title of "À la recherche du temps perdu." This Random House publication, which arranges things into three reasonable-sized hardbacks in one slipcase, is a wonderful way to attack the work. For one thing, it starts with what may be called the authoritative version of those original seven volumes, which wasn't always in existence. Proust left things in a mess when he died in 1922, the last volume still unfinished and the two previous volumes still unpublished. His copious notes were nearly illegible but, of course, no one could consult him as to his intent, which meant for decades there was no "definitive" book. In 1954, that very thing finally came out, now called "the Pléiade edition" after its French publisher. That edition is what Random House used as the basis for this release. Translation, however, is its own can of worms, one which Random House also approached well. C. K. Scott Moncrieff was the first to translate all seven of Proust's original volumes into English. His set the standard, though there have been arguments against it and new translations since. (He is the one who named the book "Remembrance of Things Past," which is not literal. You are more likely to see it referred to as "In Search of Lost Time" these days.) Ironically, he died while translating Proust's final volume.the one Proust himself left uncompleted because of his death. Andreas Mayor receives the translation credit for that. Random House kept the bulk of the Scott Moncrieff translation but had Terence Kilmartin make revisions, and, although it says this nowhere in the title page or copyright page, from the translator's note, it sounds as if Kilmartin also served as an overall editor. Random House arranged Proust's original seven volumes this way: The first two, "Swann's Way" and "Within a Budding Grove," are in the first hardback, simply labeled "Volume I." Volume II contains "The Guermantes Way" and "Citi.…

Hardcover. Condición: Very Good. First Edition. In blue cloth with gilt to type. Top page ends tinted blue. Dinsgs and wear to spine ends and much lesser wear to corners. Slight cock to spine. Bookplate to front pastedown, otherwise clean interior with solid binding. 1st Printing.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Near Fine. Book Club Edition. The definitive French Pleiade Edition. In black cloth bindings with silver type and design motifs. Books in beautiful shape with sharp corners, clean interiors and tight bindings. Just previous owner's name and date to pages following ffeps. Book club stamps to bottom of rear boards near spines. Jackets in beautiful shape for this set with just a few nicks and a a few tint spots of edgewear. Slipcase previously split to one edge at top but now repaired with cloth tape/glue. Much shorter split to one of bottom edges with similar repair. A few other glue repairs to paper torn/peeling at edges - Fair.…

The Hakluyt Society, Second Series. No. 146. Folding frontispiece, numerous illustrations throughout, including a folding map. 8vo. Original gilt blue cloth with dust-jacket. London, Hakluyt Society.

Hardcover. Condición: Good. Estado de la sobrecubierta: N/A. First Edition. In blue cloth with gilt to type. Top page ends tinted blue. Top corners and bottom of rear board dinged to volume one and small bubble to fabric on rear board of volume two with spot to front board. Heavy foxing mostly to page ends and first and last several leaves with some intermittant spots to other pages - otherwise very good. Solid bindings. #1710 of 2000 numbered sets. 1st Printing.…

Hardcover. Condición: Good. Estado de la sobrecubierta: N/A. First Edition. In blue cloth with gilt to type. Top page ends tinted blue. Tanning to spines with wear to spine ends and some small stains and punctures to spine of volume one. Tanning to endpapers, otherwise clean with sharp corners and solid bindings. 1st Printing.…