Terence faherty 1954 signed (1 resultados)

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    • Idioma: Inglés

      Editorial: Simon and Schuster, New York, 1996

      0684826887 / 9780684826882

      • Tapa dura
      • Primera edición
      • Firmado

      Librería: The Book Collector, Inc. ABAA, ILAB, Fort Worth, TX, Estados Unidos de AmericaThe Book Collector, Inc. ABAA, ILAB

      Vendedor de 5 estrellas
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      Miembro de asociación: ABAATXBAIOBAILAB

      Condición: Usado - Bueno

      EUR 4,44

      Envío por EUR 6,04 
      Se envía dentro de Estados Unidos de America

      Cantidad disponible: 1 disponibles

      Hardcover. Condición: Very Good. Estado de la sobrecubierta: Fine. 1st Edition. 300 pages. Octavo (8 3/4" x 5 1/2") bound in original publisher's quarter yellow cloth with silver lettering to spine over yellow boards in original pictorial jacket. Signed by the author. First edition.  In such previous titles as The Lost Keats, Faherty gave heart and soul to academic, potentially dry topics. In this series debut, he starts with a jazzier premise but is markedly less successful at making it vital. Former actor Scott Elliott now provides hired security in post-WWII Tinseltown as a major studio gears up to shoot the sequel to a blockbuster movie that strongly resembles a real film starring Ingrid Bergman and Humphrey Bogart. The screenwriter is boozy and jaded; the producer is driven and brilliant. A secret communication suggests a Communist past for the writer, and, as the House Un-American Activities Committee focuses its spotlight, Elliott is called upon to investigate. The writer dies; authorship of the valuable screenplay is quickly questioned; and hidden pasts of all key players soon matter. Elliott is an affable enough soul, but Faherty doesn't give any new spin to the material of red scares, Casablanca and period Hollywood lore that Stuart Kaminsky and George Baxt have previously put to generally good use. Condition: Head corners bumped,signed on the title else a very good to fine copy in a fine jacket. Signed by Author(s).