Tepper louis (8 resultados)

Condición: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condición: Very Good. VG/G+, 1st edn, chips to d/w and spot rubbed where price label removed from right side of front panel.

Stapled. Condición: Good - Very Good. No Jacket. First Edition. The March 1934 issue of The American Magazine. Stories and articles it contains include: Eyes at the Window, a story by Mrs Wilson Woodrow (Nancy Mann Waddel Woodrow), Sun Drunk, a story by J P McEvoy (Joseph Patrick McEvoy), The Last Strike, a story by Peter B Kyne, Three Men and Diana, part VI of a novel by Kathleen Norris, USDA - an "Interesting People" profile about future presidential candidate Thomas E Dewey, Brainy - an "Interesting People" profile about future Supreme Court Justice Felix Frankfurter, Behind the Scenes with the President, an article by Louis McHenry Howe, The Wild Things Do Not Spare the Rod, a short feature by Archibald Rutledge, and numerous other vintage Depression Era articles and ads. Condition issues include light soiling & wear to the front & back covers, light wear and darkening to the spine with a 1.25" closed tear at the bottom right hinge, and a 1.375" x 1.375" chip out of the top corner of page 33/33 (no text affected). The interior is clean and tight. A good to very good copy of a vintage magazine. Louis Fancher (cover), Saul Tepper(Eyes at the Window), Floyd Davis (Sun Drunk), Frank B Hoffman (The Last Strike), Walter Biggs (Three Men and Diana) (ilustrador).…

Trade Paperback. Condición: Used - Very Good. Disputes over free expression in the arts have always loomed as struggles between creativity and repression, transgression and outrage, candor and hypocrisy. But while high-profile shootouts at art museums and less visible skirmishes at schools, libraries, and theaters persist, overt censorship is no longer the only, or the most dire, threat to free expression. On the one hand, society has become more accepting of provocative imagery, with media conglomerates often leading the way in the depreciation of taboos. On the other hand, artists, while enjoying some unprecedented liberties, are hemmed in by new constraints that often fall beyond the range of First Amendment protection. The current terrain bears little resemblance to the culture wars of a decade ago, much less to what the First Amendment's Framers could have imagined. And since Sept. 11, 2001, the frontlines of the free-expression debate have been shifting once again. Based on a Columbia University conference organized by the National Arts Journalism Program, 'The New Gatekeepers' explores the reconfigured ranks of those who decide what the public gets to see, hear and read, from struggles over intellectual property and copyright, to continuing debates about acceptable and offensive content in the cultural marketplace, to the less visible biases of the arts funding system. This heavily illustrated book also includes a historical overview of censorship and contributions by 40 scholars, artists, experts and journalists from around the United States. Discussed and participating artists include Edouard Manet, Jake and Dinos Chapman, Robert Mapplethorpe, Richard Serra, Damien Hirst, Jeff Koons, Andres Serrano, Carolee Schneemann, Dread Scott, Gran Fury, Joel-Peter Witkin, Kara Walker, Jock Sturges, Chris Ofili, and Tom Sachs. Edited by Christopher W. Hawthorne, Mark Schapiro and Andras Szanto. Essays by Amy Adler, Carol Becker, Louis Menand, Roger Newman, Rochelle Gurstein, Charles Mann, Cass R. Sunstein, et al. Very nice clean, tight copy free of any marks. …

Condición: Very Good. Very good condition, no observable damage to pages, cover, or binding/spine. very light wear on bottom right corner of front cover from use. Cover and art inside still clear and bright. Paperback book, no page markings. EG.

Hardcover. Condición: Acceptable. FIRST EDITIONHardcover with original illustrationsCondition:Hardcover shows light edge wear and minor rubbing consistent with age.Front hinge shows exposed mull/netting, but binding remains tight and secure.End papers have tape stains and age toning.Interior pages are clean, unmarked, with natural age toning.Illustrations remain sharp.No dust jacket (if none present).A solid and uncommon first edition example of pre-WWII military fiction.Features:? First Edition (1938)? Illustrated? Clean interior? Tight binding? Early American WWII-era literatureA collectible early military novel ? very scarce in first edition.I ship Worldwide from Puerto Rico, USA.Listing Includes Books Image . Please email me if you need to see more pictures! The orders are processed promptly, carefully packaged and shipped within 1 day of purchase. PLEASE NOTE! if you need the book quickly, please Purchase Priority Shipping. Media will not show updates in mail confirmation till reaches continental U.S.…

Hardcover. Condición: Fine. Near Fine. First edition. Fine in attractive near fine dustwrapper with tiny nicks at the spine ends. Novel of World War I, by Elliott, an actor who left Greenwich Village to enlist and fight with the Canadians during the War, and Tepper, a noted artist who was in the Camouflage section of the U.S. 40th Engineers.…