Teagle rachel (80 resultados)

Hardback. Condición: Good.

hardcover. Condición: Good.

Hardback. Condición: Good.

paperback. Condición: Interior is excellent. very good cover.

Hardcover. Condición: Good. No dust jacket. Good hardcover with some shelfwear; may have previous owner's name inside. Oversized.

Condición: very_good. Gently read. May have name of previous ownership, or ex-library edition. Binding tight; spine straight and smooth, with no creasing; covers clean and crisp. Minimal signs of handling or shelving. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships USPS Media Mail.…

hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condición: As New. Unread book in perfect condition.

Condición: New.

Soft Cover. Condición: Very good. No jacket. Edges and corners of cover are very lightly rubbed. Bottom of spine is bumped, but binding is tight. Inside is clean, bright, and unmarked.

Condición: New.

Condición: New.

Stiff Wrappers. Condición: Fine Condition. 80 pages 46 illustrations in color. Stiff Illustrated wraps. Director's Foreword by David A. Ross. Published on the occasion of the exhibition from the San Francisco Museum of Modern Art, San Francisco CA October 7, 2000-January 15, 2001. Book.

Hardcover. Condición: Near Fine. No Jacket. 1st Edition. Hardcover no dust jacket as issued. Light wear to boards.

Condición: As New. Unread book in perfect condition.

Stiff Wrappers. Condición: Fine Condition. 143 pp., 152 illustrations in color. Preface by Hugh M. Davies. Stiff Illustrated wraps. Museum of Contemporary Art San Diego, San Diego CA September 16, 2001-January 13, 2002, Colorado Springs Fine Arts Center, Colorado Springs CO September 27, 2002-January 4, 2003 and the Hood Museum, Dartmouth University, Hanover NH January 3-March 14, 2004. Selected Exhibition History. Index. …

Hardcover without dustjacket as issued, 178 pages; very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Condición: New.

Condición: New.

Trade Paperback. Condición: Used - Very Good. Born in 1942, Paul Kos has been a highly influential artist in the Bay Area for well over three decades. In the late 60s and early 70s he was one of the major figures on the early conceptual art scene, notable especially for his early experimental video works and seemingly simple but technically innovative sculptural installations, which generally featured evocative audio or video components. He was one of the first to incorporate video into interactive installations. The artist's best-known work is arguably the sublime Chartres Bleu, a 1986 video installation that re-creates in full scale a stained-glass window from the Chartres cathedral in France. Each of the 27 vertically stacked video monitors duplicates an individual leaded glass panel. The brightness of the images simulates the light changes in a normal day, accelerated to 12 minutes. Depending on the light, the narrative scenes are clearly readable or, when brightly illuminated, dissolved into abstraction. Everything Matters, published on the occasion of an exhibition of Kos' work at the Berkeley Art Museum, is the first major volume on his work. Slight scratching/scuffing on cover. Book has minor shelf wear.…

Cloth. Condición: Fine Condition. Estado de la sobrecubierta: No Jacket, As Issued. 256 pages. Hardcover. Texts in English and Spanish. Minimal shelfwear to the edges, but the binding is tight, the edges and corners of the boards are sharp, the interior clean and free of markings. Bound in illustrated paper covered boards and published on the occasion of the exhibition presented from February 16-April 22, 2006 in Washington DC, and subsequently in San Diego and Santa Monica. Provocatively illustrated in color. Book.…

Condición: Good. 4to. 254 pp. Hardbound. Very Good. Color plates, illustrations. Features works by Carmela Castrejon Diego, Teddy Cruz, Yvonne Venegas, et al.

Condición: As New. Unread book in perfect condition.

Condición: As New. Unread copy in mint condition.

Condición: New. Brand New.

Condición: As New. Unread book in perfect condition.

Oversize Hardback. Condición: Near Fine. No Jacket. A clean, unmarked book with a tight binding. Slight edge wear. 9 5/8"w x 10 3/4"h. 176 pages. A study of the paintings and drawings from the start of the artist's career, examining his relationship to Pop art, his landscapes, and the 1968 touring exhibition, with essays, plates, an artist's statement, and a chronology. Keywords: Pop Art Distance, Early Landscapes, Picturing Gravity, Joseph Heller, UC Davis Teaching, Pies and Ice Creams, Food Paintings, Halated Light, Long Shadows, Neutral Space, Mature Style, Artists Statement 2.…

Condición: New.

Hardcover. Condición: New. New. Clean, unmarked pages. Fine binding and cover. Hardcover. This is an oversized or heavy book, which requires additional postage for international delivery outside the US.

Hardback. Condición: New. Wayne Thiebaud: 1958-1968 examines Thiebaud's ongoing impact on contemporary art through in-depth analysis of the paintings and drawings made at the launch of his career, at a seminal moment when the art world was moving beyond Abstract Expressionism and redefining itself. By questioning Thiebaud's relationship to Pop art, his self-imposed distance from the movement, and the popular urge to affiliate him with it, Teagle explores the role of his painting in the traffic of images at the end of the twentieth century. Organized in close cooperation with the artist, this is the first study of the emergence of Thiebaud's mature style and the only museum exhibition to date to delve into a specific period of his production, a time that coincides with the start of his teaching career at University of California at Davis. Thiebaud's art, like that of the celebrated Pop artists with whom he shared early exhibitions, is ripe for critical reappraisal. The "soft" nature of Thiebaud's famous subjects, his creamy pies and dripping ice creams, positioned his art as fodder for social-political review on occasion, but rarely for serious historical analysis.Since the beginning of his career Thiebaud reminded critics of his formal interests and his deep affiliation with the history of painting. This exhibition takes as its starting point an understanding of Thiebaud's painterly language-its historical sources and contemporary affiliations. Shaped around the seminal exhibitions that marked Thiebaud's entrance onto the stage of contemporary art, it concludes with a close reading of the artists' expanded subject matter presented in a major traveling exhibition in 1968. Portraits and landscapes now joined the food that prevailed in early exhibitions, and all pictured in the artist's now signature style of objects deployed in neutral space, bounded by halated light and casting long shadows of saturated color. With contributions from Alexander Nemerov and Margaretta Lovell. Published in association with the Jan Shrem and Maria Manetti Shrem Museum of Art, University of California, Davis. Exhibition dates: Manetti Shrem Museum of Art, University of California, Davis: January 16-May 15, 2018. …