Symonds dominic (157 resultados)

Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condición: Very Good. 1st Edition. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Very Good. 1st Edition. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. …

Hardcover. Condición: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condición: New. Rodgers and Hart contributed dozens of hits to the Great American Songbook. We'll Have Manhattan focuses on the first twelve years of their collaboration (1919-1931), documenting their little-known early work and providing a critical and analytical commentary on their developing practice and its influence on the American musical. Series: Broadway Legacies. Num Pages: 360 pages, 30 illustrations and 27 music examples. BIC Classification: AVGM; BGF. Category: (G) General (US: Trade). Dimension: 247 x 166 x 34. Weight in Grams: 610. . 2015. hardcover. Not a first edition copy. . . . Books ship from the US and Ireland.…

Condición: New. Rodgers and Hart contributed dozens of hits to the Great American Songbook. We'll Have Manhattan focuses on the first twelve years of their collaboration (1919-1931), documenting their little-known early work and providing a critical and analytical commentary on their developing practice and its influence on the American musical. Series: Broadway Legacies. Num Pages: 360 pages, 30 illustrations and 27 music examples. BIC Classification: AVGM; BGF. Category: (G) General (US: Trade). Dimension: 247 x 166 x 34. Weight in Grams: 610. . 2015. hardcover. Not a first edition copy. . . .…

Condición: good. The item shows wear from consistent use, but it remains in good condition and works perfectly. All pages and cover are intact including the dust cover, if applicable . Spine may show signs of wear. Pages may include limited notes and highlighting. May NOT include discs, access code or other supplemental materials.…

Hardcover, illus. Condición: New. Estado de la sobrecubierta: New. First Edition; First Printing. Book and DJ New. NO notes. No markings of ANY kind. Unclipped, unpriced DJ ; Broadway Legacies; 332 pages.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Good. Very Good in Good+ unclipped dust jacket. Heavy fold crease on top of front cover. Small tear to top right corner of front of dust jacket. Gently used with NO markings in text; binding is tight. Pasadena's finest independent new and used bookstore.…

hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hard. Condición: Fine. Estado de la sobrecubierta: Fine. 1st. First edition. Hard cover in dust jacket. Published NY: Oxford University Press, 2015, first printing. 8vo., xxi+332pp., illustrated. Symonds documents their early shows and provides deft critical and analytical commentary on their evolving practice and its influence on the subsequent development of the American musical. fine in fine dust jacket.…

Paperback. Condición: Good. 2014th Edition. Ships in a BOX from Central Missouri! May not include working access code. Will not include dust jacket. Has used sticker(s) and some writing or highlighting. UPS shipping for most packages, (Priority Mail for AK/HI/APO/PO Boxes).

Condición: good. May show signs of wear, highlighting, writing, and previous use. This item may be a former library book with typical markings. No guarantee on products that contain supplements Your satisfaction is 100% guaranteed. Twenty-five year bookseller with shipments to over fifty million happy customers.…

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. First. Pale grey boards with illust.unclipped jacket; Book is fine clean & unmarked, jacket is also fine, no chips or tears; 332 pages with index, notes, credits & bibliography; A look at the early career of Richard Rodgers & Lorenz Hart with in depth look at their friendship from the earliest days in 1919 through to Hart's death; Illust.by b/w photos.…

Condición: As New. Unread book in perfect condition.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: New.

Paperback. Condición: new. Paperback. Richard Rodgers and Lorenz Hart are one of the defining duos of musical theater, contributing dozens of classic songs to the Great American Songbook and working together on over 40 shows before Hart's death. With hit after hit on both Broadway and the West End, they produced many of the celebrated songs of the '20s and '30s--such as "Manhattan," "The Lady is a Tramp," and "Bewitched"--that remain popular favorites with great cultural resonance today. Yet the earlyyears of these iconic collaborators have remained largely unexamined.We'll Have Manhattan: The Early Work of Rodgers & Hart provides unprecedented insight into the first, formativeperiod of Rodgers and Hart's collaboration. Author Dominic Symonds examines the pair and their work from their first meeting in 1919 to their brief flirtation with Hollywood in the early 1930s as they left the theater to explore sound film. During this time, their output was prodigious, progressive, and experimental. They developed their characteristic style and a new approach to musical theater writing that provided the groundwork for the development of the Broadway musical. Symonds alsoanalyzes the theme of identity that runs throughout Rodgers and Hart's work, how the business side of the theater affected their artistic output, and their continued experimentation with a song's dramaticrole within a narrative.We'll Have Manhattan goes beyond a biographical or historical look at Rodgers and Hart's early years--it's also an accessible but authoritative study of their material. Symonds documents their early shows and provides deft critical and analytical commentary on their evolving practice and its influence on the subsequent development of the American musical. Fans of musical theater and devotees of Rodgers and Hart will find this definitiveexploration of their early works to be an essential addition to their Broadway library. Rodgers and Hart contributed dozens of hits to the Great American Songbook. We'll Have Manhattan focuses on the first twelve years of their collaboration (1919-1931), documenting their little-known early work and providing a critical and analytical commentary on their developing practice and its influence on the American musical. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

Paperback. Condición: New. Richard Rodgers and Lorenz Hart are one of the defining duos of musical theater, contributing dozens of classic songs to the Great American Songbook and working together on over 40 shows before Hart's death. With hit after hit on both Broadway and the West End, they produced many of the celebrated songs of the '20s and '30s--such as "Manhattan," "The Lady is a Tramp," and "Bewitched"--that remain popular favorites with great cultural resonance today. Yet the early years of these iconic collaborators have remained largely unexamined.We'll Have Manhattan: The Early Work of Rodgers and Hart provides unprecedented insight into the first, formative period of Rodgers and Hart's collaboration. Author Dominic Symonds examines the pair and their work from their first meeting in 1919 to their brief flirtation with Hollywood in the early 1930s as they left the theater to explore sound film. During this time, their output was prodigious, progressive, and experimental. They developed their characteristic style and a new approach to musical theater writing that provided the groundwork for the development of the Broadway musical. Symonds also analyzes the theme of identity that runs throughout Rodgers and Hart's work, how the business side of the theater affected their artistic output, and their continued experimentation with a song's dramatic role within a narrative.We'll Have Manhattan goes beyond a biographical or historical look at Rodgers and Hart's early years--it's also an accessible but authoritative study of their material. Symonds documents their early shows and provides deft critical and analytical commentary on their evolving practice and its influence on the subsequent development of the American musical. Fans of musical theater and devotees of Rodgers and Hart will find this definitive exploration of their early works to be an essential addition to their Broadway library.…

Paperback. Condición: New. Richard Rodgers and Lorenz Hart are one of the defining duos of musical theater, contributing dozens of classic songs to the Great American Songbook and working together on over 40 shows before Hart's death. With hit after hit on both Broadway and the West End, they produced many of the celebrated songs of the '20s and '30s--such as "Manhattan," "The Lady is a Tramp," and "Bewitched"--that remain popular favorites with great cultural resonance today. Yet the early years of these iconic collaborators have remained largely unexamined.We'll Have Manhattan: The Early Work of Rodgers and Hart provides unprecedented insight into the first, formative period of Rodgers and Hart's collaboration. Author Dominic Symonds examines the pair and their work from their first meeting in 1919 to their brief flirtation with Hollywood in the early 1930s as they left the theater to explore sound film. During this time, their output was prodigious, progressive, and experimental. They developed their characteristic style and a new approach to musical theater writing that provided the groundwork for the development of the Broadway musical. Symonds also analyzes the theme of identity that runs throughout Rodgers and Hart's work, how the business side of the theater affected their artistic output, and their continued experimentation with a song's dramatic role within a narrative.We'll Have Manhattan goes beyond a biographical or historical look at Rodgers and Hart's early years--it's also an accessible but authoritative study of their material. Symonds documents their early shows and provides deft critical and analytical commentary on their evolving practice and its influence on the subsequent development of the American musical. Fans of musical theater and devotees of Rodgers and Hart will find this definitive exploration of their early works to be an essential addition to their Broadway library.…

Condición: New. pp. 360.

Condición: New.

Paperback. Condición: New. This lively textbook provides a comprehensive overview of the history, theory and practice of this popular theatre form. Bringing critical theory and musical theatre together, Millie Taylor and Dominic Symonds explore the musical stage from a broad range of theoretical perspectives. Part 1 focuses on the way we understand musicals as texts and Part 2 then looks at how musical theatre negotiates its position in the wider world. Part 3 recognises the affiliations of various communities with the musical stage, and finally part 4 unravels the musical's relationship with time, space, intertextuality and entertainment. Written by leading experts in Musical Theatre and Drama, Taylor and Symonds utilise their wealth of knowledge to engage and educate the reader on this diverse subject.With its accessible and extensive content, this text is the ideal accompaniment to any study of musical theatre internationally: an essential tool for students of all levels, lecturers, practitioners and enthusiasts alike.…

Condición: As New. Unread book in perfect condition.

Soft cover. Condición: As New. 1st. First edition. Trade softcover. Published NY: Oxford University Press, 2014, first printing. 8vo. wrappers, xiii+320pp., illustrated. Gestures of Music Theater: The Performativity of Song and Dance offers new, cutting-edge essays focusing on song and dance as performative gestures that not only entertain but also act on audiences and performers. The chapters range across musical theater, opera, theater, and other artistic practices, from Glee to Gardzienice, Beckett to Disney, Broadway to Turner-Prize-winning sound installation. As new.…

Hardcover. Condición: Fine+. Estado de la sobrecubierta: Fine+. First Edition; First Printing. SIGNED and inscribed by author on half-title page; a clean crisp tight copy in unclipped dust jacket; nearly as new, appears unread; first printing with full number line; Signed by Author.