sylvia plachy (113 resultados)

Condición: Good. 1st Edition. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condición: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Condición: Very Good. Moderate wear to corners/edges from shelving.

Hardcover. Condición: As New with no dust jacket. Illustrated by Susan Meiselas, Sylvia Plachy & Lekha Singh Photographs By Ilustrador. 255 pages. edited by Laurie Becklund. preface by Alice Walker ; 10 3/4 x 7 1/2 ".

Boards w/DJ. Condición: G/G. Photographs (B&W) Ilustrador. New York, NY: Association Press. G/G. (c1970). . Boards w/DJ. 8vo., unpaginated, DJ price clipped, edges rubbed, frayed, inscription on ffe .

Condición: New.

Condición: As New. Unread book in perfect condition.

Softcover staple-bound exhibition hand-out brochure; 12 pages; good condition; ex-museum library copy with stickers taped around tap of spine and library stamps and stickers to 2 pages. As is; reference copy.

Hardback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Trade Paperback. Condición: Like New. Sylvia Plachy (Photo) Ilustrador. Copyright © 1987. 364 pp. An excellent, spotlessly clean copy! Clean, fresh, sharp, tight, essentially flawless copy with crisp pages, clean text, and very light shelf wear.

Hardcover. Condición: New. Estado de la sobrecubierta: None Issued. Meiselas, Susan, Plachy, Sylvia & Singh, Lekha Ilustrador. 1st Edition. This is a New and Unread copy of the first edition (1st printing). Preface by alice Walker. Photographs and maps.

Hardcover. Condición: Fine. First Edition, Stated, First Print. --------Slick multicolor covers, oblong shaped hardcover book, about 7" x 10". 104 pages, full of color photos by Plachy----FINE CONDITION - - no dust jacket. - - SIGNED BY AUTHOR, SYLVIA PLACHY - - no inscription. Signed by Author + Printer.

Hardcover without dustjacket as issued, 104 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

First Edition. First edition. Hardcover. Preface by Alice Walker. Edited by Laurie Becklund. A collection of color and black and white photographs by Meiselas, Plachy and Singh. A fine copy in photo-illustrated boards.

Hardcover. Condición: Near Fine. 1st Edition. Boards (HB) in near fine condition. . Eminently satisfying a lurid glimpse into the lives of the strippers, adult film stars, dominatrixes, and prostitutes who make up the sex industry. Photos of your neighbors who make up the other side of the tracks. Adults only. 255 pages.

Hardcover. Condición: Near Fine. 1st Edition. 1st printing.255pp. Spine a little cocked, else near fine.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 1st Edition. Large hardcover in jacket, SIGNED by Plachy on half-title page. 2nd printing, there are mostly b + w plates throughout as well as some in color. Book is solid and square; the cloth binding is bright. There are two small puncture marks at front cover and jacket; a few chips and tears to edges and corners of jacket. There is fading along jacket edges and spine. Mild reading wear; some soiling, translucent stain at bottom outer page edges. Nice monograph.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Very Good. 1st Edition. 1st edition. Signed by Sylvia Plachy. Hardcover book in FINE condition. Dust jacket in VERY GOOD condition. Actual book is pictured. See images provided. Dust jacket shows edge wear, particularly at spine. One-inch tear on bottom front of dust jacket near spine. Boards clean and sturdy. Tight binding. All pages clean, without any markings or folds. Synopsis In this, Plachy's most complex and personal book to date, we are asked to reconsider ideas of self-portraiture and going home again. In 1956, in the wake of the Hungarian Revolution, Plachy and her parents escaped into Austria carrying only a small valise. She returned to Hungary eight years later, this time with a camera in hand. Through the gently subversive images gathered here, her life is revealed via clues, fragments of words and pictures as if by someone looking into a mirror and seeing her life pass before her eyes--not linearly like a film, but rather in layers. About the Author Sylvia Plachy's other books include Unguided Tour (Aperture, 1990), for which she won an International Center of Photography Infinity Award; Red Light, a book of documentary work on the sex industry (1996); and Signs and Relics (2000). Plachy has had one-person shows at the Whitney Museum at Philip Morris, the Queens Museum, and the Minneapolis Institute of Fine Arts, among other venues in the United States, as well as in Budapest, Ljubljana, Manchester, Berlin, Vancouver, Perpignan, Arles, and Pingyau, China. She has won a Guggenheim fellowship, and publishes regularly in periodicals including the The New Yorker, TIME, Smithsonian, GEO, and The Village Voice. "About this title" may belong to another edition of this title.

Hardcover. Condición: Fine. First Edition. Fine in illustrated boards.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: No Dustjacket. First Edition. ISBN 1576870006. Hardback. No dust jacket as issued. Bound in pictorial boards. First Printing. Very Good Condition. Tight sound unmarked copy with minor rubs to edges and corners of covers. No Signature.

First Edition stated, First Printing indicated by row of numbers on copyright page, hardcover book in glossy laminated boards, near FINE condition with light rubbing to edges from shelving; this is a NEW book with NO marks, some signatures loosening due to binding method; ISBN 0-8078-4305-9.

Condición: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Hardcover. Condición: Used - Very Good. Cover edges show some minor wear from reading and storage. Pages are clean; there is no writing, highlighting or margin notes.

hardcover. Condición: Very Good. Modest shelfwear to jacket, clean pages and sound binding.

Condición: Very Good. Hardcover, 256 pages. Sylvia Plachy, a photographer for the Village Voice, and James Ridgeway, a reporter for the same publication, have delved into the depths of the pornography trade to explore and explain both its allure and its vulgarity. There is a sense of shock value in exposing the most lurid of fantasies--a man who has his dominatrix mummify him in concrete--that is tempered with theories as to how such an industry could have evolved. We also get to meet for ourselves those in the trade, providing a walk on the wild side within the safe confines of photographs and words. Record # 362515.

Hardback. First Printing. Fine Condition. Tight Bright Attractive Copy With No Markings to the Book. As New Condition. ISBN 1-57687-000-6. Copy Number Five.

Hardcover. Condición: new. Hardcover. The decade between the world wars witnessed an astonishing flowering of photography in Europe-- marked particularly by the unprecedented work of such figures as Man Ray, Laszlo Moholy-Nagy, and Alexander Rodchenko. Alongside the visual experiments ran a fascinating public discussion in which critics, artists, and the photographers themselves struggled to define the nature and possibilities of photography in the modern era. The seventy-one essays and documents collected in this book provide a concise, provocative introduction to the ideas and personalities that animated avant-garde photography during these years of artistic ferment and that continue to influence the medium today. By turns poetic, analytical, and fiercely ideological, these diverse writings give expression to a very wide range of original ideas. Moholy-Nagy calls on photographers to create a powerful abstract vision that will transform our ability to see. Albert Renger-Patzsch argues for a quite different goal, a photography of revelatory realism that lays bare the essence of the subject before the lens. The French writer Pierre Mac Orlan explores psychologically compelling notions: that photography realizes all that is curiously inhuman and creates death for a second. Photography is widely characterized as a modern machine-age art that supersedes the traditional fine arts. In the Soviet Union an extraordinary interchange pits the avant-gardist Rodchenko against opponents who insist that social usefulness is photography's primary responsibility. While shedding important new light on the directions taken by photography during the twentieth century, these essays also illuminate such major movements as Futurism, Constructivism, Surrealism, and the New Objectivity. Most of the selections were not previously available in English and have been translated especially for this volume. Each appears with an informative headnote by Christopher Phillips, who in an introductory essay provides a lucid overview of the period and the context in which the writings first appeared. With its wealth of new material, this collection is an essential resource for all those studying photography or seeking to understand the visual culture of this century. This book is published on the occasion of the exhibition The New Vision: Photography Between the World Wars, Ford Motor Company Collection at The Metropolitan Museum of Art, held at The Metropolitan Museum of Art, September 23-December 31, 1989. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condición: Brand New. reprint edition. 288 pages. 8.75x5.75x0.50 inches. In Stock.

Hardcover. First Edition; First Printing. Book condition is Very Good in boards. Text is clean and unmarked, illustrated throughout. ; 9.84 X 6.85 X 0.31 inches; 104 pages.

First Edition. First edition. Softcover. 88 pages. Features a look at the images created by Alec Soth and Brad Zellar on a road trip through the U.S., images by Taryn Simon and an interview of her by Roxana Marocci, images by Sylvia Plachy of two women from Maine, Rick Moody writing on Bruce McBroom's iconic image of Farrah Fawcett. A near fine copy in wrappers. A terrific issue.