Publicado por Columbia Pictures, Culver City, CA, 1935
Librería: Royal Books, Inc., ABAA, Baltimore, MD, Estados Unidos de America
Fotografía
EUR 111,62
Cantidad disponible: 1 disponibles
Añadir al carritoVintage reference photograph of Edward G. Robinson and Jean Arthur on the set of the 1935 film. Photograph with three stamps and provenance sticker on the verso, incluiding one stamp crediting photographer Ray Jones, with a mimeo snipe on the verso under the working title "Passport to Fame." Not to be confused with the 1926 silent comedy directed by Edward Laemmle and starring Edward Everett Horton. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1, 1901, Jones worked for Paramount Pictures in the early 1930s, and went on to be the head of the still photography department at Universal Pictures in 1935, where he worked well into the 1950s. Based on the 1932 "Collier's" published short story "Jail Breaker" by W.R. Burnett. The meek Arthur Ferguson Jones is mistaken by the police for the evil bank robber killer Mannion, which Mannion decides to use in his favor. Starring Edward G. Robinson in dual roles in an early talkie by director John Ford. 8 x 10 inches. Very Good plus, with a tiny closed tear to the bottom margin. Byrge and Miller, The Screwball Comedy Films: A History and Filmography 1934-1942.
Publicado por Columbia Pictures, Culver City, CA, 1935
Librería: Royal Books, Inc., ABAA, Baltimore, MD, Estados Unidos de America
Fotografía
EUR 223,25
Cantidad disponible: 1 disponibles
Añadir al carritoVintage publicity studio still photograph from the 1935 film, showing Edward G. Robinson and Jean Arthur bursting through a newspaper's front page. Based on the 1932 "Collier's" published short story "Jail Breaker" by W.R. Burnett. The meek Arthur Ferguson Jones is mistaken by the police for the evil bank robber killer Mannion, which Mannion decides to use in his favor. Starring Edward G. Robinson in dual roles in an early talkie by director John Ford. 8 x 10 inches. Very Good or better, with light wear to the emulsion, toning, and moderate creasing at the corners. Byrge and Miller, The Screwball Comedy Films: A History and Filmography 1934-1942.