suyderhoef jonas (43 resultados)

Loose Leaf. Condición: New. Reproduction. None. No.

Loose Leaf. Condición: New. Reproduction. None. No.

Loose Leaf. Condición: New. Reproduction. Original title: Three Men Struggling in an Interior German: Drei Männer kämpfen im Inneren French: Trois hommes luttent dans un intérieur Spanish: Tres hombres luchando en un interior High-quality fine-art reproduction based on an original work from the Artic. Creation period: 17th century (n.d.). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Condición: New. Reproduction. Original title: Portrait of André Rivet German: Porträt von André Rivet French: Portrait d'André Rivet Spanish: Retrato de André Rivet High-quality fine-art reproduction based on an original work from the Artic. Creation period: 17th century (1647). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Condición: New. Reproduction. None. No.

Loose Leaf. Condición: New. Reproduction. None. No.

Loose Leaf. Condición: New. Reproduction. Original title: Three Men Struggling in an Interior German: Drei Männer kämpfen im Inneren French: Trois hommes luttent dans un intérieur Spanish: Tres hombres luchando en un interior High-quality fine-art reproduction based on an original work from the Artic. Creation period: 17th century (n.d.). Professionally printed on premium fine-art paper (Photo Rag Bright White, premium quality) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Condición: New. Reproduction. Original title: Portrait of André Rivet German: Porträt von André Rivet French: Portrait d'André Rivet Spanish: Retrato de André Rivet High-quality fine-art reproduction based on an original work from the Artic. Creation period: 17th century (1647). Professionally printed on premium fine-art paper (Photo Rag Bright White, premium quality) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Condición: New. Reproduction. None. No.

Loose Leaf. Condición: New. Reproduction. None. No.

Loose Leaf. Condición: New. Reproduction. Original title: Three Men Struggling in an Interior German: Drei Männer kämpfen im Inneren French: Trois hommes luttent dans un intérieur Spanish: Tres hombres luchando en un interior High-quality fine-art reproduction based on an original work from the Artic. Creation period: 17th century (n.d.). Professionally printed on premium fine-art paper (Museum Etching, museum quality) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Condición: New. Reproduction. Original title: Portrait of André Rivet German: Porträt von André Rivet French: Portrait d'André Rivet Spanish: Retrato de André Rivet High-quality fine-art reproduction based on an original work from the Artic. Creation period: 17th century (1647). Professionally printed on premium fine-art paper (Museum Etching, museum quality) in size A5. The motif is printed with a white border (museum-style presentation). No.

Maße: ca. 33 x 24 cm. -- Kupferstich-Portrait aus dem 17. Jh. -- etwas fleckig, sonst gut erhalten. || Copper engraved portrait from the 17th century. -- somewhat stained, otherwise in very good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 10.

French edition of the catalogue raisonne of Suyderhoef's prints, annotated and expanded by Hymans. 130 items described in detail. Small 4to, original wraps. Wraps slightly torn at spine. Otherwise uncut, unopened, and fine.

First edition of the catalogue raisonne of Suyderhoef's prints. 130 items described in detail. 8vo, recent cloth with original front wrapper bound in. Near fine.

Mixed method, engraving and etching. Printed on fine laid paper, with a watermark of a sun. Trimmed within the platemark on all sides. Small tear on the upper left portion. Image size: 15 3/4 x 10 1/2 inches. A stunning portrait of Queen Joanna I, by Jonas Suyderhoef, one of the most celebrated Dutch portrait engravers. Jonas Suyderhoef, was one of the most eminent seventeenth century Dutch engravers. His refined and delicate technique, which combined a complicated use of etching and engraving, revolutionized the medium and introduced a new fluidity to the art of engraving. Considering his fame, surprisingly little is known of Suyderhoef's life and career. Born in 1613, he spent the entirety of his career in Haarlem, becoming one of the city's most esteemed craftsmen. It is conjectured that he received his training from the celebrated Dutch painter and engraver Pieter Soutman. He collaborated with his master on a number of plates and later reproduced many of his paintings as fine engravings. During his career Suyderhoef produced 138 magnificent engravings, the earliest of which is dated 1641 and the latest 1669. Although he did produce a number of dramatic mythological scenes, the vast majority of his oeuvre was portraits. He reproduced the works of the Dutch masters, in particular the portraits of Rubens, Hals, Van Dyke, and his master Soutman. He entered the Haarlem guild in 1677, and was Franz Hals's principal engraver. In the history of the medium, Jonas Suyderhoef is considered one of the masters of portrait engraving. By illustrating the subtle beauty of the medium, his rich refined style set a precedent for future engravers. This magnificent portrait of Queen Joanna I is an excellent example of Suyderhoef's skill, and an important work from one of the greatest old master engravers of the seventeenth century. Joanna, historically known as "Joanna the Mad" (Juana la Loca), was a remarkable Queen whose life was marked by intricate political maneuvering and the struggle for her autonomy. Her life and legacy continues to be the inspiration for artists and subject of intrigue for scholars alike. Born in 1479 as the daughter of Queen Isabella I of Castile and King Ferdinand II of Aragon, she was destined for a significant political marriage that would strengthen her family's alliances. Her academic education was extensive, encompassing various subjects and languages. Joanna was married to Philip the Handsome, an Austrian archduke, in 1496, marking the beginning of her tumultuous journey. The sudden death of Philip in August 1506 had a devastating impact on Joanna's mental well-being. It is widely believed that she never recovered from the loss and displayed signs of extreme distress. She clung to the belief that her deceased husband was still alive, going to great lengths to preserve his embalmed body and even allowing it to join her at the dinner table. Despite claims of her madness, it is worth noting that independent correspondence from the time does not conclusively indicate her insanity. The historical accounts of Joana the Mad's life exemplify a troubling trend where female independence and strength are frequently conflated with madness. Joanna's story serves as a poignant reminder of the need to challenge such stereotypes and to reevaluate the historical narratives that have unfairly stigmatized strong and independent women as "mad" when they were, in fact, simply exercising their right to autonomy and self-determination Hollstein, Dutch and Flemish etchings, engravings, and woodcuts, ca. 1450-1700 Vol XXVIII, p. 218, no. 35, state ii; Hind, A History of Engravings and Etchings p. 129; Benezit, Dictionnaire des Peintres, Sculpteurs, Dessinateurs et Graveurs.

Adriaen van Ostade Ilustrador. 'FOUR LINES OF DUTCH VERSE BELOW IMAGE; LOWER LEFT: 'I. COVENS ET A. MORTIER EXCUDIT.''Interior of a rustic inn with three peasants drinking, smoking, and making music around a small table. One plays a violin, another smokes a pipe, and a third raises a glass. The room is richly detailed with pipes, jugs, bottles, a curtained bed, and a cat on the floor. Genre scene after Adriaen van Ostade, engraved with fine cross-hatching typical of 17th-century Dutch printmaking.Made by Jonas Suyderhoef after Adriaen van Ostade.Medium: Etching / engraving on hand laid (verge) paper.Sheet size: 22.4 x 29.2 cm (8.82 x 11.5 inch). Image size: 22.4 x 29.2 cm. (8.82 x 11.5 inch).JONAS SUYDERHOEF, ADRIAEN VAN OSTADE, DUTCH GENRE SCENE, TAVERN INTERIOR, PEASANTS DRINKING, 17TH CENTURY ENGRAVING, HOLLSTEIN 21 | PCO-E30-44BACKGROUND INFORMATIONEd. published by I. Covens & A. Mortier (Amsterdam).State: State VI/6.Reference: Hollstein 21; Wuss 120; D.120; Wurzbach 120.Biography engraver: Jonas Suyderhoef (c. 1613-1686) was a Dutch engraver active in Haarlem. He is known for his reproductive engravings after leading Dutch masters, particularly genre scenes and portraits. His prints are characterized by refined burin work and careful tonal gradation.Biography artist: Adriaen van Ostade (1610-1685) was a prominent Dutch Golden Age painter and printmaker, celebrated for his lively depictions of peasant life, tavern interiors, and rustic genre scenes. His detailed compositions and expressive figures influenced numerous engravers, including Suyderhoef. Condition: good, given age. Light foxing, creasing, and soiling. Two pinsize holes at bottom margin. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Condición: Good. Copper plate engraving. 12.75 x 8.75 in. (32.5 x 22.5 cm). Attrib., titled below the image. Fine.

Adriaen van Ostade Ilustrador. "Boeren voor de herberg" (Farmers in front of the inn).Made by Jonas Suyderhoef after Adriaen van Ostade.Medium: Etching / Engraving on handlaid paper.Sheet size: 41.7 x 31.8 cm (16.42 x 12.52 inch). Image size: 35.3 x 40.3 cm. (13.9 x 15.87 inch).FARMERS-INN-TAVERN | EXPO-DUTCH/FLEMISHBACKGROUND INFORMATIONSource: unknown, to be determined.Biography engraver: Jonas Suyderhoef (1613-1686) was a Dutch Golden Age engraver.Biography artist: Adriaen van Ostade (baptized as Adriaen Jansz Hendricx, 1610-1685) was a Dutch Golden Age painter of genre works, showing everyday life of ordinary men and women. Condition: good, given age. Paper damage in top right corner, backed. Excellent impression. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Bruxelles, Labroue et Mertens, 1862, in-8°, 83 pp, ca 130 items with bibliographies, index, sewn, orig. wrapper, unopened copy, some foxing at the first pages. Contains an oeuvre catalogue which describes 130 engravings.

Bust-length portrait after the self-portrait of painter Aertgen Claesz. van Leyden. Engraving on hand laid paper, sheet size 213 x 163 mm. Made by Jonas Suyderhoef after Aertgen Claesz. van Leyden and published by Pieter Goos, ca. 1660 in Amsterdam. Jonas Suyderhoef (Haarlem 1614-1686) was a Dutch printmaker and etcher. Aertgen Claesz. van Leyden (Leiden 1498-1564) was a Dutch painter and draughtsperson. Pieter Goos (Amsterdam 1615/16-1672) was a Dutch cartographer, publisher and printmaker. In good condition, cropped within platemark. Minimal surface damage in the lower edge. Both sides and the lower edge backed with contemporary paper. References: Hollstein p. 226: 58; Dutuit 1; Wussin 1; Muller 6341.

Bust portrait of law Professor Adriaan Beeckerts van Thienen, turned towards the viewer. In oval frame and further rectangular frames. Inscribed under the portrait: "ADRIANUS BEECKERTS VAN THIENEN Juris Professor"Listed among the professors in Leiden, collected by van der Aa in the "Fundatoris, Curatorum et Professorum celeberrimorum aliorumque illustrium virorum." published in Leiden between 1715 and 1716, nr. 73. Address below: "Lugd. Bat ex Officina Petri Vander Aa". Engraving with some etching on paper from three plates; larger plate mark: 351 x 254 mm, total: 420 x 327 mm; paper of the central plate rather cooked, otherwise in good condition, despite a small spot on the bottom. Van Someren 147.

Bust portrait of Cornelis Trigland, bust to the left; in an oval.Inscribed below: Cornelius Triglandius S:S: Theologiæ Doctor, Ecclesiæ Hagiensis Pastor; / Celsissimi Principis Arausionensis primæ educationi Præfectus, Eidemque a Sacris.Cut above signature.Trigland was a Dutch Calvinist preacher; tutor of William III of Orange from 1656.[NL] Portret van Cornelis Trigland, doctor in de theologie, predikant te Den Haag en onderwijzer van prins Willem III. Onderaan in de marge zijn naam en functies in het Latijn. Gemaakt door Suyderhoef. Engraving on laid paper, cut within plate mark and mounted on a larger sheet of paper; total: 354 x 262 mm; rather stained, many repairings on the margins, traces of folding damages on the surface, lacuna filled in in pen and ink on the bottom left margin. Despite the condition, rather charming impression. Rare. Hollstein 124, Muller 5401a.

Oval portrait of Marcus Zuerius van Boxhorn (1612-1653), a Dutch scholar and linguist. Etching and engraving on hand laid paper, sheet size 241 x 335 mm., 232 x 326 mm., engraved by Jonas Suyderhoef (1613-1686) after Pieter Dubordieu (1609-1698), and published by Cornelis Danckerts (II) in Haarlem. In excellent condition. References: Hollstein . 230-231: 68; Wussin 21-22: 14; LeBlanc III.616: 25 iii/5.

Portrait of Hendrik de Keyser (1565-1621), one of the most important Dutch sculptor of his day. Bust to right; in lettered oval within cartouche; four lines with Dutch verses by Vondel printed separately below impression. Signed on the bottom left: 'TDKeyser delineavit 1621'(TDK monogrammed), on the right: 'I. Suyderhoff F.' On the oval frame around the portrait: 'HENDRICK DE KEYSER, BEELDT EN STEENHOUWER DES STADT AMSTERDAM'; on the cartouche below the portrait: 'Gheboren 1565 dem 15 May / Ghestorven 1621 / den 15 May.' Inscribed below with another plate: "Hier leeft, die, leven gaf aen marmer, aen metael / yvoor albast en klay dies laet zich, Uytrecht hooren / is Roome op Kaysers prat en keyserliche prael, / de kayser van de kunst uyt myn schoot ghebooren / I.V. Vondelen". l Engraving on laid paper, broad margins; two plates; plate I (with the portrait): 204 x 158 mm, plate II (text): 35 x 159 mm; total: 339 x 252 mm; state II/2; Hollstein 91.

Half-length portrait of Conradus Viëtor, Lutheran preacher from Haarlem. A six-line poem in Dutch in the lower edge. Engraving on hand laid paper, sheet size 344 x 249 mm., platemark 322 x 230 mm. Made by Jonas Suyderhoef after Frans Hals, published c. 1660-1680. Jonas Suyderhoef (Haarlem 1614-1686) was a Dutch printmaker and etcher. Frans Hals (Antwerp 1582/83 - 1666 Haarlem) was a famous Dutch painter, remembered as one of the most important Old Masters. In good condition. Restored paper loss in the caption (backed with contemporary paper). Some foxing in the margins. References: Hollstein p. 255-256: 127 (ii or iii/3); Wussin p. 15-16: 2; Muller p. 270: 5669.

'Jo. Jacob van Wassenaer Heere van Obdam, Hoensbroeck, Spierdyck [.]' Engraving on laid paper, sheet size 309 x 402 mm. Made by Jonas Suyderhoef after Gerard van Honthorst, and published by T.V. Bosch. Margins cropped to the platemark. The sheet was extensively folded, but consequently flattened and reinforced using contemporary paper on the verso. The folds are still faintly visible in the image, especially in the caption. A very tiny hole in the cross-hatching in the top right corner. Nevertheless a fine portrait. References: Hollstein 133 (II/2); Wussin 96.

Portrait of Maerten Harpertsz. Tromp (1598-1653) in an oval made with a double wreath of laurel and palm leaves ending on the top with two trumpets. The wreats are created from two cannons placed on the opposite sides of a cartouche reading:'Martinus Trompius H.F. / Hollandiæ et Occidentalis / Frisiæ Rerum Maritimarum / Vicepræfectus'. On the four corners cannon balls. The cartouche rests on two big sea shells and coral branches. Signed on he bottom:'H. Pot Pinxit I. Suyderhoef Sculp.' l Engraving on paper, trimmed within platemark, pasted on another leaf; print: 406 x 318 mm; total: 475 x 350; right lower corner damaged; singular state. Hollstein (Suyderhoef), p. 255, nr. 125 PP01T(Tromp).

Portrait of Hendrik de Keyser (1565-1621), one of the most important Dutch sculptor of his day. Bust to right; in lettered oval within cartouche; four lines with Dutch verses by Vondel printed separately below impression.Signed on the bottom left: 'TDKeyser delineavit 1621'(TDK monogrammed), on he right: 'I. Suyderhoff F.' On the oval frame around the portrait:'HENDRICK DE KEYSER, BEELDT EN STEENHOUWER DES STADT AMSTERDAM'; on the cartouche below the portrait: 'Gheboren 1565 dem 15 May / Ghestorven 1621 / den 15 May.'Inscribed below with another plate: "Hier leeft, die, leven gaf aen marmer, aen metael / yvoor albast en klay dies laet zich, Uytrecht hooren / is Roome op Kaysers prat en keyserliche prael, / de kayser van de kunst uyt myn schoot ghebooren / I.V. Vondelen." Engraving on laid paper, trimmed on platemark pasted on thicker paper; total: 253 x 178 mm. Some dirt on the lower left corner. Hollstein 91, Muller 2392-a.

Half-length portrait of preacher Eleazar Swalmius, with a six-line caption in Dutch by H. Geldorpius. Engraving on hand laid paper, sheet size 328 x 259 mm. Made by Jonas Suyderhoef after Rembrandt van Rijn, and published by Pieter Goos, ca. 1660 in Amsterdam. Jonas Suyderhoef (Haarlem 1614-1686) was a Dutch printmaker and etcher. Pieter Goos (Amsterdam 1615/16-1672) was a Dutch cartographer, publisher and printmaker. In very good condition, cropped within platemark. A minimal spot of paper damage in the lower left of the caption. References: Hollstein p. 252-253: 120 (i/3); Wussin p. 51:85; Muller p. 249: 5217c.