Susana soca dir (2 resultados)

Encuadernación de tapa blanda. Condición: Muy bien. In-4. #1 Autumn 1947 - #3 Autumn 1948. (Complete set of first stage). Wrappers with glossy paper . VG+ copy. The first period was published in Paris as "La Licorne: Cahiers trimestriels de litterature", in French. Collaborators : Jules Supervielle, Felisberto Hernandez, Jorge Luis Borges, Maurice Blanchot, Didier Desroches, Georges Shehad, Pablo Neruda, Octave Nadal, T. S. Eliot, Rend Daumal, Charles-Albert Cingria, Georges Garampon, Juana de Ibarbourou, Jules Supervielle, Alvaro Vasseur, Carlos Sabat Ercasty, Esther de Caceres, Emilio Oribe, Ricardo Paseyro, Enrique Lentini, Guido Castillo, José Bergamin, Jorge Guillen, Giuseppe Ungaretti, Lanza del Vasto, Maria Zambrano, Henri Michaux, Sherban Sidery, Marcel Jouhandeau, Jean Cocteau, Rafael Alberti, Silvina Ocampo, Julian Marias, Orfila Bardesio, Adolfo Bioy Casares, Clara Silva, Herbert Steiner, Hugo von Hofmannsthal, Xavier Abril, Karl Jaspers, Karl L. Mayer, Thomas Mann, Dylan Thomas, Juan Carlos Onetti, Roberto Ibaiez, Juan Garcia Bacca, Ricardo Paseyro, John Wain, Magdalena Harriague, Alberto Moravia, Enrique Lentini, Hans Busch, Julio FernAndez , Juan Carlos Paz, among others. La Licorne, published in two periods (Paris 1947 Montevideo 1953), and which represents without a doubt a model of transatlantic literary relations of the mid 20th Century. Susana Soca was relegated to minor status in the literary scene, it is, in part, due to the foreign tendencies and anachronistic elements that she incarnated in a moment of acute Latin-American consciousness. But Susana Soca s place in between two worlds is not limited to her activity as an editor between France and Uruguay. In the spring of 1947 the first number of La Licorne appeared in Paris, under his direction. Fulfilling the inverse destination, it will no longer be the old French culture giving its avant-garde gifts to Uruguay, but it will be a Uruguayan that in situ -in the navel then of knowledge- will spread figures of the two worlds. A woman divided in pretension of union of her cultural heritages. Three other magazines were founded by Uruguayans in Europe; Alfar (1923) by Julio Casal in La Coruña, Cercle et Carre (1930) by Joaquin Torre-Garcia and Michel Suephor in Paris and Mundo Nuevo (1965) by Emir Rodriguez Monegal, also in Paris. Susana Soca collaborated in the Montevidean period of Alfar on several occasions. The first in 1932, with a study by Rainer Maria Rilke and the Cuadernosde Malte Laurid Brigge. In #1 says in his first page: "Cahiers trimestriels de litterature publies sous the direction of Susana Soca and adds: "Textes reunis par Roger Caillois et Pierre David". The circulation was 2,200 copies. The design of the cover corresponds to Valentine Hugo, who will follow doing them in the successive editions, including the Montevideo ones. Rare to find complete with the first french period. Barite/Ceretta p35&77. CobPa. …

Encuadernación de tapa blanda. Condición: Muy bien. 1ª Edición. In-4. #1 Autumn 1947 - #3 Autumn 1948. Second stage #1/2 Nov 1953 - #16 Sept 1961.(Complete set). Wrappers. The first period was published in Paris as "La Licorne: Cahiers trimestriels de litterature", in French. The second period was published in Montevideo in French and Spanish. The #13 to #15 were never published, so the number 16 should have been numbered 13, since it was published after the death of Susana Soca as a special tribute, under the direction of Guido Castillo. Collaborators : Jules Supervielle, Felisberto Hernandez, Jorge Luis Borges, Maurice Blanchot, Didier Desroches, Georges Shehad, Pablo Neruda, Octave Nadal, T. S. Eliot, Rend Daumal, Charles-Albert Cingria, Georges Garampon, Juana de Ibarbourou, Jules Supervielle, Alvaro Vasseur, Carlos Sabat Ercasty, Esther de Caceres, Emilio Oribe, Ricardo Paseyro, Enrique Lentini, Guido Castillo, José Bergamin, Jorge Guillen, Giuseppe Ungaretti, Lanza del Vasto, Maria Zambrano, Henri Michaux, Sherban Sidery, Marcel Jouhandeau, Jean Cocteau, Rafael Alberti, Silvina Ocampo, Julian Marias, Orfila Bardesio, Adolfo Bioy Casares, Clara Silva, Herbert Steiner, Hugo von Hofmannsthal, Xavier Abril, Karl Jaspers, Karl L. Mayer, Thomas Mann, Dylan Thomas, Juan Carlos Onetti, Roberto Ibaiez, Juan Garcia Bacca, Ricardo Paseyro, John Wain, Magdalena Harriague, Alberto Moravia, Enrique Lentini, Hans Busch, Julio FernAndez , Juan Carlos Paz, among others. La Licorne, published in two periods (Paris 1947 Montevideo 1953), and which represents without a doubt a model of transatlantic literary relations of the mid 20th Century. Susana Soca was relegated to minor status in the literary scene, it is, in part, due to the foreign tendencies and anachronistic elements that she incarnated in a moment of acute Latin-American consciousness. But Susana Soca s place in between two worlds is not limited to her activity as an editor between France and Uruguay. In the spring of 1947 the first number of La Licorne appeared in Paris, under his direction. Fulfilling the inverse destination, it will no longer be the old French culture giving its avant-garde gifts to Uruguay, but it will be a Uruguayan that in situ -in the navel then of knowledge- will spread figures of the two worlds. A woman divided in pretension of union of her cultural heritages. Three other magazines were founded by Uruguayans in Europe; Alfar (1923) by Julio Casal in La Coruña, Cercle et Carre (1930) by Joaquin Torre-Garcia and Michel Suephor in Paris and Mundo Nuevo (1965) by Emir Rodriguez Monegal, also in Paris. Susana Soca collaborated in the Montevidean period of Alfar on several occasions. The first in 1932, with a study by Rainer Maria Rilke and the Cuadernosde Malte Laurid Brigge. In #1 says in his first page: "Cahiers trimestriels de litterature publies sous the direction of Susana Soca and adds: "Textes reunis par Roger Caillois et Pierre David". The circulation was 2,200 copies. The design of the cover corresponds to Valentine Hugo, who will follow doing them in the successive editions, including the Montevideo ones. Rare to find complete with the first french period. Barite/Ceretta p35&77. CobPa.…