stroeber eva (13 resultados)

Broschürt. Obr., nicht paginiet, in gutem Zustand, [SAP30]., Deutsch 400g.

Hardcover. Condición: Neu. 1. Auflage. Versand kostenfrei! Bezahlung per Banküberweisung möglich.

272 pp.; 199 illus., mostly in colour, glossary, chronology, index, biblio. 9 essays. Exh. cat. from the Museum für Kunst und Gewerbe, Hamburg on the theme of 'water' in the Arts of East-Asia. German text. Hamburg, 1992. Pbk. KEYWORDS: 024 Japan - General & Ainu 069 China.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 224pp. 100 pieces are illustrated with colour plates and fully catalogued.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 224pp. 100 pieces are illustrated with colour plates and fully catalogued.

Hardcover. Condición: Very good Plus. Estado de la sobrecubierta: Very Good -. 1st Edition. 2001. 224pp. Colour frontispiece. Colour images throughout. "Augustus the Strong, Elector of Saxony and King of Poland (1670-1733), whose passion for collecting created the basis of Dresden's Art Collections, had a particular fondness for porcelain. It is to his "maladie de porcelaine", as he himself dubbed his "porcelain addiction", that Dresden owes its unique collection of East Asian porcelain from the 17th and early 18th centuries. In the collection today there are still more than 10,000 of the more than 24,000 pieces of Chinese and Japanese porcelain that the King originally acquired for the sumptuous decoration of the "Japanische Palais" to be transformed into a porcelain palace. The documentation of items of porcelain in the surviving inventories of 1721 and 1779 is also of particular historical significance. . With 100 masterpieces, this book shows the outstanding artistic quality and wide range of the Dresden collection of East Asian porcelain, including Chinese blue and white and porcelain of the "famille verte" and of the "famille rose", early Japanese blue and white porcelain and Kakiemon- and Imari-style por-celain. . The importance of East Asian porcelain in Dresden lies not only in the unique size and quality of the collec-tion. It also inspired Johann Friedrich Böttger's reinvention of porcelain, under the auspices of Augustus the Strong, in 1709, and also inspired the forms and decorative patterns of 18th-century Meissen porce-lain. . In this catalogue numerous pieces are presented for the first time". Unclipped jacket closed tear to the spine. Other wise has shelf wear to edges. Book in excellent condition. No inscriptions. PLEASE NOTE: Heavy book so a little extra may be needed for shipping to non-UK customers.

Condición: New. Presenting the unique collection of the Keramiekmuseum Princessehof this publication reveals the history of Ming porcelain that was created both for the imperial court and for a globalised market.Die Publikation enthuellt den Mythos Ming am Beispiel von .

Hardcover. Condición: Fine. Dust Jacket Included. 1st Edition. English text.; Hardcover (with dust jacket); 24.6 x 29.5 cm; 1.8 Kg; 240 pages with colour illustrations throughout, with captions in English.; New with signs of handling, namely same marks on the dust jacket and hardcover cloth. The dust jacket is now protected with a clearcover.; With around 120 items from the rich and unique collection of the Princessehof National Museum of Ceramics in Leeuwarden, The Netherlands, this publication unveils the myth of glorious Ming porcelain, presenting numerous pieces in both their historical and cultural contexts: finest porcelain not only for the imperial court but also for a globalised market - for both the South East Asian archipelago and for the West, the Netherlands of the Golden Age.

Buch. Condición: Neu. Ming! | Porcelain for a Glocalised Trade | Eva Ströber | Buch | 240 S. | Englisch | 2013 | Arnoldsche Verlagsanstalt | EAN 9783897903890 | Verantwortliche Person für die EU: arnoldsche Art Publishers, Olgastr. 137, 70180 Stuttgart, art[at]arnoldsche[dot]com | Anbieter: preigu.

Buch. Condición: Neu. Neuware - Die rund 300 Jahre währende Epoche der Ming-Dynastie (1368-1644) gilt als eine der glanzvollsten Zeiten in der chinesischen Geschichte insbesondere wenn es um Porzellan geht. Ming steht für feinstes, kostbarstes Porzellan, das auf Auktionen regelmäßig astronomische Preise erzielt. Und die Ming-Vase ist ein populäres Klischee selbst für diejenigen, die nicht mit der Geschichte chinesischer Keramik vertraut sind.Die Publikation ergründet den Mythos Ming am Beispiel der international bedeutenden Sammlung chinesischer Keramik des niederländischen Museums Princessehof in Leeuwarden. Dazu zählen spektakuläre Stücke höchster Qualität, die exklusiv für den chinesischen Kaiserhof gefertigt wurden. Der reiche und vielfältige Bestand chinesischer Exportkeramik für den südostasiatischen Markt, vorwiegend aus der ehemals holländischen Kolonie Indonesien, wird hier erstmals im Zusammenhang vorgestellt. Mit Gründung der Niederländischen Ostindien-Kompanie VOC1602 wurde schließlich auch der europäische Markt für Ming-Porzellan erschlossen. Besonders das blau-weiße Kraak-Porzellan gehörte als exotisches Luxusgut zur Ausstattung reicher Haushalte und ist aus holländischen Stillleben der Zeit nicht wegzudenken.Die Sammlung an Ming-Porzellanen des Museums Princessehof ist in ihrer Vielschichtigkeit einmalig. Sie umfasst das ganze Spektrum von kaiserlichen Gefäßen über sog. Martaban, große Vorratstöpfe, die in Indonesien auch als Statussymbole galten, zu Kraak-Porzellanen. Eindrucksvolle Beispiele von Exportporzellan für Europa wurden auch aus den Ladungen zweier Schiffswracke, der Witte Leeuw (gesunken 1613) und der Hatcher Cargo (gesunken 1643), geborgen.

Hardcover. Condición: Good. Dust Jacket Included. 1st Edition. English text; Hardcover (wit dust jacket); 24 x 29 cm; 1.5 Kg; 240 pages with 175 colour illustrations.; Used with signs of wear on the exterior and interior. The dust jacket shows minor edge wear, scuffs and scratches on the front cover, spine and back cover. The interior is in very good condition, except for the bottom of all pages, which show some wrinkling. This appears to be either a printing issue or the result of exposure to humidity or water.; Catalogue from the exhibition 10000 X Happiness. Auspicious Motifs on Chinese Porcelain held at Keramiekmuseum Princessehof, Leeuwarden. Netherlands, from April 29th to October 30th, 2011.; The decorative details on Chinese porcelain are admired especially for their striking beauty, but the symbolic language hidden within them is less well-known in the West. From the very beginning until today Chinese culture has encompassed an enormous wealth of symbolic motifs, not only as ceramic decorations but also in painting, on textiles and varnished objects. Motifs bringing good luck like colours and numbers, mythical beings, animals and plants represent the striving for cosmic harmony, health and beauty, a long life, wealth, a happy marriage and numerous male descendents. In the 'reading' of the corresponding meaning there is a pro-cess of interaction between the viewer and the object. The intellectual playfulness and the pleasure of deciphering are traditionally an important element of the appreciation of art in China. This publication shows around 80 masterpieces spanning 1000 years. They belong to the internationally significant collection of Chinese ceramics at the Keramiekmuseum Princessehof, the Dutch National Museum of Ceramics. The 'hidden' meanings of these objects' symbols have been explained and interpreted for the first time. An indispensable reference book that not only presents the most important and interesting Chinese porcelain objects from the Princessehof collection, but also constitutes a 'handbook' of Chinese symbols and visual imagery. What is the meaning of Yin and Yang, dragons, the phoenix and the Peaches of Immortality? Why is the lotus a symbol of Buddhism and a couple of mandarin ducks a wish for a happy marriage? What is the meaning of bamboo, pine and plum, the 'Three Friends of Winter'? This publication reveals the secrets of the symbols of good luck and the visual imagery of Chinese decorative elements by means of around 80 masterpieces of Chinese porcelain spanning 1000 years.

Soft cover. Condición: Very Good. 1st Edition. 4° -144pp - Color & B/w reproductions. Exhibition Catalog: Chinese Ink Painting in the 20th Century. First edition, text in German language. Original boards. In Very good condition.

224 Seiten mit 100 farbigen Abbildungen. Einwandfreier Band.-Standardwerk. Sprache: Deutsch Gewicht in Gramm: 1600 4°,fester Originaleinband mit Schutzumschlag.