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  • Idioma: Inglés

    Editorial: Brepols Publishers, 2008

    2503520669 / 9782503520667

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    • Primera edición

    Librería: ISD LLC, Bristol, CT, Estados Unidos de AmericaISD LLC

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    Condición: Nuevo

    EUR 63,39

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    Cantidad disponible: 1 disponibles

    hardcover. Condición: New. 1st.

  • Idioma: Inglés

    Editorial: Brepols Publishers, 2011

    2503534937 / 9782503534930

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    Librería: BUCHSERVICE / ANTIQUARIAT Lars Lutzer, Wahlstedt, AlemaniaBUCHSERVICE / ANTIQUARIAT Lars Lutzer

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    Condición: Usado - Bueno

    EUR 249,90

    Envío por EUR 39,95 
    Se envía de Alemania a Estados Unidos de America

    Cantidad disponible: 1 disponibles

    Condición: gut. Resonances. Historical Essays on Continuity and Change In deutscher Sprache. pages.

  • Editorial: , , 2008, 2008

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    Librería: BOOKSELLER - ERIK TONEN BOOKS, Antwerpen, BelgicaBOOKSELLER - ERIK TONEN BOOKS

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    Miembro de asociación: CLAMILAB

    Condición: Usado

    EUR 40,00

    Envío por EUR 39,50 
    Se envía de Belgica a Estados Unidos de America

    Cantidad disponible: 1 disponibles

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    Hardback, 348 p, 160 x 240 mm, Illustrations:27 b/w, English, Italian. *NEW . ISBN 9782503520667. The polyphonic lauda had its place of prominence in the lay devotional confraternities in Italian cities in the late Middle Ages and the early modern period. A main theme of this volume is the influence of art music in devotional contexts dominated by ritual functionality, where a modern aesthetic perspective is rarely employed. The authors raise fundamental questions about the validity of such a distinction between functional simplicity and aesthetic sensibility, where the latter is usually reserved for advanced, secular genres such as opera and the madrigal. The question of an aesthetics avant la lettre as applied to devotional practices in the Middle Ages and the Renaissance is examined through analyses of records from youth confraternities in Renaissance Florence. Further, the use during the seventeenth century of the traditional genre of the lauda in settings which stylistically reflect polyphonic art music is discussed and exemplified through the publication of 19 polyphonic laude from a seventeenth-century manuscript found in the archives of the Cathedral of Florence. Combining aspects of recent scholarship in musicology, liturgical history, and confraternity studies, the authors (a musicologist and a church historian) explore both the devotional use of stylistically advanced music in the late sixteenth and early seventeenth centuries as well as the idea that the beauty of music enhances devotion. The volume features an introduction and six chapters as well as a substantial appendix consisting of edited texts and music for several laude. 0 g.…