stoop van paridon pwt (15 resultados)

hardcover. Condición: New. 1st.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine.

Hardcover. Condición: near fine. First edition. Quarto (12" x 8-1/2"). xvi, 539, (3)pp. Indices and 13 page bibliography. Text in English and Hebrew. Red cloth lettered in gilt. An ex-library book but with minimal rubber stamps on title page & at bottom of text block, otherwise fine. Since time immemorial the Song of Songs (SofS) has been a source of amazement and inspiration. The countless translations and interpretations of this book differ strongly from each other. Does the Hebrew text indeed justify this? To answer this question, an unprejudiced philological analysis is necessary that keeps strictly to the text, which does justice to the context, and approaches the book intrinsically as rationally as possible. These methods followed by the author make clear that the SofS is a continuous story, which runs from SofS 1.2 to 8.14 with a cohesive structure, which is readily comprehensible and logical. That even applies to verses (e.g. 2.15; 6.12), which are seen by everyone as puzzling. Emendations are practically never necessary, eliminations not at all. The analysis makes plausible that SofS 1.2-8.4 is set in the harem of Solomon. The female protagonist, who has earlier lost her heart to a shepherd, is held their against her will and prepared physically and mentally for a meeting with Solomon by a personal attendant, who first appears in SofS 1.9; she does not succeed in winning her for Solomon. In the SofS a consistent use of language is employed, which means, for example, that the individual speakers are recognisable; this, together with the intrinsically cohesive structure of the work, is a strong argument for one author/editor. The use of veiled language for specific female or male parts of the body occurs more often than is recognised by others. The SofS is the story of the love, which unites two people. It is unique and faithful, and encompasses the whole of the person. Full justice is done to the related erotic-sexual aspect in a satisfying and harmonious manner. (Publisher) Supplement 17 of the Peeters series, "Ancient Near Eastern Studies.".

Condición: As New. Unread book in perfect condition.

Condición: New.

Hardcover. Condición: new. Hardcover. Since time immemorial the Song of Songs (SofS) has been a source of amazement and inspiration. The countless translations and interpretations of this book differ strongly from each other. Does the Hebrew text indeed justify this? To answer this question, an unprejudiced philological analysis is necessary that keeps strictly to the text, which does justice to the context, and approaches the book intrinsically as rationally as possible.These methods followed by the author make clear that the SofS is a continuous story, which runs from SofS 1.2 to 8.14 with a cohesive structure, which is readily comprehensible and logical. That even applies to verses (e.g. 2.15; 6.12), which are seen by everyone as puzzling. Emendations are practically never necessary, eliminations not at all.The analysis makes plausible that SofS 1.2-8.4 is set in the harem of Solomon. The female protagonist, who has earlier lost her heart to a shepherd, is held their against her will and prepared physically and mentally for a meeting with Solomon by a personal attendant, who first appears in SofS 1.9; she does not succeed in winning her for Solomon.In the SofS a consistent use of language is employed, which means, for example, that the individual speakers are recognisable; this, together with the intrinsically cohesive structure of the work, is a strong argument for one author/editor. The use of veiled language for specific female or male parts of the body occurs more often than is recognised by others.The SofS is the story of the love, which unites two people. It is unique and faithful, and encompasses the whole of the person. Full justice is done to the related erotic-sexual aspect in a satisfying and harmonious manner. Presents a story that runs from "The Song of Songs" 1.2 to 8.14 with a cohesive structure, which is comprehensible and logical. This work employs consistent use of language, which means, for example, that the individual speakers are recognisable. It is also a story of the love, which unites two people. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: New. KlappentextPresents a story that runs from The Song of Songs 1.2 to 8.14 with a cohesive structure, which is comprehensible and logical. This work employs consistent use of language, which means, for example, that the individual speake.

Hardcover. Condición: Brand New. new title edition. 539 pages. 11.50x8.25x1.25 inches. In Stock.

Condición: New. 2005. Hardcover. . . . . . Books ship from the US and Ireland.

Hardcover. Condición: new. Hardcover. Since time immemorial the Song of Songs (SofS) has been a source of amazement and inspiration. The countless translations and interpretations of this book differ strongly from each other. Does the Hebrew text indeed justify this? To answer this question, an unprejudiced philological analysis is necessary that keeps strictly to the text, which does justice to the context, and approaches the book intrinsically as rationally as possible.These methods followed by the author make clear that the SofS is a continuous story, which runs from SofS 1.2 to 8.14 with a cohesive structure, which is readily comprehensible and logical. That even applies to verses (e.g. 2.15; 6.12), which are seen by everyone as puzzling. Emendations are practically never necessary, eliminations not at all.The analysis makes plausible that SofS 1.2-8.4 is set in the harem of Solomon. The female protagonist, who has earlier lost her heart to a shepherd, is held their against her will and prepared physically and mentally for a meeting with Solomon by a personal attendant, who first appears in SofS 1.9; she does not succeed in winning her for Solomon.In the SofS a consistent use of language is employed, which means, for example, that the individual speakers are recognisable; this, together with the intrinsically cohesive structure of the work, is a strong argument for one author/editor. The use of veiled language for specific female or male parts of the body occurs more often than is recognised by others.The SofS is the story of the love, which unites two people. It is unique and faithful, and encompasses the whole of the person. Full justice is done to the related erotic-sexual aspect in a satisfying and harmonious manner. Presents a story that runs from "The Song of Songs" 1.2 to 8.14 with a cohesive structure, which is comprehensible and logical. This work employs consistent use of language, which means, for example, that the individual speakers are recognisable. It is also a story of the love, which unites two people. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Condición: New. 2005. Hardcover. . . . . .

Leuven, Peeters, 2005. Fort vol. in-4, rel. éd. pleine-toile bordeaux, jaquette ill., XVI-539 pp., texte en anglais, bibliographie, index. /56A Comme neuf.

Hardcover. Condición: vg. First edition. Folio. XVI, 539, [3]pp. Original pictorial dust-jacket over red cloth with gold lettering on front cover and spine. Since time immemorial the Song of Songs (SofS) has been a source of amazement and inspiration. The countless translations and interpretations of this book differ greatly from one another. Does the Hebrew text indeed justify this? To answer this question, an unprejudiced philological analysis is necessary that keeps strictly to the text, which does justice to the context, and approaches the book intrinsically and as rationally as possible. Such methods, followed by the author of this text, make clear that the SofS is a continuous story, running from SofS 1.2 to 8.14, with a cohesive structure which is readily comprehensible and logical. That even applies to verses (e.g. 2.15; 6.12), which are seen by everyone as puzzling. Emendations are practically never necessary, eliminations not at all. The analysis makes plausible that SofS 1.2-8.4 is set in the harem of Solomon. The female protagonist, who has earlier lost her heart to a shepherd, is held against her will and prepared physically and mentally for a meeting with Solomon by a personal attendant, who first appears in SofS 1.9. In the SofS a consistent use of language is employed, which means, for example, that the individual speakers are recognisable; this, together with the intrinsically cohesive structure of the work, is a strong argument for one author/editor. The SofS is a story of love uniting two people. Full justice is done to the interpretation of this text in a satisfying and harmonious manner. As new condition.