Stocks lumb (20 resultados)

Loose Leaf. Condición: New. Reproduction. Original title: Florizel and Perdita German: Florizel und Perdita French: Florizel et Perdita Spanish: Florizel y Perdita High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 19th century (1867). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Condición: New. Reproduction. Original title: Apollo Killing the Python German: Apollo tötet den Python French: Apollo Tuant le Python Spanish: Apolo matando el Python High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 19th century (between 1859 and 1861). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Hardcover. Size Folio (44.5: 31.0 cm). Original full-length band with gold-embossed cover title and Union signet. The linen Stronger scraped and dusty, pierced corners. Book block solved. 4 pages title, 8 copper engravings and 8 pages excerpts from the engravings opposite. Slightly brown and finger-stained in the margins. -- Gr.-Folio ( 44,5 : 31,0 cm). Originalganzleinenband mit goldgeprägtem Deckeltitel und Vereinigungssignet. Das Leinen Stärker beschabt und angestaubt, Ecken durchstoßen. Buchblock gelöst. 4 Seiten Titelei, 8 Kupferstiche und 8 Seiten Textauszüge zu den Kupferstichen jeweils gegenüber. In den Randbereichen etwas braun- und fingerfleckig. -- Bitte Portokosten außerhalb EU erfragen! / Please ask for postage costs outside EU! / S ' il vous plait demander des frais de port en dehors de l ' UE! // Bitte beachten Sie auch unsere Fotos! / Please also note our photos! / Veuillez noter nos photos -- Genießen Sie den goldenen Herbst! Machen Sie es sich gemütlich , bei uns finden Sie sicher die passende Lektüre! -- Wir kaufen Ihre werthaltigen Bücher! K02300W.…

No Binding. Condición: Near Fine. 1st Edition. Original Engraving, Proof Before Letters. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Lumb Stocks, R.A. Reproductive Engraver And Line Engraver. 1812 I- 1892. British. Elected R.A: 20 Dec 1871. Elected Associate Engraver: 10 Feb 1853.…

Paperback. Condición: Very Good. Undated, but late 19th century. Part 12 of an edition of 40 parts. This part has pages 441 to 480, and an illustration by C.R.Leslie of 'Florizel and Perdita' (The Winter's Tale), engraved by Lumb Stocks. Contains the conclusion of 'The Tempest', and the majority of 'King John'. Condition: There is moderate fading to the edges, but internally the book is clean and unmarked. Every book is sent in a rigid cardboard posting box. Size: 38 Cm x 28 Cm. C.R.Leslie, Lumb Stocks (ilustrador).…

Paperback. Condición: Very Good. Undated, but late 19th century. Part 8 of an edition of 40 parts. This part has pages 281 to 320, and an illustration by C.R.Leslie of 'Autolycus' (The Winter's Tale), engraved by Lumb Stocks. Contains the conclusion of 'Much Ado About Nothing', 'Twelfth Night: or What You Will' in full, and the first part of 'As You Like It'. Condition: There is moderate fading to the edges, but internally the book is clean and unmarked. Every book is sent in a rigid cardboard posting box. Size: 38 Cm x 28 Cm. C.R.Leslie, Lumb Stocks (ilustrador).…

Soft cover. Condición: Good. 1st Edition. New York: Virtue & Yorston Publishers, undated but circa 1870. Large Folio, 15"x11 1/4", soft orange wrappers with black imprinting and decorations on the covers, large frontis engraving + paper guard + 32 pp. Good; some spine slit and ends, moderate right-edge tatter at front cover, peripheral stains at engraving not affecting image. See scans. One of 48 separate serialized subscription offerings issued under the title "The Works of Shakspere (sic) Edited by Charles Knight", this entry in the series is All's Well That Ends Well / Act I, Scene I through Act V, Scene III, following a very large engraving, "Autolycus (The Winter's Tale)", executed by C.R. Leslie, A.R.A. Pinx T. and Lumb Stocks R.A., Sculpt., then 5 pp. of introductory information, then the work itself. A scarce form of Knight's editing, and one claimed by the probably-not-unbiased Virtue & Yorston to be "The Best Edition of Shakspere Published" (referring to the entire subscription series of 48 numbers). Please review scans. L-lng2. C.R. Leslie, A.R.A. Pinx T. and Lumb Stocks R.A., Sculpt. (ilustrador).…

No Binding. Condición: Good. Steel engraving: image size 248x183mm, sheet size 280x378mm. Blank to the verso. Good, lightly tanned and foxed with some marks and wear along the edges and corners, and binding holes to the top edge. This was extracted from The Works of Shakespeare (Imperial Edition) edited by Charles Knight, and published by Virtue & Co in installments during 1873-75, then in bound volumes from 1876 into the early 1880s. Engraved by Lumb Stocks, A.R.A., from a painting by Charles Robert Leslie, Royal Academy, this illustrates Act IV, Scene 4 of The Winter's Tale with Autolycus selling trinkets and ballads to country folk at the sheep-shearing festival. …

Soft cover. Condición: Very Good. 1st Edition. WOODS, Henry (1846-1921). Autograph letter signed to engraver Lumb Stocks. Casa Raffaeli, 940 San Trovaso, Venice, 2 February 1882. 1 sheet, written on one side. Very good condition. Light age-toning, small crease to upper corner. A letter written from Woods's Venetian residence at San Trovaso during the early phase of his long Italian career. Addressed to Lumb Stocks (1812-1892), Associate Engraver of the Royal Academy and a senior figure within the London art world, Woods thanks him for a very kind letter of congratulation and remarks that 'My work is well advanced, but many difficulties have yet to come in my large picture - I hope you are getting on well with your picture for the R.A.' He notes that he has been able to work out of doors throughout the Venetian winter. By 1882 Woods, though only thirty-six, had already established himself as a successful exhibitor at the Royal Academy and was becoming known for the carefully observed Venetian genre scenes that would define his reputation. Stocks, over thirty years his senior, was a respected engraver associated with the Royal Academy and The Art Journal, and regularly engraved after leading painters of the day. Signed by Author(s).…

Soft cover. Condición: Very Good. 1st Edition. GODWIN, George (1813-1888). Autograph letter signed to engraver Lumb Stocks (1812-1892) concerning engravers & engraving. 6 Cromwell Place, 9 May 1879. Autograph letter signed, one bifolium, written on two pages, dated at head '6 Cromwell Place / May 9/79.' Old horizontal fold, light creasing and minor handling wear. A very good example. An autograph letter from the architect, journalist and long-serving editor of The Builder, George Godwin (1813-1888), addressed to the highly respected British engraver Lumb Stocks (1812-1892). Godwin writes that he 'should much like to have five minutes talk with you (Lumb) as to the present position of Engravers & Engraving,' proposing a meeting either at his home or at the Art Union Office, and noting that he is 'having to say a few words publicly on the subject on Thursday evening,' so that Stocks 'trouble might not wholly be thrown away.' By the 1870s traditional line engraving faced increasing competition from wood engraving and emerging photomechanical processes, raising questions about professional viability and artistic standing. Godwin's speech, most likely to the Art Union, that he co-founded, was to touch on this issue, and he sought out Lumb's considered opinion on the matter. Godwin was a central figure in Victorian architectural and design reform and, as editor of The Builder for over four decades, exercised considerable influence over artistic and professional discourse. He was also associated with the Art Union movement, which promoted fine art through subscription distribution. Lumb Stocks, a distinguished line engraver, exhibited at the Royal Academy and produced numerous plates for The Art Journal and for the Art Union of London, engraving after artists such as Daniel Maclise, David Wilkie and Joseph Paton. An interesting association between two respected figures of the Victorian art world. Signed by Author(s).…

Condición: Good. 9.5 x 12.75 inches. Unbound sheet. Black and white gravure. Very good with slight foxing and edgewear.Print originally collected by Frederick Ruffner, founder of Gale research.

im Papprahmen (ca. A4 Größe) mit 2 kleinen Klebebändern montiert, Maße Blatt 11,5 x 18,5 cm guter Zustand, auf der Rückseite des Umschlages Angaben einer Galerie zu Art und Alter und kleine Beschädigung durch einen abgelösten Aufkleber de 1 S. 490 g.

schöner alter Stich, im Papprahmen (ca. A4 Größe) mit 2 kleinen Klebebändern montiert, Maße Stichblatt 11,4 x 18,5 cm gut erhalten de 1 S. 490 g.

2pp., 12mo. In good condition, on lightly-aged paper. Stocks begins the letter: 'I beg to renew my agitation on the subject of Webster's picture of the "Dame School", as I am now ready to proceed with those parts in which it is desirable to refer to the original'. He will be grateful if Hogarth will 'put this matter in the proper train for its accomplishment'. He hopes that 'Mr. Vernon [the art collector Robert Vernon] may be induced to part with the picture if but for a short time'. Even a loan for 'a month or six weeks' would assist Stocks in his work.…

Condición: Good. Hand-colored engraving. 23.5 x 32 cm (sheet). Very Good, minor soiling in the margins.

Condición: Good. Engraving. 5.25" x 8.25", Good with losses, tears, crease, minor staining.

Mounted Photograph. Condición: At Least Very Good. An original 8 x 10 inch wide, B&W gelatin silver photograph, titled on the mount in black ink "Penticton Fire Dept. 1942." Photo is mounted within a 12 x 14 inch wide card frame with "L. Stocks / Penticton, B.C." printed at lower right. Photo a touch faded, card mount with minor edge wear, verso blank. A nice Lumb Stocks photograph of Pentiction's 1942 Fire Department, originally formed in 1911.…

Mounted Photograph. Condición: At Least Very Good. An original 7 x 11 inch wide, sepia toned gelatin silver photograph, titled in negative "Penticton Fire Brigade / 1932" w. photographer's credit "L. Stocks" also in negative at lower right. Photo is mounted within a 10 x 14 inch wide card frame with "L. Stocks / Penticton, B.C." printed at lower right. Photo a touch faded, card mount with some minor soil and spotting, verso blank. This is the earliest Lumb Stocks photograph we were able to locate of Pentiction's nascent Fire Brigade, originally formed in 1911.…

Condición: Good. Engraving. 73 x 53 . Sheet size Wide margins with tears and holes. Water stain lower right.Printed by: McQueen & Co Lettered below the image with the title in cursive script, 'From the original Picture in the possession of Sir George Philips Bart, / Printed by McQueen', in semi-filled capitals: The Art-Union of London to its Subscribers of 1843.' and in fine capitals 'Printed Exclusively for the Members of the Art-Union of London. / Printed by McQueen. / Painted by Sir A.W. Callcott R.A. / Engraved by Lumb Stocks".Lettered below the image with the title in cursive script, 'From the original Picture in the possession of Sir George Philips Bart, / Printed by McQueen', in semi-filled capitals: The Art-Union of London to its Subscribers of 1843.' and in fine capitals 'Printed Exclusively for the Members of the Art-Union of London. / Printed by McQueen. / Painted by Sir A.W. Callcott R.A. / Engraved by Lumb Stocks".…

Leather Bound. Condición: New. Language: English. Language: English. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1857. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - English, Pages: : - 400, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 400 400.…