sterne howard (26 resultados)

Paperback. Condición: Good.

Condición: very_good. Fast Free Shipping â" Very Good condition book with a firm cover and clean pages. Shows normal use and some light wear or limited notes markings. A solid, nice copy to enjoy.

Paperback. Condición: Fair. 1. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Paperback. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Very Good.

paperback. Condición: Very Good. Clean, unmarked copy with some edge wear. Good binding. Dust jacket included if issued with one. We ship in recyclable American-made mailers. 100% money-back guarantee on all orders.

Paperback. Condición: Good. Published in 1980. Previous owner's ink inscription. Pencil marginalia. Posted within 1 working day. Royal Mail Tracked 24 to UK. Tracked Airmail worldwide. Robust recyclable packaging. Picture is the actual item.

Soft cover. Condición: Near Fine. 1st Edition.

Soft cover. Condición: Near Fine. Estado de la sobrecubierta: As New. Original illustratons by Hogarth Ilustrador. 1st Edition. NEAR-FINE First Edition (Orig. 1980) Second Printing (c. 1994): AS-NEW gloss-laminated handsomely-designed b-w cover w/ sharp NEW edges & corners, EXCELLENT unblemished smooth-cut text-block exterior BUT showing slightest shelf-dust soiling, NEW perfect binding w/ uncreased spine, EXCELLENT interior printed w/ SPLENDID Clarity on EXCELLENT unblemished archival paper w/ SUPERB presentation of footnotes & other scholarly apparatus BUT MARRED on a 3-4 pages (notably on p. one of the Preface) with minimal underling & various small notations. * 5.08" x 8.34" x 1.36", 0.72 kg, xvi+654 (670) pp * ABOUT THE BOOK: This edition of "the most modern of 18th-century novels" reprints the text of the first edition of the volumes of "Tristram Shandy" as they appeared from December 1759 to January 1767, including the 2 illustrations by Hogarth. Obvious errors have been corrected, but most of the conventions of 18th-century printing & all of Sterne's brilliant exploitations & expansions of those conventions have been retained. BACKGROUND information includes a chronology of Sterne's life & comments from his letters pertaining to the composition of the novel & to his theory of fiction. Responses by Sterne's contemporaries (among them Walpole, Goldsmith, Richardson, & Johnson) begin the selection of critical materials. Early-19th-century assessments by Coleridge, Hazlitt, Scott, & Thackeray are followed by 20-century critical essays by Lodwick Hartley, D.W. Jefferson, Toby A. Olshin, Wayne Booth, William Bowman Piper, Martin Price, Jean Jacques Mayoux, Richard A. Lanham, Sigurd Burkhardt, J. Paul Hunter, Charles Parish, & Howard Anderson. Original illustratons by Hogarth included. * ABOUT THE EDITOR: HOWARD ANDERSON is professor of English at Michigan State University. He received his Ph.D. from the University of Minnesota & taught previously at Indiana University. He has received grants from the American Philosophical Society & the Indiana University Foundation. Professor Anderson is the editor of "The Familiar Letter in the Eighteenth Century" & of M.G Lewis' "The Monk" & co-editor of "Studies in Criticism & Aesthetics, 1660-1800". * ABOUT NORTON CRITICAL EDITIONS: Each Norton Critical Edition includes an authoritative text, contextual & source materials, & a wide range of interpretations--from contemporary perspectives to the most current critical theory--as well as a bibliography, &, in most cases, a chronology of the author's life & work. * SHIPPING: MNEMOSYNE carefully wraps, labels & custom-packages this fine book for FREE domestic shipment via USPS MEDIA MAIL or USPS PRIORITY MAIL for a below-cost additional fee & via Mandatory USPS PRIORITY INTERNATIONAL AIRMAIL to international destinations at our posted rates.

Condición: New. pp. 650.

Condición: New. pp. 650.

Condición: New. pp. 650.

Paperback. Condición: Brand New. 1st edition. 650 pages. 8.50x5.25x1.00 inches. In Stock.

Soft cover. Condición: New. ISBN:9780393950342.

Hardcover. Condición: Fine. 1st. Over 260 illustrations. Bound in publisher's original red cloth with spine and cover stamped in gilt, and tan endpapers.

Kein Einband. Condición: Gut. Softcover, leichte Gebrauchsspuren, Norton 1980, Versand weltweit / international shipping.

Paperback. Condición: Good. THERE ARE NO TARIFFS OR CUSTOMS DUTIES ON BOOKS. "This edition of 'the most modern of eighteenth-century novels' reprints the text of the first edition of the volumes of 'tristram Shandy' as they appeared . . .Obvious errors have been corrected, but most of the conventions of eighteenth-century printing and all of Sterne's brilliant exploitations and expansions of those conventions have been retained. Background information includes a chronology of Sterne's life and comments from his letters pertaining to the composition of the novel and to his theory of fiction. Responses by Sterne's contemporaries-among them Walpole, Goldsmith, Richardson, and Johnson-begin the selection of critical materi.

Soft cover. Condición: Fair. Arthur B. Davies; K.R. Chamberlain; Boardman Robinson; Arthur Young; Maurice Sterne; Cornelia Barns Ilustrador. 1st Edition. New York: The Masses Publishing Company, 1917. The April, 1917 issue (Volume IX, Number 6, whole number 70). Quarto, illustrated stapled wraps, 42 pp.; this is a scarce survivor of the smaller-format issues (i.e., no longer folio size) which were issued late in the life The Masses. 1917 was the last year of publication, and by the time of this issue, there were only months left. Just Fair, due to the absence of the front cover and the separation of the first page from the remaining textblock with rear cover - all of which is itself in Very Good condition, by any periodical standard. As the very inexpensively-produced budget-of-the-heart icon The Masses was, it no doubt deserves its own grading standard, but there is none such. Some small scale chipping on page 3 and rear cover, modest toning to the remarkably healthy contents. See scans. Certainly one of the most seminal socio-political American publications of the last 200 years, The Masses was a collection of ideological art, opinion and reporting - usually contributed with little or no compensation - which strongly represented socialist / marxist values, but in a larger sense was representative of labor, women's rights, and radical left issues in general as those were at that time. Famous names of the era often contributed work, but the names of the regulars are themselves all now in history books. The now-timeless publication was officially shut down by the U.S. Government in 1918, ostensibly on the basis of postal regulations (though it had already suspended publication in late 1917), following two intense and ideologically-charged trials. Eastman and his sister, Crystal, then started The Liberator to carry on; after The Liberator closed its doors in 1926, The New Masses, under the primary leadership of Mike Gold, carried the radical flag. The Masses, as the first, is also the rarest. Text contributors to this issue of April, 1917 included Eastman, John Reed; Louise Bryant; Floyd Dell; Howard Brubaker; Robert Hillyer; Louis Untermeyer; Hutchins Hapgood; Ruza Wenclaw; Leslie Nelson Jennings; Robert H. Lowie; Charles W. Wood; Jane Whitaker; Anne Arnold; Henry Reich, Jr.; Dorothea Gay; Franklin Van Wert; David Rosenthal; Elizabeth Fox; and Nina Bull. Art was contributed by Arthur B. Davies; K.R. Chamberlain; Boardman Robinson; Arthur Young; Maurice Sterne; and Cornelia Barns. Check out all of these names. An extraordinarily rare piece of American publishing and political history. Please see scans. l-lng2.

/ The words by Howard Arnold Walters. The music by Laurie Annette Sterne. Dedicated to Ruth B. Fairfax, State President of the Queensland Country Women's Association, May 1931. At head of title: "I would be Friend to All - The Foe - The Friendless". Brisbane : The Read Press Pty. Ltd., Ann St., Valley [for The Queensland Country Women's Association], [1931]. Folio (355 x 250 mm), original decorative wrappers (light staining, short edge tears - one closed with tape); 2 pp music notation (arrangement for voice and piano); contents clean. Very scarce piece of sheet music, being the first edition of the Queensland Country Women's Association's "creed", written by American Presbyterian Howard Arnold Walters. For the story of how the song came to be written and used, see the following article by H. MacNeil Saunders from the Queensland Countrywoman Journal, November 1936, reproduced on the CWA website:http://www.cwaofwa.asn.au/wp-content/uploads/2016/09 /CWA-CREED.pdf Trove locates only two copies of this 1931 sheet music (NLA; SLV).