stephen king novel (18 resultados)

Encuadernación de tapa blanda. Condición: Bien. Novel Ilustrador. Todos nuestros libros son de segunda mano. El servicio contrareembolso tiene un coste adicional de 3 euros. La fotografía del libro que aparece en la pantalla puede ser distinta a la real.

Soft Cover. Condición: Fine. Perkins, Mike; Bermejo, Lee (Artwork) Ilustrador. First Edition. Stated first printing. 6 3/4" x 10" design. Slight wear. Coated pages, fine. Protected in clear sleeve. Promotional artwork, variant cover sketches, pencil + ink work, optional cover sketches, and character sketches. Featuring never before seen art from THE STAND: CAPTAIN TRIPS interior artist Mike Perkins and cover artist Lee Bermejo, this free-yeah, you heard us-sketchbook provides your first look at September 2008's landmark release adapting Stephen King's seminal novel! Writer Robert Aguirre-Sacasa, along with Perkins and Bermejo, offer exclusive commentary about the art of THE STAND, allowing fans to go behind the scenes of one of 2008's most anticipated series! A devastating flu escapes from its containment in a military biowarfare lab, killing most of the population of the United States, and by implication, the world. When a man escapes from a biological testing facility, he sets in motion a deadly domino effect, spreading a mutated strain of the flu that will wipe out 99% of humanity within a few weeks. The survivors who remain are scared, bewildered, and in need of a leader. Two emerge--Mother Abagail, the benevolent 108-year-old woman who urges them to build a community in Boulder, Colorado; and Randall Flagg, the nefarious "Dark Man," who delights in chaos and violence. This promotional "sketchbook" deepens the reader's experience of SK's "The Stand". 20 pages. Insured post. Size: 4to - over 9¾" - 12" tall. Book.

Vintage reference photograph of John Carpenter on the set of the 1983 film. Carpenter was originally not interested in directing this film, which he felt lacked significant horror for the genre, following a daemonic car whose owners inevitably become fatally obsessed with "her." "Christine" has since firmly established itself as a cult classic. Set in Northern California, and shot on location in Los Angeles, California. 9.75 x 8 inches. Near Fine. Clover, Men, Women and Chainsaws. Twilight Time 5240.

Script Format, reprint. Condición: As New. / 1980 1ST DRAFT /I HAVE MORE TITLES, LET ME KNOW IF YOU ARE LOOKING FOR OTHER TITLES /THE SCRIPT IS PRINTED ON THREE-HOLE PUNCHED PAPER AND BOUND WITH 2 BRASS BRADS.

Script Format, reprint. Condición: As New. / ORIGINAL TITLE: "RITA HAYWORTH AND THE SHAWSHANK REDEMPTION" / 1ST DRAFT / I HAVE MORE TITLES, LET ME KNOW IF YOU ARE LOOKING FOR OTHER TITLES /THE SCRIPT IS PRINTED ON THREE-HOLE PUNCHED PAPER AND BOUND WITH 2 BRASS BRADS /.

Script Format, reprint. Condición: As New. / 1997 1ST DRAFT / I HAVE MORE TITLES, LET ME KNOW IF YOU ARE LOOKING FOR OTHER TITLES /THE SCRIPT IS PRINTED ON THREE-HOLE PUNCHED PAPER AND BOUND WITH 2 BRASS BRADS /.

Script Format, reprint. Condición: As New. / 1982 FINAL DRAFT /I HAVE MORE TITLES, LET ME KNOW IF YOU ARE LOOKING FOR OTHER TITLES /THE SCRIPT IS PRINTED ON THREE-HOLE PUNCHED PAPER AND BOUND WITH 2 BRASS BRADS.

Script Format, reprint. Condición: As New. /1990 3RD DRAFT / I HAVE MORE TITLES, LET ME KNOW IF YOU NEED ANY OTHER TITLES /THE SCRIPT IS PRINTED ON THREE-HOLE PUNCHED PAPER AND BOUND WITH 2 BRASS BRADS.

Script Format, reprint. Condición: As New. /1983 SHOOTING DRAFT/ I HAVE MORE TITLES, LET ME KNOW IF YOU NEED ANY OTHER TITLES /THE SCRIPT IS PRINTED ON THREE-HOLE PUNCHED PAPER AND BOUND WITH 2 BRASS BRADS.

Script Format, reprint. Condición: As New. / 1976 2ND DRAFT /THE SCRIPT IS PRINTED ON THREE-HOLE PUNCHED PAPER AND BOUND WITH 2 BRASS BRADS.

Script Format, reprint. Condición: As New. 1997/ THE SCRIPT IS PRINTED ON THREE-HOLE PUNCHED PAPER AND BOUND WITH 2 BRASS BRADS/.

Condición: Fine. Estado de la sobrecubierta: Fine. Handsomely bound in dark bluish-black boards, titled in metallic red on spine and front cover; pictorial endpapers; dust jacket; publisher's matching slipcase and red ribbon marker. With frontispiece and illustrations throughout by Phil Hale. Fine in a Fine, unclipped dustjacket (priced $75.00), housed in a Fine slipcase. Preceded by a signed, limited edition of 1250 copies. Nominated for the Bram Stoker Award for Best Novel in 1994. SpecialGift First Edition (Stated) One of 3,750 copies.

Script Format, reprint. Condición: As New. / 174 PGS. / CONTINUITY DRAFT / I HAVE MORE TITLES, LET ME KNOW IF YOU ARE LOOKING FOR OTHER TITLES /THE SCRIPT IS PRINTED ON THREE-HOLE PUNCHED PAPER AND BOUND WITH 2 BRASS BRADS /.

Script Format, reprint. Condición: As New. page 120 & 121 are partially missing / 1992 1ST DRAFT 2ND 2ND REVISION / I HAVE MORE TITLES, LET ME KNOW IF YOU ARE LOOKING FOR OTHER TITLES /THE SCRIPT IS PRINTED ON THREE-HOLE PUNCHED PAPER AND BOUND WITH 2 BRASS BRADS /.

Script Format, reprint. Condición: As New. / 1989 3RD DRAFT / PRINTING IS LIGHT / I HAVE MORE TITLES, LET ME KNOW IF YOU ARE LOOKING FOR OTHER TITLES /THE SCRIPT IS PRINTED ON THREE-HOLE PUNCHED PAPER AND BOUND WITH 2 BRASS BRADS /.

First, Limited Edition. Regular Issue, one of 3,750 copies. Octavo (24.5cm); dark bluish-black boards, titled in metallic red on spine and front cover; pictorial endpapers; dustjacket; publisher's matching slipcase; [x],591,[7]pp, with frontispiece and illustrations throughout by Phil Hale. Fine in a Fine, unclipped dustjacket (priced $75.00), housed in a Fine slipcase. Preceded by a signed, limited edition of 1250 copies. Nominated for the Bram Stoker Award for Best Novel in 1994. Brooks A50.1a. 7689.

First Draft script for the 1983 film. Accompanied by a twenty-page German language program and single-page English promotional synopsis for the film. An early draft, written by screenwriter Jeffrey Boam a year after the novel's release at the request of Lorimar Film Entertainment, before they shuttered their film division and the rights went to Dino De Laurentiis. This draft of the script includes a gruesome ending in which Johnny has a vision of the Castle Rock serial killer as he dies, which director David Cronenberg later requested be revised. Based on the 1979 novel by Stephen King, about a man who wakes up from a five year coma with an uncontrollable psychic power: the ability to see the past and future of anyone he touches. King is said to have approved of Boam and Cronenberg's substantial changes to his work, stating that they "intensified the power of the narrative." Set in Castle Rock, Maine, shot on location in Ontario. Partial blue untitled wrapper. Title page present, dated November 17, 1980, noted as FIRST DRAFT, with credits for screenwriter Jeffrey Boam and novelist Stephen King. 119 leaves, with last page of text numbered 118. Manually reproduced, rectos only. Pages Near Fine, uniformly age toned, wrapper Very Good plus, with light soil and dampstaining, bound with three gold brads.

Second Edition. One of 10,000 copies. Octavo (23.5cm); black cloth, with titles stamped in gilt on spine; pictorial endpapers; dustjacket; [10],11-224pp; illus. Inscribed by King to John D. MacDonald on the title page: "For John - Welcome to the weird, weird west - Stephen King 4/10/84." Spine lean, base of spine bumped, light finger-soil to front cover, with moderate foxing to text edges, preliminary, and terminal leaves, occasionally along the margins throughout the text; Very Good+. Dustjacket is unclipped (priced $20.00), spine-sunned, with modest shelf wear, and a few tiny nicks, tears, and attendant creases - two of them neatly mended on verso; Very Good. "The Gunslinger begins the quest by Roland, the gunslinger, to track and confront the "man in black," who knows, perhaps, the secret of the "Dark Tower." As he travels across the barren landscape of King's alternate world, sometimes alone, sometimes with a boy named Jake, Roland recalls fragments of his own past. He finally confronts the man in black, who reads his future with a Tarot deck" (Barron, Horror Literature: A Reader's Guide 4-164). Among King's most widely-read works, successfully merging elements of the spaghetti western and epic fantasy. Basis for Nikolaj Arcel's 2017 film adaptation (The Dark Tower), starring Idris Elba and Matthew McConaughey. An association copy of the highest caliber. To the casual reader, the connection between King and John D. MacDonald (1916-1986) may not be immediately apparent, but despite a 31 year age difference, there was a strong friendship between the two men, and depth of mutual admiration. Prior to the publication of Night Shift (1978), King's first story collection, his editor Bill Thompson asked him who he'd like to write the introduction, putting the question to him thusly: "If you could have anyone in the world do the introduction to the book, who would you pick?" King's automatic response was "John D. MacDonald." When asked why, he responded, "Because he taught me everything I know.Because I idolize him." King, fearful the quality of his stories were not up to snuff, and certain that MacDonald would be too busy, felt it was a long shot; he was shocked when his editor called and read him a letter from MacDonald, who said he would read the stories, and if he liked them, would write the introduction. "His agreement to do that introduction and its prompt arrival a couple of weeks later pleased and impressed me more than the kind things the essay itself had to say about my work; MacDonald's generosity to a young writer who he'd never met helped to keep that young writer open to the needs -- and wistful hopes -- of other young writers."For King, an introduction by MacDonald was a huge deal. At the time, he had Carrie, Salem's Lot, and The Shining beneath his belt; MacDonald, writing pulps since 1946, and novels under his own name since 1951, was already a household name, thanks to the success of his Travis McGee novels. He would ultimately make a friend of his literary idol, meeting MacDonald and his wife Dorothy, and exchanging frequent letters until MacDonald's death in 1986. In a 1987 interview, King affirmed his admiration for MacDonald's style and influence: "I had cut my teeth on his stories. I still think that of all the people doing top fiction today, he is the best. He was my model as a kid. If there are people out there that want to write, all you need to do is read 20 of his stories to get an idea what it takes to make a story kick over." cf. Scott, Steve. Blog post: "The Stephen King Connection." The Trap of Solid Gold: Celebrating the works of John D. MacDonald. October 29, 2011. Konstantin, Phil. "An Interview with Stephen King." The Highway Patrolman, July, 1987.