stephen hilger (17 resultados)

Hard cover. Condición: Very good. No jacket. First edition. Spine is lightly shaken, but pages are secure. Top of pages are very lightly tanned, but otherwise clean and unmarked.

Hardcover. Condición: Good.

Hardcover. Condición: Near Fine Condition. Faint shelfwear; map in pocket inside front cover Size: Quarto (4to). Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Art & Design; ISBN: 0979776856. ISBN/EAN: 9780979776854. Inventory No: 048809.

Condición: New.

Hardback. Condición: New. A subversive portrait of Beverly Hills in a gorgeous leporello formatThis leporello publication presents Brooklyn-based photographer Stephen Hilger's (born 1975) color photographs of service alleys and the backside of houses separating the public from the private in the affluent suburb of Beverly Hills, California-a more anomalous view of the place by depicting the physical and symbolic spaces behind the homes of the area's wealthy residents. Eva Díaz has written that Hilger's emphasis suggests that "Beverly Hills is actually two cities, a 'front' city of impeccably maintained homes and a 'back' city that covertly services the front illusion. Hilger photographed their graffiti, security signage, crammed garbage cans, unaesthetic car parks and overgrown vegetation; the maintenance staff who work nearby; and the alleys' most indelible feature, narrow, high walls that denote a claustrophobic refusal of inspection."In the Alley features 22 panoramic photographs in a leporello-folded format so the reader can leaf through the photographs or expand the book-object for display. An essay by novelist Matthew Specktor maps out the significance of Hilger's alley views in the context of personal histories and Hollywood stories. In a conversation, Hilger and photographer James Welling discuss their respective practices.

Hardback. Condición: New. A subversive portrait of Beverly Hills in a gorgeous leporello formatThis leporello publication presents Brooklyn-based photographer Stephen Hilger's (born 1975) color photographs of service alleys and the backside of houses separating the public from the private in the affluent suburb of Beverly Hills, California-a more anomalous view of the place by depicting the physical and symbolic spaces behind the homes of the area's wealthy residents. Eva Díaz has written that Hilger's emphasis suggests that "Beverly Hills is actually two cities, a 'front' city of impeccably maintained homes and a 'back' city that covertly services the front illusion. Hilger photographed their graffiti, security signage, crammed garbage cans, unaesthetic car parks and overgrown vegetation; the maintenance staff who work nearby; and the alleys' most indelible feature, narrow, high walls that denote a claustrophobic refusal of inspection."In the Alley features 22 panoramic photographs in a leporello-folded format so the reader can leaf through the photographs or expand the book-object for display. An essay by novelist Matthew Specktor maps out the significance of Hilger's alley views in the context of personal histories and Hollywood stories. In a conversation, Hilger and photographer James Welling discuss their respective practices.

Hard cover. Condición: Very good. No jacket. Leporello format. Spine edges are bumped. Cover edges are lightly shelf worn. Inside is clean and unmarked.

Condición: As New. Unread book in perfect condition.

Hardcover. Condición: new. Hardcover. A subversive portrait of Beverly Hills in a gorgeous leporello formatThis leporello publication presents Brooklyn-based photographer Stephen Hilgers (born 1975) color photographs of service alleys and the backside of houses separating the public from the private in the affluent suburb of Beverly Hills, Californiaa more anomalous view of the place by depicting the physical and symbolic spaces behind the homes of the areas wealthy residents. Eva Diaz has written that Hilgers emphasis suggests that Beverly Hills is actually two cities, a front city of impeccably maintained homes and a back city that covertly services the front illusion. Hilger photographed their graffiti, security signage, crammed garbage cans, unaesthetic car parks and overgrown vegetation; the maintenance staff who work nearby; and the alleys most indelible feature, narrow, high walls that denote a claustrophobic refusal of inspection.In the Alley features 22 panoramic photographs in a leporello-folded format so the reader can leaf through the photographs or expand the book-object for display. An essay by novelist Matthew Specktor maps out the significance of Hilgers alley views in the context of personal histories and Hollywood stories. In a conversation, Hilger and photographer James Welling discuss their respective practices. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condición: New.

Hardback. Condición: New. New copy - Usually dispatched within 4 working days.

Condición: As New. Unread book in perfect condition.

Hardcover. Condición: Brand New. 66 pages. 6.75x9.50x0.75 inches. In Stock.

Hardback. Condición: New. A subversive portrait of Beverly Hills in a gorgeous leporello formatThis leporello publication presents Brooklyn-based photographer Stephen Hilger's (born 1975) color photographs of service alleys and the backside of houses separating the public from the private in the affluent suburb of Beverly Hills, California-a more anomalous view of the place by depicting the physical and symbolic spaces behind the homes of the area's wealthy residents. Eva Díaz has written that Hilger's emphasis suggests that "Beverly Hills is actually two cities, a 'front' city of impeccably maintained homes and a 'back' city that covertly services the front illusion. Hilger photographed their graffiti, security signage, crammed garbage cans, unaesthetic car parks and overgrown vegetation; the maintenance staff who work nearby; and the alleys' most indelible feature, narrow, high walls that denote a claustrophobic refusal of inspection."In the Alley features 22 panoramic photographs in a leporello-folded format so the reader can leaf through the photographs or expand the book-object for display. An essay by novelist Matthew Specktor maps out the significance of Hilger's alley views in the context of personal histories and Hollywood stories. In a conversation, Hilger and photographer James Welling discuss their respective practices.

Hardcover. Condición: new. Hardcover. A subversive portrait of Beverly Hills in a gorgeous leporello formatThis leporello publication presents Brooklyn-based photographer Stephen Hilgers (born 1975) color photographs of service alleys and the backside of houses separating the public from the private in the affluent suburb of Beverly Hills, Californiaa more anomalous view of the place by depicting the physical and symbolic spaces behind the homes of the areas wealthy residents. Eva Diaz has written that Hilgers emphasis suggests that Beverly Hills is actually two cities, a front city of impeccably maintained homes and a back city that covertly services the front illusion. Hilger photographed their graffiti, security signage, crammed garbage cans, unaesthetic car parks and overgrown vegetation; the maintenance staff who work nearby; and the alleys most indelible feature, narrow, high walls that denote a claustrophobic refusal of inspection.In the Alley features 22 panoramic photographs in a leporello-folded format so the reader can leaf through the photographs or expand the book-object for display. An essay by novelist Matthew Specktor maps out the significance of Hilgers alley views in the context of personal histories and Hollywood stories. In a conversation, Hilger and photographer James Welling discuss their respective practices. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Hardback. Condición: New. A subversive portrait of Beverly Hills in a gorgeous leporello formatThis leporello publication presents Brooklyn-based photographer Stephen Hilger's (born 1975) color photographs of service alleys and the backside of houses separating the public from the private in the affluent suburb of Beverly Hills, California-a more anomalous view of the place by depicting the physical and symbolic spaces behind the homes of the area's wealthy residents. Eva Díaz has written that Hilger's emphasis suggests that "Beverly Hills is actually two cities, a 'front' city of impeccably maintained homes and a 'back' city that covertly services the front illusion. Hilger photographed their graffiti, security signage, crammed garbage cans, unaesthetic car parks and overgrown vegetation; the maintenance staff who work nearby; and the alleys' most indelible feature, narrow, high walls that denote a claustrophobic refusal of inspection."In the Alley features 22 panoramic photographs in a leporello-folded format so the reader can leaf through the photographs or expand the book-object for display. An essay by novelist Matthew Specktor maps out the significance of Hilger's alley views in the context of personal histories and Hollywood stories. In a conversation, Hilger and photographer James Welling discuss their respective practices.

Brief (1 S. 4°, Randlochung) als Botschaftsrat mit Ort, Datum, Unterschrift signiert O.U., 01.08.1943 - an Professor Dr. Friedrich Lenz in Berlin (= FRIEDRICH LENZ 1885-1968, Prof.Dr., dt. Nationalökonom, Sohn des Historikers MAX LENZ, Mitbegründer der Arbeitsgemeinschaft zum Studium der sowjetrussischen Planwirtschaft (Arplan), Direktor des Instituts für Volkswirtschaft und Statistik an der Universität Berlin ) mit Dank für dessen Schrift "Die Krisis des Kapitalismus in den Vereinigten Staaten" ".Ich werde diese Schrift wie alles, was aus Ihrer Feder stammt, mit großem Interesse lese.Heil Hitler.".