steichen edward joanna (19 resultados)

Lg Hardcover, illus. Condición: As New. Estado de la sobrecubierta: No Dust Jacket. First Edition; First Printing. Book New. NO notes, names or ANY markings. Publishers decorated band at front cover serving as a DJ. ; Small 4to tall; 127 pages.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. Fine condition, like new. Hardcover, brown cloth and gold text on the spine, and dust jacket. Edited and with text by Joanna Steichen, xxxxii, 374 pages, 320 photos (288 in duotone and tritone, 32 full color), chronology, quarto. Inventory #52243.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Very Good. 1st. Cloth, xxxii, 372 pages, illustrations (some colour); 32 cm. Near fine. Firm binding, clean inside copy. Light shelfwear. Stated First Edition. Dust jacket, with a slightly sunned front cover, protected in a mylar cover. OVERSIZE! Additional shipping charges may be requested for international & priority orders. A massive coffee-table book. Profusely illustrated. *** "This is the first gathering in thirty years of Steichen's photographs, spanning seven decades: the landscapes, the haunting studies of flowers, the portraits of friends and family, the still lifes and cityscapes. Here are fashion photographs taken during the fifteen years Steichen worked for Vogue. And here too are the breathtaking portraits he made for Vanity Fair . . . In a personal and illuminating text, Joanna Steichen writes about her husband's passionate views on photography; about how he moved away from painting (his understanding and support of modernism helped bring the movement to this country); about his experiments with abstraction; about the repercussions of commercial success in his life as an artist; about how he and Joanna first met (through the mischievous intervention of Steichen's brother-in-law, Carl Sandberg) and how their relationship changed as they became lovers, man and wife and, finally, artist and assistant. / Joanna Steichen was born in New York City and is a graduate of Smith College and the Columbia University School of Social Work. After brief careers in theater and advertising, she worked with Steichen on his 1961 retrospective exhibition at New York's Museum of Modern Art and on his 1963 autobiography, A Life in Photography. She has lectured on Steichen's work and written numerous exhibition catalogues. For the last twenty-five years she has had a private practice in psychotherapy, and she is on the faculty of the Center for the Advancement of Group Studies in New York City. Joanna Steichen lives in New York City and Montauk, New York." - Publisher. *** CONTENTS: Next of kin; Of woods and water; Reverie; Powerful people; Challenging women; Style; The body; Artists; Early color processes; Writers; On the road; Masters of music; New York City; Glamour; Scale and symbol; Improvisation; Forces of nature; On stage; Flowers. Size: Folio.

Oversized Hardcover. Condición: Good. This magnificent trove of photographs presents the first gathering of Steichen's work in thirty years, spanning seven decades: landscapes, haunting studies of flowers, portraits of friends & family, still lifes and cityscapes. Includes a personal remark by Steichen's widow, Joanna. Illus., 288 duotone, 32 color. 372p. (Photography) Edward Steichen, (Editor) Joanna Steichen.

Hardcover. Condición: Used - Like New. August Rodin called Edward Steichen 'a very great artist, and the greatest photographer of his time'. This is the most comprehensive and most beautifully printed gathering of the work of this master. Here are his photographs of: Colette. Richard Strauss. Anatole France. Amelia Earhart (the softness of the pose suggests a shyness but the determination is revealed in the strong straight arm braced against a square shoulder). August Rodin, with whom Steichen studied for a year. Noel Coward. Frank Lloyd Wright. Isadora Duncan, caught at the precise moment when the wind and light turned her gown into a shimmer of flame. La Duchesse de Gramont. Eugene O'Neill. Theodore Roosevelt. Maurice Maeterlinck. George Bernard Shaw, whom Steichen called 'the photographer's best model', Bernard Baruch, shown half in light, half in shadow, a man with deep secrets wearing a benign sly smile. Joan Crawford. George Gershwin. F. D. R. when he was governor of New York, a standard pose, the decisive leader in his chair -- and later when he was president Steichen cropped the same picture to show the sad, serious face of a visionary acquainted with suffering. And here too are landscapes, sunflowers, roses, photographs taken during the two wars, fashion and advertising photographs, friends and family. In Joanna Steichen's personal and illuminating text she writes about Steichen's passionate views on photography, about how he moved away from painting (his understanding and support of modernism helped to bring it to this country); about his experimentation with abstraction; the repercussions of commercial success in his life as an artist; about how he and Joanna first met (through themischievous intervention of Steichen's brother-in-law, Carl Sandberg) and how their relationship changed as they became lovers, man and wife, then finally artist and assistant. She writes about his days as a colonel in WWI, in charge of aerial photography for the Air Force in France, and then in WWII, past the age of retirement -- a capta in in the Navy -- in charge of combat photography in the Pacific; his work for Vogue, Vanity Fair and Life magazine. She writes about his years as the European art scout for his friend Alfred Steiglitz, later designing the galleries for the Photo Secession and '291' and arranging the work of Matisse, Cezanne, Picasso and Brancusi long before these names were known in America. And she writes about their farm in Connecticut that Steichen landscaped out of woods and rocks and hollows and photographed again and again over the years as well as the new race of delphinium Steichen bred and the sunflowers he raised and studied through his lens. Carl Sandberg said of Steichen's work: 'A scientist and a speculative philosopher stands back of Steichen's best picture. They will not yield their meaning and essence on the first look nor the thousandth -- which is the test of masterpieces'. Edward 'Steichen Legacy' is a book of masterpieces. More than 300 photographs, 30 in full color, by the photographer make up this collection, with text written by Steichen's widow. Included are portraits of notables such as Greta Garbo, George Gershwin, Colette, and more. NPR and print features. BEAUTIFUL COPY!!! wrapped in complimentary Brodart dust jacket protector.

Hardcover. Condición: Good. Estado de la sobrecubierta: Very Good. First American edition. 372pp. Quarto [31 cm] Light brown cloth over boards. Moisture staining to spine and rear board. Internally pristine. In the dust jacket, with surface scratches (more so to the rear panel), and minor dampstaining to the reverse. May require extra postage due to weight. Photographs by Edward Steichen spanning seven decades- 288 photographs in duotone and tritone, and 32 in full color. Auguste Rodin referred to Steichen as "the greatest photographer of his time.".

Hardcover. Condición: Used - Like New. August Rodin called Edward Steichen 'a very great artist, and the greatest photographer of his time'. This is the most comprehensive and most beautifully printed gathering of the work of this master. Here are his photographs of: Colette. Richard Strauss. Anatole France. Amelia Earhart (the softness of the pose suggests a shyness but the determination is revealed in the strong straight arm braced against a square shoulder). August Rodin, with whom Steichen studied for a year. Noel Coward. Frank Lloyd Wright. Isadora Duncan, caught at the precise moment when the wind and light turned her gown into a shimmer of flame. La Duchesse de Gramont. Eugene O'Neill. Theodore Roosevelt. Maurice Maeterlinck. George Bernard Shaw, whom Steichen called 'the photographer's best model', Bernard Baruch, shown half in light, half in shadow, a man with deep secrets wearing a benign sly smile. Joan Crawford. George Gershwin. F. D. R. when he was governor of New York, a standard pose, the decisive leader in his chair -- and later when he was president Steichen cropped the same picture to show the sad, serious face of a visionary acquainted with suffering. And here too are landscapes, sunflowers, roses, photographs taken during the two wars, fashion and advertising photographs, friends and family. In Joanna Steichen's personal and illuminating text she writes about Steichen's passionate views on photography, about how he moved away from painting (his understanding and support of modernism helped to bring it to this country); about his experimentation with abstraction; the repercussions of commercial success in his life as an artist; about how he and Joanna first met (through themischievous intervention of Steichen's brother-in-law, Carl Sandberg) and how their relationship changed as they became lovers, man and wife, then finally artist and assistant. She writes about his days as a colonel in WWI, in charge of aerial photography for the Air Force in France, and then in WWII, past the age of retirement -- a capta in in the Navy -- in charge of combat photography in the Pacific; his work for Vogue, Vanity Fair and Life magazine. She writes about his years as the European art scout for his friend Alfred Steiglitz, later designing the galleries for the Photo Secession and '291' and arranging the work of Matisse, Cezanne, Picasso and Brancusi long before these names were known in America. And she writes about their farm in Connecticut that Steichen landscaped out of woods and rocks and hollows and photographed again and again over the years as well as the new race of delphinium Steichen bred and the sunflowers he raised and studied through his lens. Carl Sandberg said of Steichen's work: 'A scientist and a speculative philosopher stands back of Steichen's best picture. They will not yield their meaning and essence on the first look nor the thousandth -- which is the test of masterpieces'. Edward 'Steichen Legacy' is a book of masterpieces. More than 300 photographs, 30 in full color, by the photographer make up this collection, with text written by Steichen's widow. Included are portraits of notables such as Greta Garbo, George Gershwin, Colette, and more. NPR and print features. BEAUTIFUL COPY!!! wrapped in complimentary Brodart dust jacket protector.

Estado de la sobrecubierta: dj. First Edition. Hardcover. First Edition. Fine in a Fine dust jacket. Oversize volume, shipping billed at cost.

Hardcover. Condición: New. Estado de la sobrecubierta: No Dust Jacket as Issued. Edward Steichen Ilustrador. 1st Edition. 1st. Edition, 1st. Printing 2010, Hardcover with illustrated boards ,with the paper title band, 128 page book with color photo illustrations by Edward Steichen . Condition : New Size: 4to - over 9¾ - 12" tall. Book.

Hardcover. Condición: New. In shrink wrap. Looks like an interesting title!

Hardcover in Dust Jacket. Condición: Very Good. First Edition. First Edition. A very good copy, in a price-clipped jacket. Virtually mint.

Erste Auflage. 31,5 x 25,5 cm. XXXII, 372 S. OLeinenband mit illustriertem OUmschlag. Sehr gutes Exemplar. Durchgehend mit meist farbigen und sepiafarbenen Abbildungen versehen. Texte in englischer Sprache. Opulente Monographie zu dem amerikanischen Fotopionier Edward Steichen (1879-1973).

Couverture rigide. Condición: Très bon. Estado de la sobrecubierta: Très bon. Steichen, Edward Ilustrador. Edition originale. Etat : très bon état, minimes traces d'usure à la jaquette. Illustrations : 315 photographies dont 288 en noir et blanc et 32 en couleur. Reliure : toile d'éditeur sous jaquette illustrée. Références : Koetzle 437. Steichen's Legacy. Photographies, 1895 - 1973. Édition et texte de Joanna Steichen. New York, Alfred A. Knopf 2000. Edition originale. Edward Steichen a été l'un des photographes les plus influents du XXe siècle. Lorsqu'il s'est marié avec sa femme Joanna, il avait 81 ans et elle 27. À sa mort, en 1973, elle est devenue l'exécutrice testamentaire. Pour coïncider avec la grande exposition Steichen au Whitney Museum of American Art (2000/2001), Alfred A. Knopf a publié Steichen's Legacy : Photographs, 1895-1973, un volume majeur couvrant sept décennies de l'?uvre de Steichen avec plus de 300 photographies. Édité et rédigé par Joanna Steichen, sa troisième épouse et veuve, cet ouvrage élucide les opinions passionnées de Steichen sur la photographie et retrace les motivations personnelles et professionnelles à l'origine des transitions spectaculaires de sa carrière variée. Il raconte également leurs années de vie commune en tant que mari et femme, artiste et assistant.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st Edition. 4to. Brown cloth, gilt titling on the spine. Stated first edition. Both color and b/w photos. The price is present on the DJ. Weight is 5.5 lbs. Postage may be extra on this item.

Hardcover. Condición: Brand New. 372 pages. 12.25x10.00x1.50 inches. In Stock.

Hardcover. Condición: New.

Hardcover. Condición: New.

Condición: Good. 4to. 372 pp. Very Good+. Hard Cover. Brown cloth boards. Dust Jacket Very Good. Pages fine. 288 color and B&W plates throughout. A very thorough volume of work, divided into 19 chapters, each on a particular topic of photography; xxii pp. biographical memories of Steichen and life with him, along with a chronology in the back of the book. Heavy volume, additional shipping may apply. ISBN: 0679450769 9780679450764.

Hardcover/Hardback. Condición: New. In zeer goede staat. Ongelezen. Hardcover. Rijkelijk geà llustreerd.