stanley judd (21 resultados)

Condición: Good. All orders ship by next business day! This is a used book. Grade 2 out 5 points. Books has moderate wear on cover and pages. Books with this grade may have any of the following: Personalized notes/names, stickers/labels, markings on pages, bends/creases on cover/spine, ex-library markings. May not include extra materials such as dust jackets, access codes, CDs, accessories, etc. We are a small company and very thankful for your business!

paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Paperback. Condición: Very Good. First Dell Printing, 1980. No markings. Historic Oklahoma Bookstore on Route 66. Packages shipped daily, Mon-Friday.

Soft cover. Condición: VG+. A VG or better 4-page screening program. Screening programs were distributed to attendees of special, often pre-release screenings and contain film credits as well as assorted other information. They can often be harder to find than other paper from the same film. Book.

Soft cover. Condición: VG+. 1st Edition. A VG or better 4-page screening program. Screening programs were distributed to attendees of special, often pre-release screenings and contain film credits as well as assorted other information. They can often be harder to find than other paper from the same film. Book.

vg/vg, lgt edgewear/soil. 1st (stated). Binding is hc.

Paperback. Condición: VG+. Stapled wrap, light wear, clean well bound, pages bright, clean and unmarked. 96 pages, inluding an index.

Encuadernación de tapa blanda. Condición: Aceptable. Estado de la sobrecubierta: Aceptable. Nutrición Ilustrador. Un programa personal de nueve días, que usted podrá seguir. El servicio contrareembolso tiene un coste adicional de 3 euros. Todos nuestros libros son de segunda mano.

Condición: Good. Catalogue of drapery hardware. 4to. Wraps. 49 pp.

19x11. Ix+149 pgs. (G4820).

Booklet - Unbound Pages. Condición: Very Good. 3 pages. An authentic standalone article, extracted from a larger volume. Not a reprint or reproduction, but an original work in its own right. Supplied without title page or cover. Category: British Association for the Advancement of Science; Cosmo Books : 29 years on ABE, 47 years taking care of customers. A bookseller you can rely on.

Hardback. Condición: good. Estado de la sobrecubierta: No Dust Jacket. Stanley L Wood Cover, Various Ilustrador. inlay Pictorial Boards and spine, snow scene with native Americans, cricket pictorial spine, inscription dated 1922.

270 pp.; 28.5 x 21.5 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held October 29, 2000 - January 21, 2001. Texts by Enrico Lunghi and Jan Debbaut. Artists include Marcel Broodthaers, Nïele Toroni, Mario Merz, Jannis Kounellis, A.R. Penck, Richard Long, Gilbert & George, Giulio Paolini, Luciano Fabro, Giovanni Anselmo, Gerhard Richter, Daniel Buren, Jan Dibbets, André Cadere, Hanne Darboven, Art & Language, Stanley Brouwn, Robert Ryman, Ian Wilson, Joseph Kosuth, On Kawara, Douglas Huebler, Robert Barry, Dan Graham, Bruce Nauman, Sol LeWitt, Lawrence Weiner, Donald Judd, Edward Ruscha, Carl Andre, Michelangelo Pistoletto, Jan Vercruysse, René Daniëls, Jean-Marc Bustamante, Didier Vermeiren, Rodney Graham, Harald Klingelhöller, Reinhard Mucha, Thomas Schütte, Franz West, Martin Kippenberger, and Mike Kelley. includes exhibition checklist, artist texts, list of the artists. Covers by Lawrence Weiner. Texts in English and French. Very Good. Bumping of top right corner of recto and top left corner of verso. Rubbing and yellowing of covers. Light yellowing of pages. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Encuadernación de tapa blanda. R502246. El Ateneo - 150pp CONTROL PSICOLOGICO QUE LE PERMITIRA REBAJAR LOS QUILOS QUE LE SOBRAN ARG.

blanda. Condición: Buen estado. Estado de la sobrecubierta: Buen estado.

Hardcover. Condición: Very Good. Minimal wear and darkening to covers, pages very slightly tanned, else hardcover in very good condition. No jacket. Comes from the personal library of one of the contributors, Rufus M. Jones. RARE.

blanda. Condición: Buen estado. Estado de la sobrecubierta: Buen estado.

Hardcover. Condición: Fine. xiv, 628 p. illus. 26 cm. ; LCCN: 66-26763 ; LC: QC495; Dewey: 535.6 ; OCLC: 582040 ; black cloth with yellow blue and red lettering ; no dustjacket ; ex-lib, stamps, label, date due, pocket ; Contents: Physical data -- The eye -- Colorimetry -- Photometry -- COlor and brightness matching -- Color discrimination : uniform color scales : line elements -- Miscellaneous visual concepts and data. ; FINE. Book.

Vintage photograph from the 1952 film. With manuscript annotations on the verso. Martians invade Earth with plans to build a Hydrogen bomb that will blast Earth out of its orbit so that Mars can take its place and thrive closer to the sun. Larry Martin (Judd Holdren), leader of the Inter-Planetary Patrol investigates the Martian invaders in his jet-powered rocket suit . 10 x 8 inches. Near Fine.

3 vol. : [unpaginated] ; [unpaginated] ; [unpaginated]; 3 vol. : 13.5 x 16.9 cm. (each); glue bound; black-and-white; edition size 700; unsigned and unnumbered; offset-printed; Three volume publication documenting the exhibition Sonsbeek ''71 held in and around Park Sonsbeek. Book produced as graduation projects by Paul Bonger and Rick Vermeulen at art school in Rotterdam, now know as Willem de Kooning Academy. Introduction by Bonger and Vermeulen. Artists include Vito Acconci, Bas Jan Ader, Carl Andre, Ben d''Armagnac, Richard Artschwager, Bruce Baillie, Douwe Jan Bakker, Joseph Beuys, Ronald Bladen, Marinus Boezem, Stanley Brouwn, Daniel Buren, Javacheff Christo, Tony Conrad, Hanne Darboven, Walter de Maria, Ad Dekkers, Ger Dekkers, Jan Dibbets, Ger van Elk, Pieter Engels, Groep Enschede, E.R.G., Hans Eykelboom, Barry Flanagan, Fluxus, Hollis Frampton, Ernie Gehr, Dan Graham, Robert Grosvenor, Michael Heizer, Douglas Huebler, Ken Jacobs, joepat, Donald Judd, On Kawara, W (Imi) Knoebel, Hans Koetsier, Axel van der Kraan, Peter Kubelka, George Landow, Standish Dyer Lawder, Sol LeWitt, Richard Long, Mass Moving, Yutaka Matsuzawa, Mario Merz, Jack Moore, Robert Morris, Bruce Nauman, Robert Nelson, Groep Noord-Brabant, Claes Oldenburg, Dennis Oppenheim, Nam June Paik, Panamarenko, Egbert Philips, Emilio Prini, Klaus Rinke, Peter Roehr, Ulrich Rückriem, Edward Ruscha, Fred Sandback, Jean-Michel Sanejouand, Wim T. Schippers, Richard Serra, Paul Sharits, Eric Siegel, Tony Smith, Robert Smithson, Kenneth Snelson, Michael Snow, Koert Stuyf, Ellen Edinoff, Shinkichi Tajiri, Sajiki Tenjo, Yokoyama, Carel Visser, André Volten, Hans de Vries, Lex Wechgelaar, Lawrence Weiner, Joyce Wieland, Annemiek Backer, Marijke Boon, Cor Blok, Pieter Brattinga, K. Schippers, B. van Garrel, Ton Haak, Les Levine, Titia Tybout, Odufré Joes and Wim Crouwel. Texts in English and Dutch. "The tripartite catalogue Sonskeek [sp] ''72 arose from the notes and photos we made of a project that we executed during the period November ''71 - June ''72. What was the starting point of the project? Of all the Sonsbeek exhibitions in ''49- ''52- ''55- ''59 and ''66 one could or one can find back all the sculptures; although not in the original place, in the park, they are to be seen somewhere. Yet the transiency of the projects and objects as exposed during the manifestation ''Sonsbeek buiten de perken'' for us was a reason to trace back what happened to these projects and objects. Doing this we considered ourselves as visitors who came after the closing of the manifestation. We visited the original place of the object/project, made photographs and described it and did so with the present place as well. E.g. from the gigantic wedge by Ronald Bladen at the place in park Sonsbeek hardly anything could be found, except a slight difference in colour of the pavement. The wedge itself we discovered in pieces against the wall of a shed of a firm in Arnhem. Most of the projects and objects we also found back in totally different state: at rubbish dumps, on heaps of scrap- iron, dismantled and packed in boxes, in peoples homes on the cupboard. In some cases nothing was to be found back. We sent a stencil to the 35 filmmakers asking them to send a photo and a description of the present place of their films. Description and photo were their part in our project, the original place always being the place at the lawn where in a tent the films have been shown, during the manifestation. From some filmers we didn?t get an answer within a certain period, then the second card is dropped out. Some artists played a part by the publication they got in one of both Sonsbeek cataloques. When their project had a relation with a location, we visited it and made a photo, if not, we reproduced the concerning pages out of the cataloques. The definite form of the three booklets as they now appear, is the result of collecting and combining the 360 cards on one side a photo, on the other side the descri.

Poster for the first major retrospective for multimedia artist, scientist, city planner, and writer Bern Porter (1911-2004), hosted at the New York performance space Franklin Furnace from December 1st to 29th, 1979. The show would end up traveling to Venice, CA and Waterville, ME. Poster features a drawing of Porter's ears and nostrils by Charles J. Stanley overlaying the artist's name repeated throughout the bulk of the paper. Faint edgewear, strip of age toning near bottom left corner, very mild soiling; Very Good or better. Illustrated poster (15 x 20 inches) on white cardstock. Black ink to recto only.